Category Drew Baumgartner

Drew Baumgartner, Co-Editor-In-Chief
drew@retcon-punch.com

Location: Milwaukee

History With Comics: Drew grew up with Superman pajamas. His best days were when he never had to change out of them. He fell in love with Batman the Animated Series when he was 5. He had never read a comic in his life, but started reading Batman trades when he was in high school. He continued to pick up trades and one-offs throughout the 00’s, but never got into the monthly swing. After almost a decade of being an outsider looking in, Drew seized upon DC’s relaunch to start picking up monthlies.

Jan 14 2013

The Superior Spider-Man 1

Alternating Currents: The Superior Spider-Man, Drew and Patrick

Today, Drew and Patrick are discussing The Superior Spider-Man 1, originally released January 9th 2013.

Drew: What does it mean to be good? Is it about thought or action? That is, does a good person have only good thoughts, or are they simply keeping their bad thoughts from influencing their actions. The popular notion of a conscience as a little angel on your shoulder (or well-dressed cricket, depending on who you ask) suggests that we expect even the best people to consider less-than-savory options, even if they don’t ultimately act on them, but it’s ultimately one that we don’t see dramatized very often. Peter may want to stick around for his date with Mary Jane while a bank heist goes on up the street, but there’s never really any doubt that he’ll be jumping out the window in the next page or so. Otto Octavius doesn’t have that sense of duty, so when he battles with his conscience in Superior Spider-Man, we’re not exactly sure who is going to win. Continue reading →

Jan 10 2013

Detective Comics 16

Alternating Currents: Detective Comics 16, Drew and ScottToday, Drew and Scott are discussing Detective Comics 16, originally released January 9th, 2013. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

death-divDrew: Batman, as an idea, is essentially a very elaborate scared-straight program. The whole reason Bruce Wayne dresses up like a bat is because he believes criminals — a superstitious and cowardly lot — will be too afraid to commit crime in Gotham. Sure, some criminals are too cocksure to fear him, or simply don’t believe that he exists, but pretty much everybody runs once he actually shows up. Joker is different. For whatever reason — that he doesn’t feel fear, doesn’t mind fear, or just that he just sees Batman as a guy in a costume who keeps insisting that everybody take him seriously — the idea of Batman doesn’t deter Joker from crime. In fact, modern interpretations of the character suggest that he commits crimes in order to gain Batman’s attention. That notion is what’s made their struggle such a fundamental one, and also explains why the Joker has so many fictional fans — if he can not blink in the face of terror, so can others. The idea that the Joker could be an empowering figure is a fascinating one, but unfortunately, Detective Comics 16 doesn’t take the time to do it justice. Continue reading →

Jan 9 2013

Batman Incorporated 6

batman inc 6

Today, Patrick and Drew are discussing the Batman Incorporated 6, originally released January 2nd, 2013.

Patrick: There’s a moment early in this issue when Batman realizes that Talia is going to put him through the Ten Ox Herding Pictures before being able to confront her directly. Batman asks, “Can’t we just have a conversation, like normal people?” to which, Talia replies, “We’re not ‘normal people.’ We’re special.” Batman’s got a point: Batman Incorporated is in ruins and Leviathan is everywhere. To make matters worse, Talia is moments away from making Bruce choose between his city and his son — with conflict so clear and so immediate, what room is there for a Zen parable about the process of becoming enlightened? Continue reading →

Jan 9 2013

A + X 3

Alternating Currents: A + X 3, Drew and Shelby

Today, Drew and Shelby are discussing A + X 3, originally released December 19th, 2012.

Drew: Size can dictate a lot about a narrative, to the type of tone it can sustain to the very form it’s hung on. We currently seem to be in an era fetishizing ever longer dramatic narratives, hailing television shows with season-long arcs (or longer), and pouring out in droves to see stories broken into multiple epic-length films (coughTheHobbitcough). At the same time, Adult Swim has found success with very short-form comedies, and youtube clips of cats saying “no” have racked up millions of hits. It seems we’ve decided that very short stories are better at supporting comedy, while very long ones are better for drama. A + X, as a kind of clearing house for extremely short-form stories, has largely borne-out this notion, mining a series of absurd scenarios for their comedic potential. A + X 3 carries on this trend in its latter half, but opens with on much more serious (but still fun) note.

Continue reading →

Jan 7 2013

All Star Western 15

all-star western 15

Today, Taylor and Drew are discussing All Star Western 15, originally released January 2nd, 2013.

Taylor: What evil lurks in the heart of men? The Shadow, among many others, has asked this question and it is a query which each of us must face every day. Not only do we ourselves struggle to do the right thing constantly but we are more than aware of those who commit acts which most would label evil. Whenever someone does something terrible to someone else, the question always arises of where the impulse to commit that act comes from. While some might believe in the inherent evilness of man it seems much more likely that these impulses come from sort of rationalization process. This process is something we are all capable of and leads us to question how pure our own motives are. If so called “evil” acts can be rationalized doesn’t that mean we are all equally capable of committing terrible acts ourselves only to explain them away in some way? So then, if we are all capable of being “evil,” who would we be or what would we do if we followed our immoral urges? And what would happen if a potion is created that can make a seemingly good man do bad things? The fifteenth issue of All Star Western delves into these questions while at the same time indulging in some serious action.

