Avengers 43

avengers 43

Today, Ryan and Mark are discussing Avengers 43, originally released April 1st, 2015. 

Uneasy lies the head that wears a crown

William Shakespeare, Henry IV

Ryan: It has been said that absolute power corrupts absolutely, and history remembers figures like this with no small sense of disdain. However, what of those leaders who came to reign under the most noble of intentions, who yet were forced to make decisions universally agreed upon as damnable? Jonathan Hickman and Stephano Caselli have taken readers on a convoluted and bumpy road in Avengers, and along the way have raised some sticky questions in regards to morals under duress. In this penultimate issue, we see how the crown of an empire and the Damoclean burden of genius can incite or deter an extinction. Continue reading

Spider-Gwen 3

spider-gwen 3

Today, Patrick and Taylor are discussing Spider-Gwen 3, originally released April 1st, 2015.

Patrick: Last week, Drew and I posited that Amazing Spider-Man 17 was about Peter Parking being a bad grown-up. So much of Peter’s identity is tied up in childish — specifically teenage — tropes, that the character has very little sense of agency. He’s reactive more than active. Peter doesn’t have a plan for when he arrives three hours late to his Aunt Mae’s birthday party because he was out fighting the Green Goblin, he just yammers and stammers until he’s ostracized everyone he loves. ASM 17 saw a push away from that attitude with the help of Peter’s sorta-girl-friend-but-not-really (look, Spider-Man got complicated for a while there), but no matter how many opportunities for growth our Spider-Man has enjoyed over his 50 year history, fresh Spider-Man analogues have to start back at square one. Of course, teenage drama might look a little different with the genders reversed. Spider-Gwen 3 ends up being a frustrating exploration of navigating the tough decisions as a teenage Spider-Woman. Continue reading

Rocket Raccoon 10

rocket raccoon 10

Today, Spencer and Drew are discussing Rocket Raccoon 10, originally released April 1st, 2015.

Spencer: Every comic character has a certain formula inherent to their stories. That’s not to say that every Batman or Superman story is the same, but think about how often you used to see Batman entangled in a death trap, or nowadays see him facing the destruction of his city, or Superman duking it out with a heavy-hitter over Metropolis. There’s more than enough variations on these stories to stop them from all being rehashes, but my point is that I can often just glance at a plot synopsis and immediately tell, “Oh yeah, that’s a Superman story” or “Oh yeah, that’s a Batman story. ” Skottie Young and Jake Parker’s Rocket Raccoon 10 is one of those issues that fits every requirement for a Rocket Raccoon story to a “t.” It’s very much a “standard” Rocket Raccoon story, but in achieving that status, it’s lost any sort of identity of its own. Instead of standing out, it blends in, to the point where I feel like I’ve read this story before. Continue reading

The Amazing Spider-Man 17

amazing spider-man 17

Today, Drew and Patrick are discussing The Amazing Spider-Man 17, originally released April 1st, 2015.

O, I am fortune’s fool!

William Shakespeare, Romeo and Juliet

Drew: Of all the heroes in Marvel’s pantheon, Peter Parker might be the most defined by his passivity. I don’t mean to say that he never takes decisive action, just that it’s almost always reactionary. Heck, he doesn’t even play a key role in his own origin — the spider bites him, then Peter lets the robber get away instead of doing something. This manifests itself in his perpetual bad luck, that is, outside forces that always make his life harder. It makes for great drama, but after a while, it also starts to paint Peter as kind of incompetent. Why is he always stammering for a cover story? Why is he always facing off against the same bad guys? Why is he always running out of web-fluid? The smartest part about The Superior Spider-Man was pointing out these obvious areas for improvement, shaking up the formula of Spider-Man as we know him. It was an exciting development, but Peter’s return to his body was also a return to form, failing to capitalize on many of Otto’s inarguably superior developments. Amazing Spider-Man 17 finds Peter coming up against some of those age-old problems, but this time, Anna Maria doesn’t have the patience to watch him keep bumbling through them. Continue reading

Daredevil 14

daredevil 14

Today, Spencer and Ryan are discussing Daredevil 14, originally released March 25th, 2015.

Spencer: One advantage visual mediums such as comics, movies and television have over other mediums is the ability to tell two stories at the exact same time. One of my favorite examples comes from Season Four of Mad Men, where Don’s secretary, Miss Blankenship, dies in the office as the partners are having a meeting with a very important client. As the camera focuses on the clients and we hear only their dialogue, in the background the rest of the staff tries to remove Blankenship’s corpse from the office without the clients noticing. It’s a brilliant bit of dark humor, but I’m always impressed by how well the show tells that second story in the background without a single line of dialogue, even as the audience’s attention is divided. Mark Waid, Chris Samnee, and Matthew Wilson manage to pull off similar feats multiple times in a single issue with Daredevil 14 — it’s absolutely dazzling — but also get a lot of mileage out of the stories playing out behind the scenes that nobody notices. Continue reading

Uncanny X-Men 32

uncanny xmen 32

Today, Taylor and Michael are discussing Uncanny X-Men 32, originally released March 25th, 2015.

