Indestructible Hulk 1-3

hulk 1-3

Today, Shelby and Patrick are discussing Indestructible Hulk 1-3, originally released November 21st, 2012, December 19th, 2012, and January 16, 2013.

Shelby: The Hulk is not a complex character. He exists as rage incarnate, smashing his way through everything in his path, and basically unstoppable once he gets started. There’s no ulterior motive, no hidden agenda, no personality, just smashsmashsmash. He makes for some sweet action sequences, but that’s about it. The Hulk gets interesting when you consider his relationship with Bruce Banner. Because Banner can basically turn into a nuclear bomb at any moment, he doesn’t exactly get invited to a lot of backyard barbecues; his life has been spent in isolation, desperately seeking a cure for his chronic Hulk-itis. Mark Waid has decided enough is enough for sad science Banner, and is pointing both Banner and the Hulk in a whole new direction.
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Daredevil 22

Alternating Current: Daredevil 22, Drew and MikyzpltkToday, Drew and Mikyzptlk are discussing Daredevil 22, originally released January  16th, 2013.

Drew: Last month, I marveled at the reveal of Otto Octavius’s Spider-Man at the end of Daredevil 21. I thought the choice of Kirsten for that first encounter was a brilliant one, since while we expect our heroes to be in the know, we’re used to civilian friends to be kind of clueless (coughJimmyOlsoncough). Of course, Marvel is playing a much longer game with Otto in the Spidey suit, so it’s a necessity that Matt not figure things out right away, either. I’m generally wary of dramatic irony that keeps the hero in the dark — it’s too often played with an obviousness that makes the heroes come off as dumb — but Mark Waid manages to find a logical, thematically resonant reason for Matt to overlook Spider-Man’s odd behavior by tying it back to his personal life. Continue reading

Captain America 1-3

captain america 1-3

Today, Patrick and Shelby are discussing Captain America 1-3, originally released November 21th, December 19th, 2012 and January 16th, 2013.

Patrick: Captain America is a character defined by his time. Other characters may be products of the time during which their creators were writing them – Superman, Wolverine, Deadpool, Hal Jordan – all of these guys bear the stamps of the decades they were introduced. But that Captain America concept is frozen in time, locked in place by a character-defining opportunity to kick Nazi-ass. So how does one update the intentionally old-fashioned? It’s not even like you can just drop Steve Rogers into a modern American military conflict and watch the action play out: we’re not exactly storming beaches anymore. So where’s an old soldier supposed to feel at home? Why, a dangerous, barren wasteland that ignores the laws of physics, of course!

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Frankenstein Agent of S.H.A.D.E 16 (Final Issue)

frankenstein 16

Today, Shelby and Scott are discussing Frankenstein Agent of S.H.A.D.E., originally released January 16, 2013.

Shelby: I’m going to be honest: I just finished the last issue of Frankenstein, and I have no idea what just happened. I’m not sure what I was expecting; the last issue wrapped up so conveniently with the formation of the nigh-unstoppable undead army we’ve seen in Animal Man. Even though this issue isn’t a part of Rotworld, and even though it is the last issue of the title, I guess I thought there would be some sort of connectivity between issues 15 and 16, that we would see some kind of closure for these characters we’ve come to (briefly) know. Instead of having Frank go out in a blaze of glory, Rotworld style, or having Frank and Nina live happily ever after, Matt Kindt has returned these two to “same old, same old” and the effect is…rather hollow.
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Batgirl 16

Alternating Currents: Batgirl 16, Drew and PatrickToday, Drew and Patrick are discussing Batgirl 16 originally released January 16th, 2013. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

Drew: Themes are tricky. As a semi-abstracted element of storytelling, they require an attention to detail that simply isn’t always there, but our perennial favorites never seem to struggle. Gail Simone has proven herself particularly adept at weaving notions of fear and independence into Batgirl, creating individual issues that satisfy emotionally even when the narrative doesn’t conclude. Leave it to the Joker to throw a wrench in those gears, thwarting any sense of thematic unity — essentially generating a meta-theme of chaos. It’s a brilliant and unexpected choice that manages to make the reading experience subtly unsettling beyond the issue’s own gruesome imagery. Continue reading

Threshold 1

threshold 1

Today, Mikyzptlk and Patrick are discussing Threshold 1, originally released January 16th, 2013.

