Category Marvel

Jul 25 2013

Thor: God of Thunder 10

thor 10

Today, Patrick and (guest writer) The Freakin’ Animal Man are discussing Thor: God of Thunder 10, originally released July 17th, 2013.

Patrick: Oh, I got this one: there are three Thors. They represent the Father, the Son and the Holy Spirit. Together, they are the christian God, separate, but still one, and they’re in danger of being wiped out by someone who hates God(s). No, wait, maybe it’s a joke: “three Thors walk into a bar. They all order mead.” No, wait – it’s a Shakespearean tragedy, and Gorr is like Othello, driven to murdering those he cares about because he’s too wrapped up in a single thought. Shit, there’s something archetypal about this narrative, but it’s hard to nail down what that is, exactly.

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Jul 24 2013

All-New X-Men 14

all new x-men 14

Today,  Shelby and guest Charles Cress are discussing All-New X-Men 14, originally released July 17th, 2013.

Shelby: The “fake-out” is a pretty effective way to garner suspense, especially in serialized story-telling. It’s one thing to make the audience believe something, and then later in the story reveal something totally different, but when you’ve got a month between installments, that reveal is a lot more powerful. It gives the illusion more time to set in the reader’s mind as the reality of the story. Just as serialized media can increase the rewards of the fake-out for the reader, so also does it increase the risk of  reader disappointment. It’s up to the author to make an anti-climactic “just kidding!” reveal meaningful enough for the character to keep the reader from feeling unfairly tricked. Considering he’s using fake-out reveals that literally involve illusions and tricks of the mind, Brian Michael Bendis has got himself a long row to hoe with this one.

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Jul 23 2013

A + X 10

a+x 10

Today, Shelby and Taylor are discussing A + X 10, originally released July 17th, 2013.

Shelby: I don’t expect a lot when I read A + X. I figure stupid fun at best, and just stupid at worst. Usually I’m dead on the money, but sometimes these stories give me a little more than I expect. It doesn’t happen every time, and it almost never happens twice in one issue, but I’m always pleasantly surprised when it does.

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Jul 23 2013

FF 9

FF 9

Today, Patrick and Ethan are discussing FF 9, originally released July 17th, 2013.

Patrick: We recently decided to ax our coverage of the FF‘s sister series, Fantastic Four. Partially, we did this because Reed Richards is an insufferable asshole, but the series also suffered from its own apparent non-importance. The idea of the Fantastic Four’s totally episodic adventures through time and space sounded like an awful lot of fun, but they started to feel trivial pretty quickly. When you account for the Magic School Bus level of coincidence involved in some of their stories (“hey look kids, it’s Julius Cesar!”), it became clear that the story wasn’t for us. Or was it? FF’s stories have been pretty insubstantial too, but there’s something about the cast and the sense of humor we just liked more. With this issue, Fraction reveals that none of his stories have been irrelevant, and all of these threads are woven together into a single tapestry, telling personal, interested and interesting stories about the people touched by the Fantastic Four. Plus: POOL PARTY!

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Jul 22 2013

Deadpool 13

deadpool 13

Today, Ethan and Patrick are discussing Deadpool 13, originally released July 17th, 2013.

Ethan: Back in issue #7 of Deadpool, the writers and artists took us on a timewarp with a faux, never-before-printed “inventory special”. The issue was allegedly produced in the late 70s/early 80s giving the team an excuse to indulge in 10 times the saturation of pop culture references in the already saturated title. It was an entertaining  issue in its own right and a nice break after the Zombie Presidents arc. Now that Vetis is taken care of, writers Gerry Duggan and Brian Posehn and artists Scott Koblish and Val Staples are back to their tricks with another trip back to the era of disco. And if you think the bell bottoms and dated catch-phrases were flying thick and fast last time, you might want to sit down and hold onto something before you open #13. The hair is longer, the polyester is louder, and the racism is, if far from accurately depicted, at least touched on.

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Jul 18 2013

Avengers 16

Alternating Currents: Avengers 16, Drew and Patrick

Today, Drew and Patrick are discussing Avengers 16, originally released July 17th, 2013. 

…times infinity!