Continue reading →

Jan 4 2013

Talon 3

talon 3

Today, Mikyzptlk and Drew are discussing Talon 3, originally released January 2, 2013. 

Mikyzptlk: Trust is both extremely hard to gain and to easy to lose. One can work for years to gain the trust of another simply to lose it all in a single encounter. The main characters of Talon, Calvin and Sebastian, have both been put in a position where they need to build trust between one another. In the world they live in, dealing with the enemies they deal with, that can be a very hard thing to do. It’s funny then that series writer James Tynion IV also finds himself in the position of building a trust with his audience. Getting new comic book characters to catch on with audiences is tough, especially considering all of the well-established characters that are out there. Convincing your audience that you have an interesting character with a story worth telling is essential for the success of  said characters. Even having Scott Snyder (who is, admittedly,  very hot right now) on board with a story credit doesn’t guarantee success, so it’s important that Tynion quickly builds trust with his audience and convinces them to stick around for the long haul. As for myself, I’m not sure if Tynion has convinced me quite yet, but this issue certainly goes in the right direction. 

Continue reading →

Jan 3 2013

Red Lanterns 15

Alternating Currents: Red Lanterns 15, Drew and Patrick

Today, Drew and Patrick are discussing Red Lanterns 15, originally released January 2nd, 2013. This issue is part of the Rise of the Third Army crossover event. Click here for complete Third Army coverage. 

Drew: Last month, Shelby and Mikyzptlk raged about how Red Lanterns 14 seemed to misunderstand the very concept of rage. While I’d love to suggest that that response was fully intended as a clever “you are there!” meta-text, that stuff is really only satisfying when the text itself actually works. When done well, the various corps should act as a shorthand for emotion, giving you a quick and dirty sense of the character’s motivations. Unfortunately for Peter Milligan, rage isn’t a particularly relatable emotion — in fact, its irrational nature makes it totally un-relatable. I don’t envy the task of pulling something compelling out of the Red Lantern corps, so I can almost excuse the fact that he wants to make his characters driven by something other than rage — except that it ultimately serves to make the characters less compelling by removing literally the only thing I know about them. This leaves Red Lanterns 15 populated by characters with no apparent motivation in situations I neither fully understand nor care about.

Continue reading →

Jan 2 2013

All-New X-Men 4

Alternating Currents: All-New X-Men 4, Patrick and Drew

Today, Patrick and Drew are discussing All-New X-Men 4, originally released December 19th, 2012.

Patrick: Time travel narratives end up appealing to our vague understandings of chaos theory and the butterfly effect (thanks Jurassic Park, for introducing those into our media-vocabulary). But usually that assumes a time-lapse: events unfold differently throughout time and our future is changed to match the changing past. All-New X-Men shows these same ripples, but throughout the present, as the emotional impact of Beast’s time-travel project effects everyone in turn. Instead of seeing a cause, and then skipping 25 years later to see the effect, we’re subjected to the slow, real pace of cause and effect. It makes for a much smarter, much more sincere time travel story. Oh and there are X-Men in it too. Continue reading →

Jan 2 2013

Red Hood and the Outlaws 15

Alternating Currents: Red Hood and the Outlaws 15, Drew and ShelbyToday, Drew and Shelby are discussing Red Hood and the Outlaws 15 originally released December 19th, 2012. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

Drew: Back when I first read Red Hood and the Outlaws 0, I was in awe of the backup revealing the Joker’s role in Jason’s life. I wasn’t sure at the time whether or not I truly believed Joker’s story (he’s not the most reliable narrator), but the thought that it could be true was a fascinating idea. One of the things that struck me about that story is that it more or less confirms that Joker knows who Batman (and by extension, the rest of the bat-family) is, a notion that has been at the forefront of the Death of the Family event. I’ve staunchly defended the possibility that the Joker is bluffing, but this issue’s focus on his relationship with Jason makes that outcome seem as remote as ever. Continue reading →

Dec 31 2012

The Amazing Spider-Man 700

Alternating Currents: Amazing Spider-Man 700, Mikyzpltk and Drew

Today, Mikyzptlk and Drew are discussing The Amazing Spider-Man 700, originally released December 26th 2012.

Mikyzptlk: I’ve always heard that, for writers, endings are the hardest part of a story to write. Most of the time, comic book writers who are helming flagship characters like Wonder Woman or Spider-Man don’t have to worry too much about coming up with an actual ending for their characters. Sure, they definitely have to come up with an ending to their story arcs, but that’s a far different thing than coming up with an ending for the characters themselves. This week, Dan Slott finds himself in the unique position of writing the ending (yeah right) of not only The Amazing Spider-Man but of Peter Parker himself. Continue reading →