Invincible 100

invincible 100

Today, Mikyzptlk and Patrick are discussing Invincible 100, originally released January 30th, 2013.

Mikyzptlk: Well, here we are at issue 100 of Invincible AND the 1st Alternating Current about Invincible. Wait, what do you mean we’ve never covered this book before? Oh boy, we’ve got our work cut out for us this time. In all seriousness, this is actually the first time that Retcon Punch is tackling Robert Kirkman’s Invincible, and it was my bright idea to start covering it at issue 100. I was hoping that the issue would begin with some kind of summary of events leading up to what was happening in the current issue to give potential new readers a chance to catch up. Instead, we jumped right in where the previous issue left off. I shouldn’t have been surprised as this is simply Robert Kirkman’s style. His comics don’t have previously pages, nor does he have his characters awkwardly dole out exposition in order to catch readers up. You’ve either read the previous issues or you haven’t. While this might make it difficult for new readers to jump aboard his series, it makes for the most seamless transitions between issues, and an overall story that feels more real. That said, it seems that Kirkman is, in fact, attempting to restore the main character to his roots somewhat, which might just make it a bit easier for new readers to jump aboard after all.

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Aquaman 16

aquaman 16 Throne

Today, Michael and Mikyzptlk are discussing Aquaman 16, originally released January 30th, 2012. This issue is part of the Throne of Atlantis event. Click here for all of our ToA coverage.

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Michael: Nothing gets me going like a dramatic reveal. I love stories wherein tables are turned and even villains fall in and out of virtue. In comics, a strikingly juxtaposed panel can make a subtle twist even more shocking. There’s something thrilling about being duped by a brilliant turn. We’re told something is true, relevant, or congruous, only to find out that some or all of these things don’t matter, and yet the story is somehow better for it. It may be that we enjoy the release of tension or delight in dashing our assumptions that makes these betrayals so enjoyable, but part of what makes them effective is context. What the hero knows determines how new information changes him. Issue 16 of Aquaman delivers some really solid twists from Geoff Johns with vivid art from Paul Pelletier and Sean Parsons to back it up, but our heroes are so clueless and mired in chaos that the impact of these bombshells are hard to gauge. Continue reading

Red Hood and the Outlaws 16

red hood 16 DoF

Today, Mikyzptlk and guest writer Pivitor are discussing Red Hood and the Outlaws 16, originally released January 23rd, 2013. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

Mikyzptlk: As we all know, there are A LOT of comics out there competing for our dollars. Books like Scott Snyder’s Batman or Brian Azzarello’s Wonder Woman attempt to push the boundaries of reader expectation and deliver tales that are legitimately astonishing to behold. I’ve given two examples from one publisher from barely over one year of publishing, but there are even more possibilities just as astounding from publishers such as Marvel, Image, Vertigo, IDW, Oni Press, Archaia, and more! That said, not every comic is great, and with so much out there to consume, it’s getting harder to convince myself to continue to spend the $2.99 a month on a book that lacks the quality of its competitors.

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Nightwing 16

nightwing 16 DoF

Today, Mikyzptlk and Scott are discussing Nightwing 16 originally released January 23rd, 2013. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

Mikyzptlk: “BOOOM” “KAKOOOM” “BOOOOOM” That is the “sound” of the Joker blowing up this series to smithereens. I’m sorry, have I gotten ahead of myself? Let me explain. A good fictional narrative will take one or more characters from point A, to B, and eventually to, you guessed it, point C. If we, the audience, are lucky, we’ll get a few good themes tossed in along the way as we watch our characters grow and progress throughout the story. A big theme behind Nightwing of late, has been “you can never go home again.” In Dick Grayson’s case, “home” was Haly’s Circus, and his recent life has been consumed with rebuilding it. It’s too bad then, that in the course of two issues, The Joker has not only destroyed Haly’s Circus, but made the series practically pointless and completely lacking of any payoff.

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Daredevil 22

Alternating Current: Daredevil 22, Drew and MikyzpltkToday, Drew and Mikyzptlk are discussing Daredevil 22, originally released January  16th, 2013.

Drew: Last month, I marveled at the reveal of Otto Octavius’s Spider-Man at the end of Daredevil 21. I thought the choice of Kirsten for that first encounter was a brilliant one, since while we expect our heroes to be in the know, we’re used to civilian friends to be kind of clueless (coughJimmyOlsoncough). Of course, Marvel is playing a much longer game with Otto in the Spidey suit, so it’s a necessity that Matt not figure things out right away, either. I’m generally wary of dramatic irony that keeps the hero in the dark — it’s too often played with an obviousness that makes the heroes come off as dumb — but Mark Waid manages to find a logical, thematically resonant reason for Matt to overlook Spider-Man’s odd behavior by tying it back to his personal life. Continue reading

Threshold 1

threshold 1

Today, Mikyzptlk and Patrick are discussing Threshold 1, originally released January 16th, 2013.

