Action Comics 40

action comics 40

Today, Spencer and Mark are discussing Action Comics 40, originally released March 14th, 2015.

Spencer: In preparation for the premiere of its final season next month, I’m currently in the process of rewatching Mad Men from beginning to end. Meanwhile, my best friend just got into House of Cards, and has shown me a few episodes in hopes of getting me to watch it as well. I guess it worked — the first episode hooked me right away — but I already know that there’s no way I’ll be able to go straight from Mad Men‘s unending cycles of dysfunction to House of Cards‘ cynical wheeling and dealing; it’s simply too much darkness back-to-back. I need some sort of comedy as a palette-cleanser between the two series, and I get the feeling that Greg Pak and Aaron Kuder were dealing with a similar dilemma when they came up with the idea behind Action Comics 40. After the angst of the massive “Doomed” crossover and the horror-centric Ultra-Humanite story, the title was in dire need of a fun, goofy story to lighten the mood, and Bizarro’s story here certainly succeeds in doing just that. Continue reading

Action Comics 38

Alternating Currents: Action Comics 38, Suzanne and Drew

Today, Suzanne and Drew are discussing Action Comics 38, originally released January 7th, 2015.

Suzanne: Have you ever read a story arc that you didn’t quite connect with? A few years back, I picked up Geoff Johns’ Blackest Night and was disappointed that it didn’t have the emotional punch for me that so many other readers felt. Maybe I was at a disadvantage — I was unfamiliar with the pre-New 52 universe and this was my introduction to many of the characters. Then I read the first few issues of Johns’ Justice League when the members confront the ghosts of their dead loves ones. For example, Thomas and Martha Wayne appeared and told Bruce how disappointed they were in his choices in life. Again, I didn’t have a strong reaction to the story because the stakes didn’t feel as real. Action Comics 38 includes a horror zombie version of Jonathan and Martha Kent. So can Greg Pak revive what has become a (somewhat) tired trope and also bring renewed focus to a series overshadowed by the recent “Superman: Doomed” crossover? Continue reading

Action Comics 37

action comics 37Today, Patrick and Drew are discussing Action Comics 37, originally released December 3rd, 2014. 
Patrick: The opening to Jaws is just about perfect. A beautiful young woman indulges herself in a (probably drunken) morning swim. It’d be an idyllic scene but for the foreboding sense that this moment is somehow too precious for a movie with a giant shark on the poster. When the inevitable shark attack happens, the audience is briskly snapped away from the pleasant scene and tossed back and forth like the film’s first victim. The violence is jarring, not because it’s particularly graphic or believable (there’s no reason a shark would drag someone around the surface of the water for so long), but because we’re able to feel the loss of the pleasantly banal moment that came before. Action Comics 37 plays a similar trick, insisting on a Smallville that’s apparently very serene, until that very serenity ends up be just as creepy as any external threat Superman can face. Continue reading

Action Comics 36

Today, Shane and Taylor are discussing Action Comics 36, originally released November 5th, 2014. 

Shane: Horror in comics has recently hit a major revitalization. Heralded by the meteoric success of The Walking Dead, we’ve seen such titles as American VampireUzumaki and Locke & Key emerge to terrify the market. Even mainstream superhero books like Animal Man and X-Men have made real attempts to embrace the horror genre, but, honestly, answer me a question: If you had to pick an iconic superhero, one of the real icons, to have a major horror arc…would Superman be your first choice? No. Not at all. Batman, sure — he fits right into the dark world. Even Wonder Woman, with her mythological connections, could gravitate towards a number of unsettling stories. But Superman, the paragon of hope? Not a chance. Continue reading

Action Comics 30

action comics 30
Today, Scott and Patrick are discussing Action Comics 30, originally released April 2nd, 2014.

Scott: Segues: you either love ’em or you hate ’em. I’ve listened to enough standup comedy to know that I’m a fan of the clean break, the abrupt change of topic. Lengthy transitions are just a waste of time. In longer storytelling formats, such as monthly comic books, there’s more of a virtue in spinning many plates at once. Even though stories are broken into defined arcs, some elements carry over from one arc to the next, making the clean break impossible. It results in issues like Action Comics 30, where writer Greg Pak’s first major arc comes to an end while also introducing important pieces of the story to come. The issue looks fantastic, but the story gets a little messy as it tries to connect the old with the new, making me wonder if Pak might have been better off nixing the segue.

