Batman Eternal 10

batman eternal 10

Today, Shelby leads a discussion on Batman Eternal 10, originally released June 11th, 2014.

Shelby: I have some friends who are legitimate circus performers, one a pole dancer and the other a trapeze artist, and so I naturally have attended a cabaret-style circus performance held in an old warehouse. It was exactly as awesome as it sounds, with acrobats of every flavor, a hoop dancer, clowns, and a juggler. This guy was incredible, he used a rainbow array of balls that lit up, and they shut off all the lights in the place so all we could see were the glowing orbs and the trails they left behind. Comic books aren’t totally dissimilar; we don’t see the creators specifically, just the art they leave for us. Also, sometimes it feels like a team is juggling waaaaaaay too many ideas, and it’s only a matter of time before things fall apart. Continue reading

Detective Comics 32

Alternating Currents: Detective Comics 32, Drew and ScottToday, Drew and Scott are discussing Detective Comics 32, originally released June 11th, 2014.

Drew: Last month, Shelby compared Detective Comics to a well-executed magic trick. Specifically, she was referring to the way Brian Buccellato and Francis Manapul wield misdirection, but I think the similarities between magic and art are manifold. Both rely on deceptively simple techniques to create effects that are greater than the sum of their parts. For me, the only real difference is how we value being “fooled” by those effects. If we see the strings, a magic trick is ruined, but understanding exactly how a scene was painted or filmed or carved can enhance our appreciation of a work of art. I personally enjoy knowing how a magic trick is performed, too — I think it gives me a deeper appreciation for exactly how skillful the magician is — but then again, I’ve always liked knowing how the sausage is made. Many folks would rather never know how the lady gets sawed in half, or how a painter simulates sunlight peaking through the clouds, or how a composer strings harmonies into a coherent musical idea. It’s an attitude I can’t fully support, but I do understand it: a little magic is lost when you can spot every palmed card. Manapul and Buccellato have long been a team that rewards digging beneath those effects, but this issue found me wishing that I wasn’t so aware of what they were doing. Continue reading

Batman ’66 Meets The Green Hornet 1

batman 66 green hornetToday, Greg and Scott are discussing Batman ’66 Meets The Green Hornet 1, originally released June 4, 2014.

Greg: Christopher Nolan’s Dark Knight Trilogy are both some of my favorite and least favorite things to happen to contemporary pop culture. I love them because the movies, particularly that second one, are smashingly good entertainments, with towering performances, consistent style, and an attitude of taking the world seriously that feels naturally extended from the best Batman comics and ‘90s animated series episodes. I hate them because now it feels like every single big budget blockbuster that comes out (even the new Captain America, for goodness’ sake) is dark, gritty, oppressively somber, po-faced, and muted. It’s a conflicting feeling because as much as I love the shock and awe that comes from treating these extraordinary scenarios with verisimilitude, I similarly love the fun and joy that comes from treating them as, well, fun and joyful. Batman ‘66 Meets The Green Hornet is a strikingly contagious example of what happens when you have affectionate fun in your larger-than-life storytelling, and I’d like writers Kevin Smith and Ralph Garman to get their own big budget trilogy, please.

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Batman Eternal 8

batman eternal 8Today, Spencer leads a discussion on Batman Eternal 8, originally released May 28th, 2014.

Spencer: Last time I wrote about Batman Eternal I praised how quickly the plot seemed to be coming together, but in the five issues since, things have slowed down dramatically. The end of issue three saw the genesis of a brutal gang war that threatened to rock Batman’s city down to its core, but the resulting conflicts haven’t looked all that more dangerous than any typical Gotham evening. There’s a lot of fun stuff going on in Batman Eternal 8, but these pacing issues sap much of the tension from the developments, leaving a final product that’s not quite as awesome as it should be. Continue reading

Batman 31

Alternating Currents: Batman 31, Drew and PatrickToday, Drew and Patrick are discussing Batman 31, originally released May 28th, 2014.

