Category New 52

Feb 5 2013

Talon 4

talon 4

Today, Shelby and Patrick are discussing Talon 4, originally released January 30th, 2013. 

Shelby: Starting a new comic book has got to be a tricky affair. Your story, your character, could potentially end up part of cannon forever and ever; there’s a lot of pressure to get it right. As a creator, you have to balance between giving the book the time it needs to grow roots and keeping the readers interested long enough to have that kind of time. Take too long getting to the point of the book, you’re gonna lose your audience: slap something together, and you don’t have a character with any sticking power. With all that in mind, is it a problem for Scott Snyder and James Tynion that I’m still not sure where this book is going? More importantly, does it matter if I’m enjoying the ride? 

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Feb 4 2013

Superman 16

superman 16 Hel

Today, Patrick and Drew are discussing Superman 16, originally released January 30th, 2013. This issue is part of the H’el on Earth crossover event. Click here for complete H’el on Earth coverage.

Patrick: You know that knock-knock joke that goes “Knock-knock.” “Who’s there?” “Banana?” Of course you do, we were all kids once. It’s a simple exercise in tension and release: when you hear “orange,” you get a visceral little rush knowing the “orange you glad I didn’t say banana” is mere moments away. The Justice League’s assault on the Fortress of Solitude has been one long Banana Knock-Knock joke. But when we finally get the “orange,” the door we’re knocking on teleports somewhere else, making me wonder why the fuck we’ve been putting up with this jokester saying “banana” for so long.

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Feb 4 2013

Teen Titans 16

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Today, Shelby and Drew are discussing Teen Titans 16, originally released January 30th, 2013. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

Shelby: What is the point of being a villain? Some do it out of greed, like the Penguin, others for a cause, like Poison Ivy. Then there’s the Joker, who’s just a psychopath. The source of his villainy is insanity; he is chaos incarnate. You’d think that would make it easier for writers to use the Joker in their stories. Just think of the craziest, most out there plan, add some gratuitous murder and cruelty, and you’re done, right? Wrong-o. The Joker is chaos, but he’s directed chaos. He has an end point in mind, there is a “reason for his madness.” Batgirl  plays with the core idea that the Joker’s latest spree is based on love with a twisted wedding. Batman and Robin also ties back to love, either the love of Robin for Batman or the love of a son for his father, depending on whether or not you believe the Joker knows who everybody is. Teen Titans and Red Hood, however, have a tougher time showing us that central theme of love, so that at the end of the issue I’m left wondering, “what was the point?” Continue reading →

Feb 1 2013

Green Lantern Corps Annual 1

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Today, Shelby and Drew are discussing Green Lantern Corps Annual 1, originally released January 30th, 2013. This issue is part of the Rise of the Third Army crossover event. Click here for complete Third Army coverage. 

Shelby: The Green Lantern Corps is having a very “out of the frying pan, into the fire” kind of day. This issue’s got a lot of moving parts, so I’m just going to dive right in.

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Feb 1 2013

Aquaman 16

aquaman 16 Throne

Today, Michael and Mikyzptlk are discussing Aquaman 16, originally released January 30th, 2012. This issue is part of the Throne of Atlantis event. Click here for all of our ToA coverage.

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Michael: Nothing gets me going like a dramatic reveal. I love stories wherein tables are turned and even villains fall in and out of virtue. In comics, a strikingly juxtaposed panel can make a subtle twist even more shocking. There’s something thrilling about being duped by a brilliant turn. We’re told something is true, relevant, or congruous, only to find out that some or all of these things don’t matter, and yet the story is somehow better for it. It may be that we enjoy the release of tension or delight in dashing our assumptions that makes these betrayals so enjoyable, but part of what makes them effective is context. What the hero knows determines how new information changes him. Issue 16 of Aquaman delivers some really solid twists from Geoff Johns with vivid art from Paul Pelletier and Sean Parsons to back it up, but our heroes are so clueless and mired in chaos that the impact of these bombshells are hard to gauge. Continue reading →

Jan 31 2013

The Flash 16

flash 16

Today, Patrick and Scott are discussing the Flash 16, originally released January 30th, 2013.

