Oliver Casts a Long Shadow in Green Arrow 36

by Michael DeLaney

This article will contain SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

No man is an island — even an archer who spent a decent amount of time in solitude on an actual island. I like to think of Green Arrow as this solo swashbuckling hero, but in the pages of Green Arrow he’s not that, amd maybe he never was. It’s difficult to separate Oliver Queen from the many lives he has affected. Continue reading

A Statement of Purpose in Black Lightning: Cold Dead Hands 3

by Drew Baumgartner

Black Lightning Cold Dead Hands 3

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Superheroes have become so ubiquitous, we sometimes take their motivations for granted. Not everyone has a well-known origin story, so we often just accept that a given hero is fighting crime without any further explanation necessary. That may seem odd, but it’s also how most police stories go — we don’t always need an explanation for why the protagonist became a cop in the first place. But it does leave some personal investment on the table. Police stories often get around this by somehow making the case at hand personal, but that personal connection can have a lot more resonance if it reaches back to the character’s past — perhaps the very thing that drove them down this path in the first place. I hadn’t really been sweating Jefferson Pierce’s motivations — he’s a community-minded guy that happens to have superpowers, so I could believe him feeling some sense of duty — but Black Lighting: Cold Dead Hands gets specific, drawing from the real-world shooting of Tamir Rice as a kind of Uncle Ben moment. Continue reading

The Inelegance of Grief in Black Bolt 9

By Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

I just finished reading Who Killed My Daughter?, fiction writer Lois Duncan’s real life account of her daughter’s murder in 1989. It’s less a narrative, and more a collection of interviews with police, transcriptions from psychic readings, re-printed newspaper articles, and half-remembered conversations with loved ones. But the book opens and closes with the saddest, richest, most beautiful and heartbreaking mediations on love, loss and acceptance I’ve ever read. The explicitly stated point of the book was to bring tipsters out of hiding, to provoke someone who knew something to come forward, but for these moments, Duncan nakedly expresses her feelings. The truth is, the mess of primarily source documents that pad WKMD‘s page count add immeasurably to the expression of Duncan’s grief, because that’s what loss is — confusion, contradiction, a mess. Saladin Ahmed and Christian Ward’s Black Bolt 9 embraces that same messiness to say farewell to Crusher Creel.  Continue reading

Best of 2017: Best Artists

Artists

Without artists, all of your favorite characters, scenes, costumes, and locations would just be words on a page. In short, they’re the ones that make comics comics. That’s a lot of responsibility, yet the best artists manage to juggle all of those tasks and inject some meaningful art and style into the proceedings. Whether its a subtle expression or a jaw-dropping action sequence, our favorite artists add the requisite magic to make their worlds and characters real. These are our top 10 artists of 2017. Continue reading

An Attack on Steve’s Morality in Captain America 697

by Spencer Irwin

This article will contain SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Mark Waid and Chris Samnee’s take on Captain America is already drastically different from Nick Spencer’s that preceded it, doling out mostly episodic adventures in comparison to the one long story Spencer told, and focusing less on actual politics and more on the idea of Steve Rogers being a good and righteous man, and trying to inspire others to be the same. The return to simpler, more swashbuckling tales has been a nice palate cleanser, especially as readers reacquaint themselves to the original, non-Hydra version of Cap, but I’m hoping we get something a little more substantial sooner rather than later. Continue reading

Is That Chris Ware in Teenage Mutant Ninja Turtles Universe 18?

by Taylor Anderson

This article contains SPOILERS! If you haven’t read the issue, proceed at your own risk.

Chances are, if you’ve ever shown an interest in comics or graphic novels, you’ve come across Chris Ware’s work. In some ways, it could be argued that he’s America’s most well-known comic artist, given his widespread acclaim and the fact that his work frequently shows up in places like the New Yorker. However, one place I’d never expect to see his work is in a Teenage Mustant Ninja Turtles issue, but lo and behold: issue 18 of TMNT Universe. Continue reading

Bad Friends, Big Ants in Guardians of the Galaxy 150

by Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

And so the Guardians’ time as Nova Corpsmen seems to have come to an end as they finally root out the Raptor spies posing as Novas. Guardians of the Galaxy 150 wraps up the Nova arc while setting the stage for Infinity Countdown. Overall, it’s a little messy. I’ll say this for the issue though, it finally gives Ant-Man his due. Every now and then Ant-Man pulls out a show-stopping performance that makes you wonder “why doesn’t he do that ALL the time?!” Continue reading

Best of 2017: Best Writers

Best Writers

In such a collaborative medium as comics, it can be difficult to say where a writer’s influence on the story ends, but there’s no question on where it begins: words on the page. Whether they thrill, elate, chill, or deflate, the best writers create characters, settings, and situations we want to return to, again and again. These are our top 10 writers of 2017. Continue reading

Rogue and Gambit 1: Discussion

by Mark Mitchell and Ryan Mogge

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Mark: There’s a thin line between romantic pursuit and creepy, unwanted attention, and fan favorite X-Man Gambit falls too often onto the “creepy” side of that line in Kelly Thompson and Pere Perez’s Rogue and Gambit 1.  Continue reading

Uncertain Uncertainties in Batman: White Knight 4

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Despite the series being at its halfway point, I honestly don’t quite know what to make of Batman: White Knight. I still believe that Sean Murphy is a tremendous artist, but other than that, my feelings about this series are mired in uncertainty. It seems that some of that uncertainty is purposeful, inherent to the premise, but some of it feels very unintentional and frustrating. I wish it was easier to tell the difference. Continue reading