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Action Comics 28

action comics 28Today, Scott and Shelby are discussing Action Comics 28, originally released February 5th, 2014.

Tell me something, Billy. How come a cute little guy like this can turn into a thousand ugly monsters?

Sheriff Frank, Gremlins

Scott: Imperial Subterranea. No, that’s not the title of an archeology elective at your local community college (well, maybe it is). It’s the setting of Action Comics 28. It’s a place shrouded in mystery, where looks are always deceiving. Greg Pak’s Action Comics has been a perfect blend of fun and heartfelt, and it’s increasingly full of surprises. All of your expectations can and will be thwarted. Terrifying monsters will transform into cute little buddies, and vice versa. Through it all, the fun, heartfelt nature remains at the forefront. Clark and Lana’s relationship drives this issue, it just so happens to take place on an underground roller-coaster ride (not to be confused with the Underground Railroad, although, strangely, slavery plays a big role in each). It’s 20 pages of pure energy. As Lana might point out, according to the laws thermo-dynamics, it shouldn’t exist.

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Action Comics 27

action comics 27

Today, Scott and Mikyzptlk are discussing Action Comics 27, originally released January 8th, 2014.

It’s tempting to see your enemies as evil, but there’s good and evil on both sides in every war ever fought.

Jorah Mormont

Scott: That’s a line from this new Game of Thrones Season 4 trailer (Don’t click this if you aren’t caught up with the show, there are some possible spoilers). It brings up a good point about how irrational wartime mentalities tend to be, and about the importance of looking at things from a foe’s perspective. I think it holds true on a person to person basis as well. There are two sides to everyone, and no matter how prevalent the evil in an enemy seems to you, if you look harder you will see some good in them. Action Comics 27 is something of a study on this theory, as every seemingly ill-intentioned character is revealed to have at least some heart.
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Action Comics 26

action comics 26Today, Mikyzptlk and Scott are discussing Action Comics 26, originally released December 4th, 2013.

Mikyzptlk: I don’t know about you, but when I was a teenager, I didn’t exactly have a lot of self confidence. High school was especially rough, as it seemed that everything I did was strange or off-kilter in some way. In other words, I felt like a freak. This feeling got worse before it got better, but damn it, it did get better. Eventually, I came to realize that not only was I strange and off-kilter, but everyone else was too. When I realized that I was on the same playing field as everyone else, things got a whole lot easier. Greg Pak’s Action Comics features a Superman struggling with his own “freakishness,” but he may have just found someone to find consolation in.  Continue reading

Green Lantern 20

green lantern 20 wrath

Today, Patrick and Shelby are discussing Green Lantern 20, originally released May 22nd, 2013. This issue is part of the Wrath of the First Lantern crossover event. Click here for our First Lantern coverage. 

Patrick: Geoff Johns’ final issue of Green Lantern is framed with a narrative device I was first introduced to in the movie The Princess Bride: the old man reading the story to a young man. The flick is an adaptation of novel, and the novel proports to be a rediscovered classic, heavily annotated by the “editor,” William Goldman (who actually just wrote the whole thing). All three of these example serve to elevate the story itself – you don’t need to look to the real world to find a captive audience, there’s one right there in front of you. This issue takes the entirety of Johns’ run and gives it a reverent audience, promoting the nine years since Green Lantern: Rebirth to mythic stature. I’ve been following the entirety of that run, so I’m part of that audience, and I’m moved and affected in very real ways reading this issue. But the bright lights and decades-old mythology groan under the weight of so much self-congratulation. This is a victory lap – mileage will vary.

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Superman 18

Alternating Currents: Superman 18, Drew and Scott

Today, Drew and Scott are discussing Superman 18, originally released March 27th, 2013.

Drew: Why do we like stories? Is it about amazing feats, or smaller, more relatable character moments? Early in Superman 18, Orion suggests that the New Gods’ lack of emotions makes them boring, in spite of their power and immortality. Writer Scott Lobdell would have done well to take his own words to heart — in spite of the powerful, immortal beings populating the pages of this issue, there are no emotions to latch onto. Orion would be bored out of his mind. Continue reading