Green Lantern 8

Today, Drew and Shelby are discussing Green Lantern 7, originally released March 14, 2012.

Drew: Saying that Geoff Johns has a command over modern Green Lantern mythology goes without saying; the events (and many of the characters) that have shaped the Green Lantern universe over the past several years are his babies. It was his skill with not just the architecture, but the execution of these stories that had us so excited about all things Geoff Johns in the New 52. One might consider that excitement was misplaced, given the hit-or-miss nature of Justice League and Aquaman’s perennial status as our Retcon Punch-ing bag (until Detective Comics rightfully unseated it), but Green Lantern reveals Johns to be as commanding as ever of both the large- and small-scale details of his stories. Continue reading

Detective Comics 8


Today, Peter and Drew are discussing Detective Comics 8, originally released April 4th, 2012.

Peter:  If there is one thing I can’t do it’s throw in the towel. I’m a bit of a completionist. Sometimes, it’s really easy for me to finish something because it’s really good. Sometimes it’s really easy for me to finish something because despite it being impossibly hard, I enjoy doing it, and at the end, I feel extremely satisfied, even if completing it was stupidly hard and I probably will never be able to do it again. (Battletoads, I’m looking at you!) But I will say that continuing to read Detective Comics is putting me to the test.
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Batwing 8


Today, Patrick and Drew are discussing Batwing 8, originally released April 4th, 2012.

Patrick: At its outset, Batwing was something incredibly new for the DC Universe. David Zavimbe is the first to open a Batman Inc. franchise and his is the first series to take place in Africa. The early issues explored dark dark dark themes, toeing the line of exploitation, but this gave these early issues a relevant, almost dangerous feel to them. With two whole issues in Gotham and in the presence of Batman, Nightwing, Robin and Batgirl, Batwing loses its identity, becoming a bland, by-the-numbers comic book adventure. Continue reading

Animal Man 8


Today, Shelby and Patrick are discussing Animal Man 8, originally released April 4th, 2012.

Shelby:  There is a certain aesthetic that I find really appealing, I like to call it “scary pretty.” I love Mexican sugar skulls, Tim Burton movies, and photographing abandoned factories. There’s can be such beauty in twisted, frightening, ugly things. Obviously, Animal Man falls completely into the scary pretty category, both story-wise and art-wise. Lemire, Foreman, and Pugh have crafted something twisted and scary and beautiful and I cannot get enough of it. Continue reading

Swamp Thing 8

Today, Drew and Patrick are discussing Swamp Thing 8, originally released April 4th, 2012.

Drew: Swamp Thing is all about details. Plot-wise, this issue may be even lighter than the previous one — Swamp Thing brings the fight to Sethe’s doorstep, prompting Sethe to play his ace in the whole: a Rot-ified Abby Arcane — but the creative team continues to emphasize and elucidate themes in ways that are both exciting and rewarding. Both the narration and the art are packed with subtle detail that amplify, refract, and subvert the story in surprising ways. Continue reading

Green Lantern: New Guardians 7


Today, Patrick and Drew are discussing Green Lantern: New Guardians 7, originally released March 28, 2012.

Patrick: There are an awful lot of impossibly powerful creatures in the DC Universe. When you take the game out into the depths of space, that number rises exponentially. That’s when you start to encounter beings that refer to themselves as gods and angels. Thus the question is frequently posed: “How do you stop an unstoppable force?” Invariably, the answer is “together” – the combined strength of our heroes will save the day. But New Guardians 7 takes that “together” answer literally, making the group’s unity their ultimate weapon.
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Aquaman 7

Today, Shelby and Patrick are discussing Aquaman 7, originally released March 28th, 2012.

Shelby:   I felt hugely relieved after reading this month’s Aquaman. After the less-than-exciting conclusion to the Trench arc, followed up with a TERRIBLE issue about Mera’s trip to town, I was beginning to regret picking up Aquaman. “Maybe I was wrong,” I thought to myself. “Maybe Aquaman can only be the butt of jokes! Maybe the awesomeness he exuded in Blackest Night and Brightest Day was all an elaborate ruse by Geoff Johns to sucker people into reading Aquaman, like a huge practical joke!” Happily, this issue has assuaged my doubts with an exciting introduction to what I’m hoping will be a really fun arc about the mystery of Atlantis. 
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All-Star Western 7

Today, Peter and Drew are discussing the All-Star Western 7, originally released March 28th, 2012.

Peter: When I first picked up All-Star Western several months ago, I was skeptical. I had  read Jonah Hex in its previous incarnation, written by the same authors, but I didn’t remember much of it, and without a recent exposure to the time period I didn’t really know what to expect. I assumed it would be difficult to make a good book that was set in a completely different time period from the other New 52 books, but I was dead wrong. All-Star Western has proven to be a fantastic book that I look forward to every month.
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The Flash 7

Today, Drew and Patrick are discussing the Flash 7, originally released March 28th, 2012.

Drew: When we wrote about the Flash 6 last month, we couldn’t get over the thematic richness of that issue as it explored concepts of cause and effect through time and space. One of the reasons that issue is so satisfying is because it speaks to our own experience of events — we can arrange them chronologically, but they often have connections to distant moments in time. This is the Flash as the mortals around him (or, perhaps more importantly, comics fans) experience him; sometimes out-of-order chronologically, but never emotionally. With the Flash 7, Francis Manapul and Brian Buccellato set out to do something much more ambitious, as they put the burden of cause on our hero without any real understanding of the effect. Continue reading

Green Lantern Corps 7

Today, Shelby and Peter are discussing Green Lantern Corps 7, originally released March 21st, 2012.

Shelby:  Resolution is important in any good story-telling, but I think it’s especially important in a medium as serial as comic books. The fans have to wait a month between each installment; that’s a month of talking about what happened last month, and what’s going to happen this month. Comic book fans also develop an immense devotion to the characters they read, so much so that it’s a necessity for any huge issues, emotional or otherwise, to be dealt with accordingly. Also, sometimes you just need to take a break from the action in a comic book arc, take the time for that resolution that is so needed. I know all of this, and I agree with it, but I don’t think that means resolution issues need to be quite so boring as Green Lantern Corps 7.
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