Drew: Between comics, movies, tv shows, video games, radio serials, and children’s imaginations, Batman is arguably the most prolific fictional character in history. With that long, multi-media history comes a secondary history of reinvention. I’ve seen it said that each generation redefines Batman, but in my mind, he’s revamped far more often than once a generation. Each new iteration brings changes, some more superficial than others, but what is it that actually defines Batman? What is his immutable core? The thing that would actually make him a different character if it was absent? With Zero Year, Scott Snyder and Greg Capullo have already given lie to what many people would assume were givens — grimness chief amongst them — but issue 31 finds them asserting an essential element I hadn’t expected: masochism. Continue reading

Superman 31

superman 31Today, Shelby and Scott are discussing Superman 31, originally released May 28th, 2014.

Shelby: I hate being in the way. Like, to the point of anxiety: if I’m with people, trying to help, but just getting in the way, I have a really hard time with it. It’s frustrating on two levels; not only am I not helping like I want to be, I’m probably making things harder by being in the way. Apparently, I’m just like Superman; he’s infected with Doomsday spores, and while all he wants to do is, you know, help save the world over and over, he’s stuck being in the way. And by the way, I mean threatening everyone and everything around him. Heads up, I’m not reading Superman OR Doomed, so I am definitely approaching this from an outsider’s viewpoint.

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Forever Evil 7

forever evil 7Today, Spencer and Patrick are discussing Forever Evil 7, originally released May 21st, 2014. 

villain div

Spencer: I often find myself thinking of Geoff Johns as “the comic-bookiest writer in all of comics”, in the sense that so much of his work revolves around the history and mythology of the characters he’s writing, and enjoying his work often depends on having a history with the characters yourself. That’s not necessarily good or bad on its own; Johns’ style has its strong points and its weak ones, and while examples of both pop up in Forever Evil 7, it fortunately falls mostly on the “strong” side. Continue reading

Batman Eternal 6

Alternating Currents: Batman Eternal 6, DrewToday, Drew leads a discussion on Batman Eternal 6, originally released May 14th, 2014.

Drew: Why does society seem to place a premium on auteurism? The vast majority of artforms are highly collaborative, yet we still talk about directors, show-runners, composers, and other creators as if theirs is the only intent that matters. Aside from a few notable exceptions, comics have always been a collaborative medium, but there’s something palpably different about a written-by-committee series like Batman Eternal. Indeed, it seems to have more in common with the conveyer-belt system of network tv than the short-season, tightly controlled cable model, but is that a bad thing?

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Superman/Wonder Woman 8

superman wonder woman 8Today, Scott and Taylor are discussing Superman/Wonder Woman 8, originally released May 14th, 2014.

Scott: I just finished watching the first season of Broad City on Comedy Central, and I can’t recommend it highly enough. It’s about two girls navigating life in their twenties in New York. Not a groundbreaking premise by any means, but executed better than most. For a series with two main characters, it strikes a rare balance where both stars carry the same amount of comedic and emotional responsibilities. The co-leads, Abby and Ilana, are equally compelling and equally frustrating as they deal with issues like finding a new apartment or fitting in at a restaurant that is decidedly fancier than they are. Yes, they talk about men, too, but relationship struggles do not define these characters or fuel the season’s story arc. It’s a refreshing look at two independent characters, who are women, leading equally important lives. When reading Superman/Wonder Woman, another series with co-leads, I can’t help but feel it lacks that distribution of importance. This issue further illustrates that Superman is the dominant figure in the series, while hinting that writer Charles Soule maybe wishes that weren’t the case.

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Detective Comics 31

detective comics 31Today, Shelby and Scott are discussing Detective Comics 31, originally released May 7th, 2014.

Shelby: I love magic tricks. Granted, I understand it’s not actually magic; I am an adult, after all. Even knowing it’s all just slight of hand, I still fall for it every time. Personally, I think the most effective illusions are the most simple; some quick misdirection, maybe some witty repartee, and suddenly there are three foam balls in my hand when I could have swore I started out with one. That’s one of the reasons I like Batman as much as I do; he’s got the fancy gadgets and whatnot, but at its core his act is one of illusion and misdirection. We look for what he leads us to believe is there, and gives us something completely different while our backs are turned. Brian Buccellato and Francis Manapul have adopted a similar approach with Detective Comics, and it’s just as effective as any close-up magic I’ve seen.

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