Elektra 3

elektra 3
Today, Patrick and Shelby discussing Elektra 3, originally released on June 18th, 2014.

Patrick: I probably bring up the Matrix movies more than I ought to when discussing comics. For all the hullabaloo that surrounded their release, the original Matrix was more of a cultural anomaly, and not the flashpoint for a vibrant new franchise. One of the biggest reasons that first film worked at all is that the Wachowskis melded arresting visuals with some rudimentary philosophy. Like, it’s just intellectual enough to engage the thinky portion of your brain, and then it switches tracks to engage the adrenaline-junky in all of us. The second and third movies got this mixture all wrong, agonizing over bare philosophy for far too long, never dressing it up as anything more abstract. And then there’s the matter of the spectacle, which got a lot less compelling with each new installment. Elektra has also toed this line, exploring how death has shaped the lives of Elektra and Bloody Lips against the backdrop of Michael Del Mundo’s glorious artwork. Issue three escalates both its spectacle and philosophy to dizzying heights, setting the stage for one hell of a heady ending to the opening arc.

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Daredevil 4

Alternating Currents: Daredevil 4, Drew and ScottToday, Drew and Scott are discussing Daredevil 4, originally released June 18th, 2014. 

Not everyone is you.

Kirsten McDuffie

Drew: The realization that there are other people with feelings and motivations separate from our own is a key moment in child brain development. As early (and often) as that lesson comes, we’re still pretty bad at understanding that people have different perspectives. We want different things, value different things, and believe in different methods for how to achieve our goals, yet it’s still hard to understand why someone would disagree with you. It’s obvious they’re wrong! Why can’t they see it? Those differences of perspective tend to correlate to differences of experience — middle aged Russians are likely going to agree with each other more than either would with a teenaged Australian — but it’s the differences within those groups that can lead to the biggest failures of understanding. That’s exactly the kind of failure Matt is confronted with in Daredevil 4, where Kirsten needs to remind him that not everyone is quite as resilient (or noble) as ol’ horn-head. Continue reading

Original Sin 3

original sin 3

Today, Drew and Shelby are discussing Original Sin 3, originally released June 4th, 2014.

Someone shot and killed…a planet. I’m gonna need a minute to process that.

Moon Knight

Drew: The last time we talked about this series, I couldn’t get over how over-the-top comic book-y it is. And I mean that quite specifically: it’s not just epic or violent (as so many summer crossover events tend to be), it’s also whole-heartedly absurd, embracing all of the silliness that makes comics so much fun in the first place. Or, at least I thought that’s what this series was. Immediately after building to the line highlighted in the epigraph, this issue takes a sudden turn into the gory. The abruptness of the shift in tone makes it utterly shocking, but it may also rob this series of the frivolity that distinguished it from the likes of DC’s joyless gore-fests. Continue reading

Black Widow 7

black widow 7Today, Shelby and Drew are discussing Black Widow 7, originally released June 4th, 2014. 

slim-bannerShelby: Sometimes it takes other people to really see something about a character.  Seeing a character’s actions and internal monologue when it’s separate from others can almost numb you towards that character’s actions. It’s with the inclusion of another point of view that you suddenly realize the character is not all right, or that they need more help than even they realize. If there’s any character out there who needs more help than they realize, it’s gotta be Nathan Edmondson’s Black Widow.

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Elektra 2

elektra 2 Today, Patrick and Spencer discussing Elektra 2, originally released on May 21st, 2014.

Patrick: Last time, we discussed the lengths Elektra goes through to not be defined by the actions taken against her (or even those taken on her behalf). The obvious point of comparison is the bounty hunter Bloody Lips, introduced to us in that issue, but left off our heroine’s radar. Bloody Lips gains skills and perspectives by eating the flesh of his enemies. Rather than having traits forced upon him, his borrowed abilities are elective. It’s hard to distinguish between the morality of these two characters: both are mercenaries willing to kill in order to get closer to their goal. The second issue starts to delineate hero from villain as Bloody Lips is propelled forward by instinct and Elektra is held back by compassion. Continue reading

Daredevil 3

daredevil 3Today, Patrick and Scott are discussing Daredevil 3, originally released May 21st, 2014. 

