Author Archives: Drew

Sep 3 2012

Green Lantern Annual 1

Today, Drew and Peter are discussing the Green Lantern Annual, originally released August 29th, 2012. This issue is part of the Rise of the Third Army crossover event. Click here for complete Third Army coverage. 

Drew: I have a confession: before the relaunch, I had never read a single comic written by Geoff Johns. Moreover, I had never read a Green Lantern story of any kind. However, all of other Retcon Punchers had read all of Johns’ work on Green Lantern, from Rebirth through Brightest Day, so his titles came with very high praise. It quickly became clear why: he’s unrivaled in developing complex mythologies. His work on Green Lantern has broadened its universe immeasurably, nesting decades of comics history into an elegant mythology that manages to make more sense than it has any business doing. At the same time, his tendency to draw out individual plot points to take up entire issues occasionally tried my patience. The Green Lantern Annual finds Johns at his best, delivering all of the insane mythology and plotting, and doing so at such a breakneck pace to please even the most impatient readers.

Oh, and GOOD GOD are there ever plot points to spoil here, so read the issue first, or proceed with caution.

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Aug 31 2012

The Flash Annual 1

Alternating Currents: Flash Annual, Patrick and DrewToday, Drew and Patrick are discussing the Flash Annual 1, originally released August 29th, 2012.

Drew: When I interviewed Francis Manapul back in April, he expressed that he reveled at the unique expectations mandated by the New 52. Specifically, he expressed that “the best thing about knowing what people are expecting is when I change something, it seems shocking.” Subverting expectations is such a simple concept — and one so central to genre fiction in general — that you’d think it would start to lose its spark; but then again, with Manapul and Brian Buccellato on writing duties, nothing ever is that simple.

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Aug 23 2012

Batman Incorporated 3

Alternating Currents: Batman Incorporated 3, Drew and PatrickToday, Drew and Patrick are discussing Batman, Inc 3, originally released August 22, 2012.

Drew: After catching up on the entirety of Grant Morrison’s “Batman Epic,” I’d gotten the impression that I knew Morrison as a writer, or at least as a writer of Batman stories. His every tic had become familiar to me, from his penchant for mind-bendingly baroque symbolism, spouted by even the most unlikely characters, to his general assumption that everybody knows what the fuck he is talking about. His work with Batman has largely served to place Bruce in an ever-deepening universe where everything is connected, and discovering how is essential to his survival. As the Epic draws to a close, however, and the connections become more apparent, Morrison changes his strategy, delivering a straightforward, nearly Platonic Batman story, complete with disguises, masked goons, and a double-crossing dame.

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Aug 21 2012

Red Hood and the Outlaws 12

Alternating Currents: Red Hood 12, Drew and PeterToday, Drew and Peter are discussing Red Hood and the Outlaws 12, originally released August 15th, 2012.

Drew: We tend to talk a lot about writers here at Retcon Punch. We certainly pay attention to the art, and have often found rewarding things to discuss when doing so, but we always seem to come back to the writer. Writers have so much control, particularly over the kinds of things we like to talk about here — character development, voice, plotting — but forgetting how much influence the artist has over the final product is a mistake. It’s like valuing a film or playwright’s input over that of the director or actors’; sure, it make sense in theory, but you don’t have to see too many community theater productions of Shakespeare to know that even the best scripts can be muddled in the wrong hands.  It’s unfortunate that it often takes examples like the community theater to emphasize the importance of the other collaborators, and it is also unfortunate that this issue is one such example. Continue reading →

Aug 16 2012

Before Watchmen – Rorschach 1

Before WatchmenToday, Drew and Patrick are discussing Rorschach 1, originally released August 15th, 2012. Rorschach is part of DC’s Before Watchmen prequel series. Click here for complete Before Watchmen coverage (including release dates).

