Category Patrick Ehlers

Patrick Ehlers, Co-Editor-In-Chief
patrick@retcon-punch.com

Location: Los Angeles

History With Comics: Patrick came late to the comics game. After enjoying adaptations of Batman, Superman and the Justice League, he was finally tricked into picking up a set of graphic novels after seeing Robert Rodriguez’ Sin City. Naturally, this lead to further exploration of Frank Miller’s work, specifically with Batman. But it was not until an unexplainable desire to read Blackest Night that Patrick began purchasing the trades of Geoff Johns’ run Green Lantern. With a convenient new entry point and a handful of friends to follow him into the madness, Patrick began reading monthlies with the New 52’s Justice League #1.

New 52 Favorites: The Flash, Swamp Thing, Batwoman

Other Favorite Comics: Usagi Yojimbo, Teenage Mutant Ninja Turtles, Saga

Mar 26 2014

Weekly Round-Up: Comics Released 3/19/14

round upLook, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, Drew, Patrick, and Spencer discuss Batwoman 29, Batman and Aquaman 29, Thunderbolts 23, Avengers World 4, New Avengers 15, Nova 15, Uncanny X-Men 19, Wolverine and the X-Men 2, Superior Spider-Man Annual 2, Superior Foes of Spider-Man 10, Harley Quinn 4, Unwritten Apocalypse 3, and Teenage Mutant Ninja Turtles Utrom Empire 3.

slim-banner4Drew: I’ve never seen a writing credit on it, but I’ve always been a big fan of this quasi-famous example script from UPenn’s linguistics department. I know I’ve seen the joke used elsewhere, but there’s something so simple and satisfying about seeing a story where the feeling is expressed at the expense of any other meaning. Or, perhaps I should say: it’s funny because it defies all of our expectations of stories. Unfortunately, Batwoman 29 illustrates exactly why that kind of steamrolling of details doesn’t work in practice.

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Mar 26 2014

Superman Unchained 6

 

superman unchained 6Today, Shelby and Patrick are discussing Superman Unchained 6, originally released March 19th, 2014.

Shelby: Comic books have to be one of the most restrictive forms of media out there. As a writer, you’re stuck dealing with characters with 70-odd years of history hanging around their necks like a lodestone. Deviate too much, and millions of voices cry out in anger before you find yourself suddenly silenced (creatively speaking). But if you don’t deviate enough, you find yourself with a story that is at best seen as a cliché and at worse doesn’t make any sense because there’s no way to make sense of that much backstory. I have a lot of respect for the writers who walk that line, and walk it well; I don’t envy them the choices they have to make. While I have lauded Scott Snyder in the past for his treatment of Batman’s origin story in Year Zero, his take on the Man of Steel falls a little too close to territory we’ve tread before for me to really enjoy it.

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Mar 25 2014

Zero 6

zero 6Today, Patrick and Taylor are discussing Zero 6, originally released March 19th, 2014.

Patrick: When you read a comic book, you’re opting in to a narrative. The same is true of watching a TV show or movie (or reading some kind of non-comic book, should just a thing even exist), but following an on-going series requires a kind of continuous buy-in that just isn’t there for most other mediums. There is a cost associated with picking up your serialized entertainment this way: and not just financial — getting the most out of any one issue of Zero requires a look back at all the issues that came before it. Great example: In January, Mike and I missed that the mindblowing flashforward in issue 5 was actually foreshadowed on the first page of the first issue. So we, the audience, have to make the decision to actively participate in the story from month to month. Like good little soldiers, that’s a choice we continue to make, even when our orders don’t totally match up with what we’re experiencing.

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Mar 21 2014

American Vampire: Second Cycle 1

Alternating Currents: American Vampire 1, Drew and PatrickToday, Drew and Patrick are discussing American Vampire: Second Cycle 1, originally released March 19th, 2014.

The second button literally makes or breaks the shirt, look at it: it’s too high! It’s in no-man’s-land.

Jerry Seinfeld, Seinfeld

Drew: I spend a lot of time (maybe too much) thinking about form in narratives. Why do plot points happen when they do? How are they foreshadowed? How are they recalled? For all of my time and energy spent focused on these questions, however, I don’t have a lot of answers — theories for sure, but no solid explanations. Like, why arch forms are so pleasing to us. The return is an important part of the Heroes’ journey, but I’ve always been more satisfied with the more character-based return, like the Seinfeld quote above. It appears both in the series’ pilot and finale, and while the characters have entered a very different status quo by the series’ end, there’s something incredibly pleasing about the same turn of phrase returning verbatim. I’d like to suggest that it’s because it reinforces some fundamental truth about the characters — such that the very final scene of the very final episode is just as good of an introduction to the characters as the very first scene of the very first episode. That kind of consistency is incredibly difficult in any serialized medium, where the characters may need to settle in a bit before truly becoming themselves (and may change a great deal over the course of the narrative), but writer Scott Snyder manages a similarly impressive reintroduction here at the midpoint of American Vampire. Continue reading →

Mar 20 2014

Wonder Woman 29

wonder woman 29Today, Patrick and Scott are discussing Wonder Woman 29, originally released March 19th, 2014.

