The Movement 3

movement 3

Today, Spencer and Scott are discussing The Movement 3, originally released July 3rd, 2013.

Spencer: What responsibility do I have to change the world? Are my actions making the world a better place to live in, or a worse one? Hopefully we’ve all considered these questions at one point or another in our lives—with all the riots and movements in the media now, it’d be hard not to—but if you haven’t, The Movement 3 will probably change that. As its characters grapple with these questions, its hard not to ask them of ourselves as well.

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Trinity of Sin: Phantom Stranger 10

phantom stranger 10 trinity

Today, Patrick and Taylor are discussing Trinity of Sin: Phantom Stranger 10 originally released July 3rd, 2013. This issue is part of the Trinity War crossover event. Click here for our complete Trinity War coverage.

trinity war divPatrick: Comic books have an unhealthy relationship with death. For superheroes and their enemies and friends and families, death is a temporary setback. It’s such a common assumption that heroes will come back from the dead, and that assumption affects our language as we talk about these characters. Here’s a good example — in the blurb introducing the new Marvel series Superior Foes of Spider-Man, the editor explains the conceit of the series by saying:

…One thing they have in common is their shared hatred for their nemesis, the Superior Spider-Man — even if he’s possessed by their old boss Otto Octavius at the moment.

At the moment?” Dude, come on, let’s commit to the idea that Peter Parker is dead. Otherwise, he’s not dead — he’s on vacation. So, it’s nice a character so integral to DC’s mythology journey all the way to heaven only to discover that he can’t just pluck the souls of his family from the afterlife.

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Green Arrow 22

green arrow 22

Today, Shelby and Patrick are discussing Green Arrow 22, originally released July 3rd, 2013.

Shelby:  Last night I was hanging out with friend and fellow writer Taylor; we’re going to the steampunk weekend at the Bristol Renaissance Faire, and we needed to spend some time crafting toy guns into steampunk weaponry. After adding some gears and coils to the rubber band shooter he’s going to use, Taylor started to play around with some copper wire, but ultimately decided to keep it simple with what he already had. It’s easy to give in to the temptation to add more stuff to a craft project because you can, but it’s important to know when something is finished, to keep things simple instead of cluttering your project with unnecessary extras. Jeff Lemire is the king of keeping things simple; his books may not have a lot going on, story-wise, but he definitely knows how to use simplicity to let a book shine.

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The Private Eye 3

private eye 3

Today, Drew and Patrick are discussing The Private Eye 3, originally released June 28th, 2013.

Technology is an enabler of rights, not a right itself.

Vinton G. Cerf
The New York Times

Drew: In 2009, the highest court in France declared access to the internet a basic human right. In 2010, Costa Rica’s Supreme Court issued a similar ruling. Greece even wrote that right into their constitution. I tend to agree more with Vinton Cerf’s op-ed piece (quoted above) than the courts and councils of these countries, but that only dredges up the stickier question of what rights are enabled by the internet? The freedom of speech is an obvious example, but it also obviously existed before the internet. Sure, the internet facilitates the distribution of ideas, but so does being published by Random House, and nobody would claim that publishing contracts are an inalienable right. To me, the internet isn’t nearly as much about the freedom of speech as it is about the freedoms of convenience and anonymity. I would argue that neither of these are rights, per se, but does something need to be a right for someone to feel injustice when it is taken away? More importantly, how might that sense of injustice deform society? This seems to be the question at the heart of Private Eye — and the reason its setting doesn’t simply resemble a pre-internet world. Continue reading

Trinity of Sin: Pandora 1

pandora 1 trinityToday, Patrick and Mikyzptlk are discussing Trinity of Sin: Pandora 1 originally released July 3rd, 2013. This issue is part of the Trinity War crossover event. Click here for our complete Trinity War coverage.

trinity war divPatrick: After reading through the first issue of Trinity of Sin: Pandora, I went back and reread Ray Fawkes’ masterpiece – One Soul. The book is beautiful: it’s a sprawling, 200 page meditation on birth, sex, death, life, love, disappointment, god, war – all as told through the eyes of 18 people throughout history that never meet, never interact. None of these characters are named, but they always occupy the same single panel in each spread. When they die, their panel just goes black, and remains that way for the rest of the book. By all accounts, One Soul is a slog. It’s hard to parse out the meaning in 18 different rambling monologues, and every time you do zero in on a character, Fawkes takes them away in a tragedy of circumstance. It’s disorienting and it’s heartbreaking. The middle of this issue shares a lot of these qualities as Pandora hopelessly wanders the Earth for centuries, experiencing unspecified loss over and over again. This directionless wandering is bookended by dense DC mythology, emphasizing the long, meandering, often pointless nature of these big superhero universes. But just because they’re long, just because their meandering, just because they are often pointless, doesn’t mean they’re not also beautiful.