Mikyzptlk: When I first learned I’d be writing about Threshold, I was intrigued because I’m always excited to try out new comics. Unfortunately, Green Lantern: New Guardians Annual 1 happened and I suddenly began dreading this write-up. The GL:NG Annual was essentially the prologue of the main feature in Threshold, and even though I kept an open mind when reading it, I couldn’t help but remember the disappointment and frustration I felt just a short week ago. Those things are easy to remember as this series continues to have the same problem that the Annual had in that it’s WAY too wordy. Worst of all, the issue begins by committing the cardinal story telling sin of telling instead of showing.

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Chat Cave: Crossover Events

Crisis on Infinite Earths was a significant event for DC’s universe, but its more enduring legacy might just be the very concept of an expansive, line-wide event. Not all crossover events need to be quite so large — DC has recently seemed more fond of events crossing into small handfuls of titles, and only for a few months at a time. Some of DC’s Vice Presidents may balk at the notion that they seem to like events, but with over a third of their titles recently involved in one of their five ongoing events (with more announced), they’ve become all but unavoidable for fans. We here at Retcon Punch are no exception, but are these events welcome? Welcome to the Chat Cave.
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Dial H 8

Today, Taylor and Mikyzptlk are discussing Dial H 8, originally released January 9th, 2013.

Taylor: Oh, Canada. For a slew of reasons our neighbors to the north are frequently at the butt end of a joke. Whether it’s their elongated “O’s”, that their national emblem is a leaf, or that it is Justin Bieber’s homeland, the country is seldom taken seriously. Making matters worse for the common maple leaf is the constant put downs the country is subjected to by such shows as South Park. This has caused an entire generation of TV viewers to see Canada less as a country and more as a subsidiary of the United States. That Canada is in fact a first world nation with its own aspirations and political motivations is a thought which seldom occurs to the average comic book reader. However, what would happen if Canada was treated with gravitas? Would that change our views on the country or would that itself serve as a sophisticated joke? Issue 8 of Dial H delves into the mythos of Canada and at the same time has us wondering what exactly the country’s relation to Dials is anyway.

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Green Lantern: New Guardians Annual 1

new guardians annual

Today, Mikyzptlk and Patrick are discussing Green Lantern: New Guardians Annual 1, originally released January 9th, 2013. 

Mikyzptlk: Okay, I need to get this off my chest. This issue bugged me. Now, that isn’t to say that I hated it but it really managed to piss me off at the end. Before I get into anything else though, I just want to say that I absolutely loved the characterization that I got out of this issue. Star Sapphire Carol Ferris, Saint Walker and Arkillo were an absolute joy to read and I look forward to the developments seen in this issue carrying on throughout the rest of the series. That said, let’s move on to my overall point. Much like a good joke, a good narrative fiction will have a series of setups and payoffs. A writer will introduce a concept early on in a story to then use and explore it later on hopefully making their efforts as a writer worth your efforts as a reader. In that vein, if I had to describe this issue as a “Knock-knock” joke, it would go something like this: “Knock Knock.” “Who’s there?” “I don’t know, ask some other guy.” Not too funny right? In fact, some might find it a bit frustrating and “some” might just be me.

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The Flash 15

flash 15

Today, Patrick and Mikyzptlk are discussing the Flash 15, originally released January 2nd, 2013.

Patrick: Whenever a writer keeps up several narrative threads at one time, one of us will say that he or she is “spinning a lot of plates.” It’s an odd metaphor. I mean — “juggling” works just as well to express the same thing and it’s a much more common activity. My friend Pete Pfarr had a KLUTZ book that taught him how to juggle, but there sure as shit wasn’t any KLUTZ book to teach him plate spinning. So what makes that turn-of-phrase so useful in describing the storytelling in The Flash 15? Possibly because we get the sense that the stories continue (the plates continue to spin) even when we’re not watching them. But I think the real reason we use the metaphor — and the only reason we’d want to see someone spinning plates (because: boring, amirite?) — is because we can’t wait to see what happens when too many plates are spinning and they all come crashing down. Boldly, Francis Manapul and Brian Buccellato give us just that. Continue reading