Patrick: Shortly after I moved to Chicago, I was looking for jobs and had landed an interview for a secretarial job at an accounting firm. Or… maybe it was an accounting firm, maybe it was a bank? Something with money and finances, that much I knew for sure. I practiced answering questions about myself, I wore my best suit, and walked into the interview wholly unprepared to ask for a job at an institution I knew next-to-nothing about. I had underestimated just how hard it was going to be to get this job, and my confidence proved to be my undoing, as I was heading back to my car 15 minutes later. That’s the danger of moving to a new city and looking for a new job: you simply don’t know what you don’t know, and all of your previous assumptions get thrown out the window. Daredevil 3 finds Matt Murdock overestimating his likelihood of success over and over again. How do you think that works out for him? Continue reading

Original Sin 2

original sin 2Today, Shelby and Drew are discussing Original Sin 2, originally released May 21st, 2014.

Shelby: Last issue, we discussed the merits of a superhero murder mystery. Patrick mentioned that the fluidity of the rules of the superhero world make for a much more fast and loose sort of mystery. It raises the question of how such a mystery can even exist; when you’ve got Emma Frost and Doctor Strange running around, how can you possibly know the answer to anything? I suppose that is was the Watcher’s function; despite the number of characters who have the capability of knowing everything, Uatu was the only one who actually did. The entity for whom there was no mystery is now the subject of a murder mystery of epic proportions. That fact is not lost on writer Jason Aaron, who decides to further upend the concept of the murder mystery by telling us who did it in the second chapter.

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Commentary Track – Chris Samnee Discusses Daredevil 1

Commentary Track, Chris Samnee, Daredevil 1

When Chris Samnee and Mark Waid closed their award-winning volume of Daredevil, they set themselves the herculean task of uncovering new ground for a new volume, living up to fan expectations, and ingratiating themselves to the newcomers that every #1 brings. More than up to the task, Waid and Samnee delivered a first issue that managed to tell us everything a new reader would need to know about the character within the context of a thrilling adventure. Much of why that works comes from Samnee’s clever implementation of visual exposition, which capitalizes on every piece of setting, lighting, blocking, and costuming as important storytelling details. Drew sat down with Chris and went through the issue page by page, so get your copy handy and join us on the Commentary Track.

Retcon Punch: To start off, can you tell us a bit about how you and Mark Waid break a story?

Chris Samnee: We usually talk on the phone before he writes anything. I get to toss out any ideas that I have, and then he throws them out the window (laughs).

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Daredevil 2

daredevil 2Today, Patrick and Shelby are discussing Daredevil 2, originally released April 23rd, 2014. 

Patrick: If every issue is someone’s first issue, then every series must be someone’s first series. That’s precisely why Daredevil has kicked back to number one in the first place — to act as an easy access point for new readers. Mark Waid and Chris Samnee seem to be both embracing the possible newness of their readers while playing against the expectations of old readers with the character of Max Coleridge, The Shroud. Part Batman-homage, part Dardevil-mirror-match, part call-back to the scariest villain of the previous series, The Shroud is an interesting indicator of what we can expect from Matt Murdock’s adventures in San Francisco. Continue reading

Elektra 1

elektra 1

Today, Suzanne and Patrick are discussing Elektra 1, originally released on April 23, 2014.

Suzanne: By her own admission, Elektra has a bad habit of identifying herself through relationships to the men in her life. Her father, Matt Murdock, Kingpin, Bullseye…they all contribute to Elektra’s history in powerful ways. My first exposure to the character was Jennifer Garner’s appearance in Daredevil. Despite having a powerful skill set as an assassin, I didn’t leave the cinema wanting to kick butt like Elektra. Maybe this is a bit unfair, but my overall impression was that things happened to her and that element of passivity was unattractive. Continue reading