Mikyzptlk: When I first learned I’d be writing about Threshold, I was intrigued because I’m always excited to try out new comics. Unfortunately, Green Lantern: New Guardians Annual 1 happened and I suddenly began dreading this write-up. The GL:NG Annual was essentially the prologue of the main feature in Threshold, and even though I kept an open mind when reading it, I couldn’t help but remember the disappointment and frustration I felt just a short week ago. Those things are easy to remember as this series continues to have the same problem that the Annual had in that it’s WAY too wordy. Worst of all, the issue begins by committing the cardinal story telling sin of telling instead of showing.

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Batman 16

Alternating Currents: Batman 16, Drew and ShelbyToday, Drew and Shelby are discussing Batman 16 originally released January 16th, 2013. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

Drew: One of the most thrilling things about Christopher Nolan’s The Dark Knight was the surprisingly strong case it made for Joker’s way of thinking. Obviously, we aren’t meant to agree with his murderous methods, but any time he’s given a chance to explain his worldview, he actually makes a pretty compelling argument. The effect was a surprisingly nuanced take on the nature of freedom, drawing our attention to just how untenable Batman’s outlook is, as well. Scott Snyder manages a similar trick in Batman 16, making Joker’s argument alluring, even as his methods are utterly horrifying. Continue reading

Thor: God of Thunder 4

 

Today, Jack and Patrick are discussing Thor: God of Thunder 4, originally released January 9, 2013.

Jack: I’d like to start by saying that I knew a guy named Thor once. He was (and probably continues to be) a gentle, mild-mannered Army logistician of short stature, broad shoulders, and profoundly Scandinavian heritage. Most of his behaviors were marked by a kind of good-natured exhaustion and an uncomplicated gratitude for peace and merry-making. It was from him that I first learned the Ben Franklinism, “Beer is proof that God loves us and wants us to be happy.” I mention this not because it has any particular relevance to this issue of Thor, but because I am a creature of anthropocentric narratives; I require a certain amount of character development before I can engage a story, and it has become clear to me that in this case I will only get that character development if I bring it to the table myself, because Jason Aaron isn’t going to do it for me.  I don’t really have a good grasp on who or what any of these characters are, both literally (I was never good on Norse mythology) and philosophically (what is a god?). I don’t much understand why any of them do the things they do, or what that has to do with the nature of the consciousnesses that I’m likely to encounter. That’s a particular and personal fixation of mine on storytelling, and I recognize it’s not everybody’s. In other regards, the craftsmanship is more than adequate. Continue reading

Chat Cave: Crossover Events

Crisis on Infinite Earths was a significant event for DC’s universe, but its more enduring legacy might just be the very concept of an expansive, line-wide event. Not all crossover events need to be quite so large — DC has recently seemed more fond of events crossing into small handfuls of titles, and only for a few months at a time. Some of DC’s Vice Presidents may balk at the notion that they seem to like events, but with over a third of their titles recently involved in one of their five ongoing events (with more announced), they’ve become all but unavoidable for fans. We here at Retcon Punch are no exception, but are these events welcome? Welcome to the Chat Cave.
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Fantastic Four 1-3

fantastic four 1-3

Today, Shelby and Drew are discussing Fantastic Four 1-3, originally released November 14th, 2012, December 12th, 2012, and January 9th, 2013.

Shelby: Family stuff is hard. There’s something about the family dynamic, this group of people you’re stuck with, for better or for worse, for the rest of your life, that makes everything a thousand times more difficult than it would be otherwise. The Fantastic Four has the perfect storm (no pun intended) of layered family dynamics: husband and wife, children, an actual uncle, and the family friend you can call uncle, all going on a little trip. On top of all that, you’ve got the fact that all the adults are super-powered saviors of the universe, and the little trip involves traveling the very folds of time and space. Will Matt Fraction be able to balance the mundane family dynamic with the crazy space adventures? More importantly, is Reed Richards always such a dick?

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