Patrick: Twitch Plays Pokemon allowed thousands of people all over the world to play one game of Pokemon Red together. This means the poor game was getting thousands of simultaneous inputs from players across the globe all with different agendas. Cultures sprang up on Reddit around specific Pokemon (which were all nicknamed hilarious things because actually typing a name in the game resulted in total nonsense) and weird little quirks of playing the game cooperatively (most famously, the Cult of Helix Fossil worked tirelessly to get the character to use a context-specific item in all contexts). Shit got weird, but it was a weirdness of consensus, a horrible democracy that gave shape to what “Twitch Plays Pokemon” means. This is largely true for long-lasting comic book characters as well — they pass through so many hands that the meta story of how they came to be can often eclipse the in-world origins. That’s why all your favorite heroes are irreconcilable messes of conflicting stories and ideas, and mixed together into one semi-coherent identity. Brian Azzarello’s Wonder Woman looks to change that for the titular heroine, giving her purpose, direction, vision and identity without having to wait for thousands of players to agree on the same input. Continue reading →

Mar 20 2014

Winter Soldier: The Bitter March 2

winter soldier 2Today, Patrick and Drew are discussing Winter Soldier: The Bitter March 2, originally released March 19th, 2014.

Patrick: Enigmatic super-soldier spies are tough to characterize. How can you reveal someone’s true nature when they’ve been trained to be a tool of their government, forsaking all personal interests? Rick Remender’s new Winter Soldier mini-series attempts to paint a picture of a man by presenting his surroundings in as much detail as possible. Even when we get a flashback to Bucky’s more formative years, it’s his mentor’s perspective we see stated directly, and not Bucky’s. It’s addition by subtraction, and the sum is a tantalizing character sketch, made all the more compelling by a faithfully realized period thriller.

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Mar 19 2014

Weekly Round-Up: Comics Released 3/12/14

round upLook, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, Drew and Patrick discuss Batman: Li’l Gotham 12, Batwoman 29, Secret Avengers 1, Green Lantern Corps 29, Manifest Destiny 5, and Daredevil: Road Warrior Infinite Comic 3.

slim-banner4Drew: In the face of increasingly daunting comic canons, I’ve become a pretty big proponent of “fanon” — a personal canon each reader cultivates to suit their own tastes. I hate to suggest that continuity and quality are mutually exclusive, but it’s hard to argue with the allure of Batman: Li’l Gotham, which has found the heart of the Batman universe without sweating the details. Then again, this week’s final collection reveals just how precise those details are. Effectively taking place in what the Timmverse would be if it had been created to reflect the pre-reboot continuity, writers Derek Fridolfs and Dustin Nguyen, treat their final installment as a retrospective on a universe that DC isn’t publishing anywhere else, revealing just how much potential it has. Also, every panel is somehow more adorable than the last. It’s more of the same, for sure, but when that same is this charming, I’ll gladly take all I can get (and hope for more down the line). Continue reading →

Mar 18 2014

Fantastic Four 2

fantastic four 2Today, Patrick and Drew are discussing Fantastic Four 2, originally released March 12th, 2014.

Patrick: I don’t like the way James Robinson writes dialogue. Don’t like it. He invents unnecessarily awkward contractions; his characters use cliché superhero rhetoric; there are frequent problems with subject-verb agreement; and he’ll mix up countable and uncountable objects (using words like “fewer” and “less” incorrectly). I can accept some of these “mistakes” as affectations of Robinson’s characters: lord knows Ben Grimm and Johnny Storm aren’t going to edit the words that come out of their mouths. But dialogue is like 5% of a comic, right? As long as the art and incident are compelling, a few glaringly stupid sentences shouldn’t bother me, right? RIGHT!? Continue reading →

Mar 17 2014

Deadpool 25

deadpool 25

Today, Patrick and Greg are discussing Deadpool 25, originally released March 12th, 2014

Patrick: In high school, I did theatre. Like a lot. Acting, directing, writing, set building, lighting, sound, Vice President of the Drama Club — I was a damned theatre rat. It was great, I loved it and built my whole life and identity around it. But I was also kind of a jerk in high school. At the height of my jerkishness, the director of our theatre program told me that she used to think I was funny, until she realized I was just mean. Which is a harsh thing for a teacher to say to a child, but I’m sure I was asking for it. I was socially destructive, and alienated all of my friends in that world. It was the nuclear option: I had hurt too many people to stay in that circle. So I bailed — on my hometown, on theatre, on all of those people that used to be my friends. Was I acting out of self-preservation or was I protecting my friends from further exposure to my toxic attitude? Deadpool 25.NOW shows Wade’s world melting down around him in the most predictable way, as the Merc with the Mouth is unable to find peace in resolution. He too bails, and whether its a selfless or selfish act is heartbreakingly ambiguous. Continue reading →

Mar 14 2014

Hawkeye 17

hawkeye 17Today, Spencer and Patrick are discussing Hawkeye 17, originally released March 12th, 2014.

Spencer: Hawkeye is consistently one of the most daring comic books on the shelf. That doesn’t necessarily mean it’s always making the biggest, most shocking moves, but it does mean that anything’s fair game when it comes to this book. An issue told from the point of view of the dog? Sure! Killing off a beloved supporting character then spending months and months revisiting the event from every conceivable angle? Why not?! Separating the main characters then dividing up the narrative between them? Seems do-able! Matt Fraction doesn’t shy away from taking risks with Hawkeye, no matter how strange or mundane, and Hawkeye 17 is one of the strangest of all. Fortunately, it’s charming as all get out. Maybe that’s the true legacy of Hawkeye: the risks always pay off. Continue reading →