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Batman Incorporated 12

Alternating Currents: Batman Incorporated 12, Drew and Patrick

Today, Drew and Patrick are discussing Batman Incorporated 12, originally released July 3rd, 2013.

Drew: I don’t know when exactly I learned the phrase “grand finale,” but for much of my childhood, I only associated it with Fourth of July fireworks shows. I don’t know if it was just youthful impatience, or just excitement over getting to use those special words, but that was the only part of the show I ever cared about — who wants to see brilliant explosions paced out slowly when they can all go off in rapid succession? To some degree, I think there’s still an expectation for finales to be grand — remember everyone’s reaction to The Sopranos finale? — even if that ignores that narratives aren’t the same thing as fireworks shows. A satisfying conclusion to a narrative features consequents to the antecedents set up throughout the story, effectively closing all of the open parentheses. That job is already tough (think of how many otherwise decent stories have been totally ruined by a botched ending), but becomes exponentially tougher as the antecedents and open parens pile up over the years — especially when Grant Morrison is writing. His Batman Epic has been truly epic — it features both a global scope and a historical perspective, and has introduced countless characters, relationships, and histories — all of which require additional consideration as the story winds to its close. This entire final chapter of Batman Incorporated has been about starting that process, but issue 12 suggests that Morrison might actually intend to close ALL of his open parentheses AND give us the grand finale our inner child has been begging for for the past seven years. Continue reading

The Superior Foes of Spider-Man 1

superior foes of spider-man 1

Today, Ethan and Drew are discussing The Superior Foes of Spider-Man 1, originally released July 3rd, 2013.

Ethan: It’s easy to make snap judgements about people when you’ve only known them for a short time, whether it’s a new face at a house party or a new coworker or neighbor who’s just moved in. Once you get to know someone better — say you decide to start renting with your partner, or you share a cubicle with the new guy long enough that he’s no longer the new guy — your opinion of them shifts, often for the better and the worse all at once. You learn about their ambitions and family and past experiences, and little things you didn’t even notice at first become pet peeves or endearing quirks. In Superior Foes of Spider-Man #1, writer Nick Spencer is betting the farm on that phenomenon with a more personal look at the day-to-day lives of the latest Sinister Six.

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Nova 5

nova 5

Today, Patrick and Drew are discussing Nova 5, originally released June 27th, 2013.

Beru: Owen, he can’t stay here forever. Most of his friends have gone. It means so much to him.

Owen: I’ll make it up to him next year, I promise.

Beru: Luke’s just not a farmer, Owen. He has too much of his father in him.

Owen: That’s what I’m afraid of.

-Star Wars, Episode IV: A New Hope

Patrick: It’s not uncommon for our space heroes to have impossible family legacies to live up to. Luke Skywalker would come to define himself by how he chose to respond his father’s every action. Darth Vader isn’t evil — he’s over zealous, he gets in over his head and uses his considerable powers to get what he wants. He’s an old man in need of redemption, and Luke’s the only person to see that — because they’re so much alike. This conversation between Luke’s adopted aunt and uncle holds the perfect amount of mystery and specificity to tease some meaningful depth about the character. In Nova, Sam’s father’s reputation looms similarly large, but no one has anything nearly so interesting to say about him. Continue reading

Fantastic Four 9/FF 8

fantastic four 9 ff 8Today, Shelby and Ethan are discussing Fantastic Four 9 and FF 8, originally released June 19th, 2013 and June 26th, 2013, respectively.

Shelby: Everyone makes mistakes. There’s no way around it. Personally, I think it’s a better judge of character to see how a person deals with their mistakes, and less so that the mistakes were made in the first place. It’s important to admit when you’ve messed up and take responsibility fr your actions, but the gesture rings a little hollow when you don’t actually expect to be held responsible. Or if you can just go back in time and undo what you did: how will you learn from a mistake if you can just erase it? Moreover, if you aren’t going to be held responsible for what you did, and you can’t undo it no matter how badly you may want to, can you really forgive yourself?
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