–Schoolyard Traditional

Drew: Infinity is an incredibly abstract concept. By its very definition, it is beyond comprehension. It is often treated — especially by children — as just a really big number, something you could multiply yesses by or supersede by adding one to. Infinity might simply be the next step in a logical progression, from hundreds to thousands to millions and so on, usually following shortly after “bazillion.” Adults are a little less prone to these misconceptions, but I can’t claim to have any true understanding of what it would mean for something to be infinite. That is, until I started reading the interminable prelude to Marvel’s Infinity event, which doesn’t feel “big” as much as it does “endless.” Continue reading →

Jul 17 2013

Indestructible Hulk 10

hulk 10

Today, Shelby and Patrick are discussing Indestructible Hulk 10, originally released July 10th, 2013.

Shelby: It’s really easy to look back at a situation after the fact, and see the obvious solution to the problem, what with hindsight being 20/20 and all that. I know it sounds like I’m making some sort of mean joke, talking about vision in an issue of Indestructible Hulk that features Matt Murdoch, aka Daredevil, the blindest lawyer/masked vigilante around, but stick with me. For Bruce Banner, great big chunks of his life are lived with only hindsight to guide him. When he turns into the Hulk, he loses his control; all he can do is look back when it’s all over and try to assess what happened, maybe even learn something useful about the Hulk for next time. Banner moves forward as himself by constantly looking back to when he was the Hulk. It’s not ideal, but I guess hindsight is better than no sight, am I right Matt? Ok, one mean joke…
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Jul 17 2013

Uncanny X-Men 8

uncanny x-men 8

Today, Patrick and Ethan are discussing Uncanny X-Men 8, originally released June 10th, 2013.

Are there demons? Please no Dormammu please no Dormammu please no Dormammu… Oh, thank God.

-Fabio “Gold Balls” Medina

Patrick: Scott Summers and the New Uncanny X-Men have spent the last three issues stuck in purgatory. I’m being literal, but what the hell – it’s a metaphor too. The fall-out from the Avengers’ battle with the X-Men has left the mutant leadership in ruins, their superpowers in shambles, and even fractured our heroes’ goals. Illyana Rasputina Conquers Purgatory featured some fantastic art; Frazier Irving rendered Dante-level hellscapes marvelously, but the story had started to spiral around obscure minutae of the Marvel world, all personified by Dormammu. Fabio starts the issue basically praying to be done with Dormammu – when he opens his eyes to see a familiar sight, home, his relief is our relief. The X-Men are back where they belong. Continue reading →

Jul 16 2013

Hawkeye 12

Alternating Currents: Hawkeye 12, Drew and Spencer

Today, Drew and Spencer are discussing Hawkeye 12, originally released July 10th, 2013.

Drew: What is it that excites you most about a narrative? Or, what element of a story is so important to you that you might overlook other issues? Obviously, there’s a baseline for quality, but in a pinch, some of us might excuse weak plotting if the character work is good, or flat characters if the story is exciting enough. For me, that magic element is form. I’m willing to excuse wrote plotting or stiff characters as long as the story is told to me in a new way. Hawkeye has never suffered from either of those problems, but its recent discursive plotting and focus on seemingly every character except Clint has the potential to bore plot- and character-philes. Its form, on the other hand, has been absolute crackerjacks. Issue 8 kicked of a series of issues — each from a different perspective — that have revisited scenes time and again, each offering a different perspective on the events. It’s part Roshomon, part A/B plotting, creating a hybrid form that keeps each episode emotionally satisfying, all while weaving an incredibly dense chain of events. Hawkeye 12 adds Barney Barton to the mix, mining a great deal of pathos from the brothers’ childhood. Continue reading →

Jul 15 2013

Fearless Defenders 6

fearless defenders 6

Today, Patrick and Taylor are discussing Fearless Defenders 6, originally released July 10th, 2013.

Patrick: Hey guys: GENDER IN COMICS! If there’s one thing we get whipped into a frenzy about on a fairly regular basis over here at Retcon Punch, it’s the portrayal of women in superhero comics. And with good cause: not only is there a decades-long tradition of turning female characters into disposable subjects of the leers and catcalls of male readers, but the inequity between male and female characters continues to this day. When DC relaunched it’s line two years ago, the editors found a home for 4 different past male-Robins, but couldn’t be bothered to include Stephanie Brown in their ranks. Why? The same can be said about Earth’s Green Lanterns: Guy, John, Kyle and Hal were all zipping around the universe, but whither Jade? And even a series like Fearless Defenders, which in 6 issues has only featured one named male character, seems to be plagued with gender problems: occasionally-cheesecakey art; a hysterical, flakey lead; and now the ubiquitous woman in a refrigerator. But it is possible that we put too much responsibility on these all-women series to be paragons of gender equality?
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