Taylor: In the modern world revolution has become sexy. One has but to look at our continued fascination with James Dean and Che Guevera to realize this. One reason for this obsession with revolution is that we always love new things and, if nothing else, revolution promises something new and different. However, strip away the romanticized version of revolution and you’re left with something much less appealing. In particular, the likes of the ongoing war in Syria comes to mind. In the end while we appreciate the fruits of revolution the actual process of it turns out to be quite messy. Uncanny X-Men 32 explores the difference between the perception of revolution with the reality of it to mixed results. Continue reading

Princess Leia 2

princess leia 2

Today, Michael and Patrick are discussing Princess Leia 2, originally released March 18th, 2015.

Michael: Having just started its sixth season, Community is a completely different show from what it was in its first three seasons. Series creator Dan Harmon was fired after season 3, but returned for a 5th and now 6th season. The show has wisely tip-toed around most developments from Season 4, which, for it’s Harmon-less-ness, is universally considered to be the worst season of the series. While Harmon has salvaged some ideas from that season, it is probably best to leave Season 4 alone for the most part, not having its particular stink effect the future storylines too heavily. I’d argue that Disney and Marvel should take the same approach to the dreaded Star Wars prequels. I’m not gonna go on a huge diatribe about why the prequels were bad, the internet is full of such litanies. Listen, I get it. I was 10 years old in 1999; The Phantom Menace was my jam and I played ridiculously hard Star Wars games on PS1 like Jedi Power Battles. But let’s call a spade a spade: the prequel trilogy = not so great. So when examining a book like Princess Leia 2, where our heroine visits her birthmother’s home planet of Naboo, it’s hard not to think of less pleasant experiences in a galaxy far, far away.

Continue reading

Loki: Agent of Asgard 12

loki 12Today, Spencer and Patrick are discussing Loki: Agent of Asgard 12, originally released March 18th, 2015. 

slim-banner

“It’s not who you are underneath, but what you do that defines you.”

Rachel Dawes, Batman Begins

Spencer: If there’s one character who’s taken these words to heart even more than Batman, it’s Loki. From its very first issue, Loki: Agent of Asgard has been about Loki attempting to change his destiny by erasing the sins of his past and replacing them with noble missions. If nobody could remember his crimes, then surely that would make him a good person, right? On that same wavelength, King Loki poses a threat because his actions threaten to trap his young counterpart in the role of “villain” for all of eternity. It’s this idea of a narrative defining a character, established over 12 issues, that makes King Loki’s big twist hit so hard: actions mean nothing. Loki is Loki, and nothing can change that. Continue reading

Silk 2

Alternating Currents: Silk 2, Drew and Spencer

Today, Drew and Spencer are discussing Silk 2, originally released March 18th, 2015.

That’s gonna be a…you know, a…fascinating transition.

Walter Bankston, Unbreakable Kimmy Schmidt

Drew: And just like that, Silk‘s story of a girl trying to make it in New York after spending several years in a bunker has entered the zeitgeist…as the logline of Unbreakable Kimmy Schmidt. Two narratives having similar premises and release dates is a common phenomenon in Hollywood, from A Bug’s Life and Antz to The Prestige and The Illusionist, and while the similarities are often superficial, the perceived sameness can rob both narratives of their sense of originality. Silk has the benefit of being released first (with its title character’s origin introduced back in Amazing Spider-Man 4), but Unbreakable Kimmy Schmidt has managed to get more of its story out quicker. I’m not ashamed to admit that I’ve already watched every episode of Kimmy Schmidt (which may explain why I’m picking up on the similarities so strongly), so I’m decidedly biased in terms of who owns the narrative, but the overlap actually lends Silk 2 the familiar charm of a series that has been around much, much longer. Continue reading

Howard the Duck 1

howard the duck 1

Today, Patrick and Ryan are discussing Howard the Duck 1, originally released March 9th, 2015.

Patrick: Why do you take a chance on buying a brand new issue of a brand new comic book series the day it comes out? When you think about it, you’re taking a pretty big risk regarding the quality of the thing you’re about to read. I suppose the worst thing that can happen is that you’re out four bucks and about eighteen minutes. But there are so many damn comics, and I know I’m always looking for place to cut my pull. Number ones, though? I roll the dice on those several times a week. But for every number one I do read, there are like 80 I don’t. So what’s the alchemy that made me pick up Howard the Duck 1 over, I don’t know, Spawn Resurrection 1? The character? The publisher? The artist? The writer? That’s a question the issue itself poses: how did you come to Howard the Duck? Continue reading