Middle-Chapter Blues in Amazing Spider-Man 792

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

The middle chapters of multi-issue storylines sometimes suffer a bit. They’re not a beginning, they’re not an ending — sometimes all they can do is move a few plot points forward, hopefully in the most entertaining manner possible. The Amazing Spider-Man 792, the second installment of Dan Slott, Mike Costa, and Ryan Stegman’s “Venom Inc” crossover, is decidedly one of those middle chapters, but even in comparison to other middle chapters it suffers a bit. Continue reading

Bug! The Adventures of Forager 6: Discussion

by Patrick Ehlers and Drew Baumgartner

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

“Come now — what’s more believable? A teddy bear that talks? A ghost girl who doesn’t? Spontaneous resurrections? Infinite Realities? Or the simple fact that you’re dead?”

-Chagra, Bug! The Adventures of Forager 6

Patrick: Longtime readers of this site will know that I’ve got a limited amount of patience for stories that refuse to ground themselves. Often, this is literal — my favorite Green Lantern stories are those that tie back to Coast City, or Earth, or even just Hal Jordan. My attachment to the characters wane when they start to slip through time, space or even layers of reality. As such, I’ve always had something of a hard time with Fourth World stories and the whole cast of New Genesis characters. They’re fucking weirdos, in weird situations, somehow both a part of and separate from the multiverse. Lee, Michael and Laura Allred have been telling a story that leans into my biggest fears about Kirby’s opus, but wraps it all up by insisting on the purity of the simplest explanation: what you see is what you get. And they make “what you see” something truly worth the readers’ time.

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The Uncertainty of Youth in Runaways 4

By Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

While almost none would admit it — and probably less are even aware of it — most teenagers crave stability. Being young is a time of terrifying uncertainty — not just the almost paralyzing possibilities of the future, but the more mundane uncertainties of crushes, changing bodies, and rapidly evolving places in society. Throw superpowers and evil parents into the mix, and it’s no wonder the Runaways have often felt so lost. In lives practically defined by constant change and uncertainty, the one constant they’ve always had is each other. How are they supposed to handle losing that? Continue reading

An Unstoppable Force is not Stopped in Jean Grey 10

by Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Patrick: Superhero comics are full of unstoppable forces. Darkseid, Doomsday, Thanos — these are all bulldozers that the heroes claim to be powerless against. But, time and time again, they are repelled, resisted and defeated. That’s done out of narrative necessity. For starters, we want to see our scrappy heroes overcome impossible odds. But more importantly, if our heroes are slaughtered and their homes razed, how can the story continue? Writer Dennis Hopeless and artist Alberto Alburquerque plow headlong into their series conclusion by giving their own nuclear option a W. Continue reading

Monstro Mechanica 1: Discussion

by Michael DeLaney and Mark Mitchell

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Michael: Leonardo da Vinci is the Renaissance Man: inventor, painter, mathematician, historian — you name it and the man probably had a hand in it. His influence on human ingenuity is vast and varied. In fact, in the Comics realm, da Vinci’s “bat-winged” flying machine ended up being a visual inspiration for comics’ most popular figure: Batman. In Monstro Mechanica, Paul Allor and Chris Evenhuis make da Vinci’s marvelous mind the object of desire among devious forces at work in Florence. And while there is the titular “Monstro Mechanica” in the form of da Vinci’s mechanical man, Allor and Evenhuis cast some doubt on whether or not da Vinci’s marvelous mind makes him hero or villain. Continue reading

Sins of George’s Past Arise Once More in Star Wars 40

by Taylor Anderson

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

George Lucas has many sins to atone for. Jar-Jar Binks, Episode II, and of course the “special edition” of the original trilogy. Of this last sin, perhaps what makes it the most grievous is that it has taken that which was perfect and smeared crap all over it. While there’s a lot to complain about with the re-releases, nothing gets me more worked up than the added scene in Episode where Han encounters Jabba outside of the Millennium Falcon. The CGI in this scene is just awful and it’s clear that Harrison Ford is not actually talking to a giant slug, but simply an overweight man, as Jabba appeared in the original scene. With such sins as its burden, I though Star Wars would be careful not to repeat anything of that nature. And so it was, until Star Wars issue 40.

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Differences Unite, But Also Divide, in Hal Jordan and the Green Lantern Corps 34

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

There’s no point in having a team book if all the characters are exactly the same. Differences create tension and provide variety — the differences in opinion and methods between the various Green Lanterns, especially the four core Earth Lanterns, is the engine that makes Hal Jordan and the Green Lantern Corps run. They’re especially prevalent in issue 34, an installment that doesn’t just dive into the differences that define Hal, John, Guy, and Kyle, but that divide the Guardians and the Controllers as well. Continue reading

The Wicked + The Divine Christmas Annual 1: Discussion

by Spencer Irwin and Drew Baumgartner

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Spencer: One of the most common complaints about prequels is that everyone “already knows the ending,” but sometimes that inevitability can be an asset. Take The Wicked + The Divine Christmas Annual 1, for example. Writer Kieron Gillen and a bevy of talented guest artists fill the special with tales from the early days of the Pantheon. Most are fairly sweet and upbeat in isolation, but when viewed in context with the events that follow, suddenly become much more bittersweet. The inevitable history these characters must someday face creates extra layers of meaning for each story, making the special as a whole that much richer. Continue reading

An Odd but Lovable Couple in Despicable Deadpool 290

by Taylor Anderson

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

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Odd couples are almost always a great recipe for entertainment, if done right. For example, Independence Day‘s odd couple of Captain Steven Hiller and David Levinson (played by Will Smith and Jeff Goldblum respectively) is so dynamic that it can carry a movie that is otherwise too dumb to succeed (or is that the point?). The same point can be made about the recent arc in Despicable Deadpool, which features the unlikely partnership between Deadpool and Cable. While it was fun to see these two beat the shit out of each other for a couple issues, it’s even more fun to see them work together as an odd couple in issue 290. Continue reading

It’s Kirby vs. Lee in Mister Miracle 5

by Drew Baumgartner

Mister Miracle 5

This article contains SPOILERS! If you haven’t read the issue, proceed at your own risk.

Charlie: I’ve written myself into my screenplay.

Donald: That’s kind of weird, huh?

Adaptation

To call Adaptation “kind of weird” would be putting it mildly — ostensibly about Charlie Kaufman’s attempt to adapt Susan Orlean’s The Orchid Thief, the movie is ultimately about itself, but becomes this weird fictionalized version of itself, as Kaufman invents a twin brother to introduce hackneyed thriller elements to the film’s closing acts. It’s much, much weirder than someone simply writing themself into their own screenplay. Heck, the actual script is credited to both Charlie and Donald Kaufman, and both were nominated for an Academy Award for best adapted screenplay even though Donald is a fictional character (or, arguably, a manifestation of Charlie’s most commercial writing instincts). But I think Mister Miracle 5 might just top it for meta weirdness, serving as a kind of final word on comics’ own Charlie and Donald Kaufman — Jack Kirby and Funky Flashman. Continue reading