Patrick: We expect our heroes to bravely sacrifice themselves for the greater good. If we’re blessed with complex characters, we can even expect this of our anti-heroes. But what about our ancillary characters? With the smoke-screen of a superheroic battle for the fate of city, real-world sacrifices tend to go unnoticed. Francis Manapul and Brian Buccellato deliver plenty of that bombastic hero action, but bury under it the sad, frustrated story of Iris West.  Continue reading →

Jan 30 2013

Superboy Annual 1

superboy annual 1

Today, Shelby and guest Freakin’ Animal Man are discussing Superboy Annual 1, originally released January 23rd, 2013. This issue is part of the H’el on Earth crossover event. Click here for complete H’el on Earth coverage.

Shelby: I’m usually pretty excited for annuals. They’re an extra opportunity to spend time with the books I’m reading; about twice as long, and often separate from the main continuity, for me annuals are a fun, special thing to read. Lately, however, my streak with annuals has not been so great. I hated the New Guardians annual, because it was so removed from main continuity as to be an intro to a new book. Moreover, DC led me to believe otherwise by showing me a cover featuring Kyle, and then changing the coloring slightly to have the cover actually feature Jedidiah Caul of Threshold. I’ve got a similar complaint here with the Superboy annual; DC promised me Rose Wilson, daughter of Slade Wilson a.k.a. Deathstroke, and gave me a regular issue stretched out to annual length by repeating the same terrible dialogue and character posturing over and over again. Continue reading →

Jan 30 2013

Red Hood and the Outlaws 16

red hood 16 DoF

Today, Mikyzptlk and guest writer Pivitor are discussing Red Hood and the Outlaws 16, originally released January 23rd, 2013. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

Mikyzptlk: As we all know, there are A LOT of comics out there competing for our dollars. Books like Scott Snyder’s Batman or Brian Azzarello’s Wonder Woman attempt to push the boundaries of reader expectation and deliver tales that are legitimately astonishing to behold. I’ve given two examples from one publisher from barely over one year of publishing, but there are even more possibilities just as astounding from publishers such as Marvel, Image, Vertigo, IDW, Oni Press, Archaia, and more! That said, not every comic is great, and with so much out there to consume, it’s getting harder to convince myself to continue to spend the $2.99 a month on a book that lacks the quality of its competitors.

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Jan 30 2013

Justice League 16

Alternating Currents: Justice League 16: Drew and ZachToday, Drew and guest writer Zach Kastner are discussing Justice League 16, originally released January 23rd, 2013, This issue is part of the Throne of Atlantis crossover event. Click here for complete ToA coverage.

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Drew: “What if there was a problem so big, Superman couldn’t solve it?” is the question the Justice League was designed to answer. This was something Johns managed quite well in this series’ first arc, justifying the League’s formation with a truly global threat. This issue effectively voids that answer by asking “yeah, but what if there was a problem so big even the Justice League couldn’t solve it?” Continue reading →

Jan 30 2013

Blue Beetle 15-16

blue beetle 15-16Today, Patrick and Drew are discussing Blue Beetle 15 and 16, originally released December 19th, 2012 and January 23rd, 2013.

Patrick: There’s a point in issue 16 where Moonrunner refers to being stuck in The Hunted as “a fate worse than death.” It’s a hyperbolic cliche — one that gets trotted out whenever a writer wants to artificially heighten the stakes. The phrase caries an added significance here in the final pages of Blue Beetle. If the Jaime Reyes dies here, then his story ends, and the bittersweet message he recorded for his family serves as a poignant farewell to the emotional origins of this character. But if Jaime Reyes survives this series, he’ll be put into the reality / game show “The Hunted,” which means he will linger on lifelessly in the pages of the largely abysmal Threshold. For anyone attached to the Blue Beetle, seeing him languish in another series (just as this one was starting to feel real again) is a fate worse than the character’s death.

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