Tag Archives: Cliff Chiang

Jul 18 2013

Wonder Woman 22

wonder woman 22Today, Taylor and Scott are discussing Wonder Woman 22, originally released July 17th, 2013.

Taylor: Brian Azzarello certainly has a way of making us do a double take while reading Wonder Woman. The man has a talent for bending his plots in unlikely directions while also making us second guess everyone’s motivations with almost every new issue. It’s likely that when Wonder Woman was rebooted, some were similarly thrown for a loop when Azzarello depicted the gods as being petty, mean, and downright hostile to just about everyone but themselves. While anyone who has ever read a Greek myth recognizes the dickish mentality of the Greek pantheon, it seems likely that others might have been surprised. The popular conception of heaven and god(s) in today’s culture takes a much more touchy-feely approach with our deities. Instead of being something to be feared, we like to think of deities as being righteous, compassionate, and selfless. Azzarello seems to understand how these two forces are at odds and in issue 22 of Wonder Woman he asks us to compare the Greek gods with their New God alternates. The question is, are they the same or are they different?

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Jun 20 2013

Wonder Woman 21

wonder woman 21

Today, Shelby and Scott are discussing Wonder Woman 21, originally released June 19th, 2013. Check out Drew’s exclusive interview with Brian Azzarello here!

Shelby: I recently bought PlayStation All-Stars Battle Royale, a button-masher fighting game that’s a whole lot of fun. It’s basically Super Smash Brothers, but with characters like Nathan Drake, Sly Cooper, Kratos, etc. I think this game is great because it’s all about mindless smashy smashing; you pick your character and then try to punch the other characters as much as possible. Loads of fun, but nothing much in the story department. I also recently played through Heavy Rain, an interactive-drama game where you play through a series of quicktime events to find the killer before he strikes again. Not a lot of action, mostly “press triangle to ask a question, press square to sit at the table” sort of stuff, but the story and character development is breathtaking. It had me on the edge of my seat, and the ending totally caught me by surprise. I like both of these games, and I’d recommend either of them, but they take very different approaches to entertainment: one mindless and awesome fighting, the other slower paced, but with incredible character moments. Brian Azzarello is not one to be content with one or the other; Wonder Woman 21 manages to give us both big action and quiet character development, and is wholly satisfying on both counts.
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Jun 12 2013

Chat Cave: September is Villains Month

DC has staked their claim on the month of September. Two years ago saw the relaunch of the entire publishing line, and last year saw special “zero” issues for every series. This year, DC is releasing 52 issues featuring villains, old and new, from the DC Universe. There’s no one-for-one correspondence to existing series, and DC hasn’t been the most forthcoming with information about what exactly they’re putting out. There’s a lot to sort through here and no easy answers for what’s going to be worth our time and money. Welcome to the Chat Cave.
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Mar 21 2013

Wonder Woman 18

Alternating Currents: Wonder Woman 18, Drew and Scott

Today, Drew and Scott are discussing Wonder Woman 18, originally released March 20th, 2013.

Drew: Wonder Woman is a hard title to pin down, which makes sense, given that its hero is equally slippery. Detractors might cite Diana’s unknowability as weak characterization, but as we saw in issue 9, that distance may be the sharpest weapon in writer Brian Azzarello’s arsenal. Azzarello seems to relish ambiguity, focusing on heroes that are anything but predictable. Issue 18 multiplies this effect, capitalizing on his large cast of equally oblique characters to produce a staggering parade of surprises.

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Jan 28 2013

Wonder Woman 16

wonder woman 16

Today, Shelby and guest writer James D’Amato are discussing Wonder Woman 16, originally released January 23rd, 2012.

Shelby: Gods, gods everywhere. Brian Azzarello does not take a “less is more” approach when it comes to the pantheon; we’ve got old gods, older gods, demigods, new gods, and non-gods. Not to mention ice giants and cyborg women. If it all sounds a little confusing, well, it is; Azzarello is juggling a lot of chainsaws with Wonder Woman. On top of it all, we’ve still got the $64,000 question that everyone seems to have forgotten about: where is Zeus?
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Jan 1 2013

Best of 2012: Best Titles

best titlesWe generally avoid quantifying our enthusiasm around here — we’ll gladly praise or condemn comics as our tastes dictate, but turning that into a grade or a score makes us uncomfortable. As there are in our pull-list, there are holes in this ‘Best of’ list. Mea culpa. We’ve had some great experiences with comics this year, and these are the series that were consistently fun, thoughtful and beautiful. Too subjective for a year-end list? Ignore the rankings. Any way you slice it, these are fantastic series that deserve the scrutiny we heap on everything. Each is a rewarding read and well worth your attention. Our picks for the top 12 series of 2012:

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Dec 31 2012

Best of 2012: Best Covers

best coversYou know you shouldn’t judge a book by its cover, but that doesn’t mean you can’t judge the cover on its own merit. Some covers are so excellent that they back all the drama, excitement and emotion of the whole issue into one succinct image. Sometimes they end up being their own surreal experience. And other times, we’re just exciting to see our favorite heroes kicking ass one more time. These are our top 12 most awesome, creative and graphic covers of 2012.

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Dec 20 2012

Wonder Woman 15

Alternating Currents: Wonder Woman 15. Drew and ScottToday, Drew and Scott are discussing Wonder Woman 15, originally released December 19th, 2012.

Drew: We’ve said it before, and I’m sure we’ll say it again: comic books are modern mythology. This is an idea Brian Azzarello has devoted Wonder Woman to exploring. I always like when art self-reflects in this way, but Azzarello never does anything so simply. The intersection of ancient mythology and comics mythology has proven to be fertile ground for essays on the nature of myth, but has tied the discussion to the world of fiction. In Wonder Woman 15, Azzarello confronts us with mythologized characters from reality, opening up the whole world of art-imitating-life-imitating-art discussions. It’s a strange, complicated arena of thought, but with Azzarello at the helm, I’m sure it will be a satisfying one. Continue reading →

Sep 25 2012

Wonder Woman 0

Alternating Currents: Wonder Woman 0, Drew and TaylorToday, Drew and (guest writer) Taylor Anderson are discussing Wonder Woman 0, originally released September 19th, 2012. Wonder Woman 0 is part of the line-wide Zero Month.

Drew: There’s a lot we take for granted in art. We accept the two-dimensionality of the canvas or the artificiality of a omniscient narrator as givens. It often takes an artist commenting on the arbitrariness of those boundaries for us to notice them at all, but that in itself has become almost expected. In comics, those expectations manifest in creative layouts and narrative devices, but it’s rarer that a creative team might challenge the arbitrariness of their tone. In Wonder Woman 0, writer Brian Azzarello and artist Cliff Chaing set out to do just that, delivering a brilliant deconstruction of modern comics via an apparent deconstruction of the Silver Age. Continue reading →

Aug 17 2012

Wonder Woman 12

Today, Patrick and Peter are discussing Wonder Woman 12, originally released August 15th, 2012.

Patrick: One of the biggest strengths of Brain Azzarello’s Wonder Woman is the richness of its details. The gods are reinvented for comics and the resultant designs are full of specifics that delight by their own virtue. It’s not uncommon in this series to meet a new character or a new creature just because it’s going to be really really really cool. I took Demeter’s introduction last month to be one of those knock-me-down detail-fests that I love so much, but that was shortsighted of me. In any other narrative, introducing a character at this stage in the game would automatically foreshadow that character’s involvement in the conclusion of the story. It turns out that was the case here, but I was too suckered by the writing to see the authorial gears grinding away behind it. That’s awesome.

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