Drew: Before Watchmen has a uphill battle to climb as far as justifying its existence. We’ve already gone over our reactions the the idea, but I feel compelled to reiterate my main objection: Watchmen is a singular and self-contained book, and treating it like a universe where cool stories happen or one of a series of adventures this particular group of characters had is missing the point. That said, I do like these characters, and their universe, but it’s incredibly difficult for me to tell if that means I want to spend more time with them, or if I’m simply drawn to them because of their allegorical significance. The successes of Before Watchmen have side-stepped this issue by delivering stories so outside — or even contrary to — our expectations, they really stand on their own (allowing me to ignore any potential desecrations). I was particularly impressed with Brian Azzarello’s work on Comedian 2, where he managed to find enough unclaimed space within the strictures of the character’s history to tell (or at least set-up) a compelling story, which gave me high hopes for his work here. Unfortunately, Rorschach 1 finds less room to breathe, yielding decidedly mixed results. Continue reading →

Aug 13 2012

Before Watchmen – Ozymandias 2

Alternating Currents: Ozymandias 2, Drew and Peter B4WToday, Drew Patrick and Peter are discussing Ozymandias 2, originally released August 8th, 2012. Ozymandias is part of DC’s Before Watchmen prequel series. Click here for complete Before Watchmen coverage (including release dates).

Drew: Patrick: Surprise! It’s actually going to be me taking lead on Ozy today. Drew had both his copy of Ozymandias and his computer stolen today. And that’s enough to make me want to put on an old Halloween costume and take to the streets for some righteous vengeance. And while I don’t plan on that leading to a life of crime fighting, there’s really no saying where life will take me, and which sources I will draw upon for inspiration.  Whatever the case, I just hope it will be consistently rendered in breathtaking beauty (because otherwise, what’s the point?).

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Aug 6 2012

Dial H 4

Alternating Currents: Dial H 4, Drew and ShelbyToday, Drew and Shelby are discussing Dial H 4, originally released August 1st, 2012.

Drew: I’m not a fan of origin stories, or really the starts of narratives in general. They often require large exposition dumps to make everyone’s personalities, means, and motivations clear to the audience. One of my favorite ways authors avoid cramming that much exposition into the beginning of a story is to start in medias res. Sure, the whys of the situation aren’t always clear — or even what exactly is going on — but that creates curiosity, a genuine interest in learning more, which almost never happens when we’re just given bare-faced facts with the understanding that this will be important later. Writer China Mieville has taken this tack to the limits of my curiosity in Dial H, delivering three months of questions without any real answers, leaving us floating uncomfortably in a confusing sea of possibilities. With this issue, we finally start getting some answers, helping the events of the previous three fall into place with surprising ease. Continue reading →

Aug 3 2012

Animal Man 12

Today, Drew and Peter are discussing Animal Man 12, originally released August 1st, 2012. This issue is part of the RotWorld crossover event. Click here for complete RotWorld coverage. Not caught up on Animal Man? No problem! Get up to speed with our video Cram Session. Also, we’re covering Swamp Thing #12, head over to get analysis on the second half of this story. 

Drew: One of my biggest pet peeves in comics is the assumption that “bigger is better” when it comes to threats the hero is facing. I understand the sentiment — if saving one person is good, saving one million must be a million times as cool — but in practice, it often turns the risks into abstract hypotheticals. Such abstractions lose the human connection that is so easily established by a single person in danger. In comics, a single loved-one in danger is just as cliched as when it’s the whole city, but when handled well — as in Animal Man 12 — the payoff is much greater. Continue reading →

Jul 27 2012

Green Lantern: New Guardians 11

Alternating Currents: New Guardians 11, Drew and PeterToday, Drew and Peter are discussing Green Lantern: New Guardians 11, originally released July 25th, 2012.

Drew: One of the things that keeps me coming back to this title is the diversity of its cast. They aren’t necessarily the most deeply drawn characters, but their personalities rub against each other in interesting ways. More importantly, those conflicts were set as the centerpiece of this title, a rarity in the largely mythology-driven Green Lantern group. After the fracturing of its core team, and a series of half-hearted crossovers, this title was in danger of losing that distinct voice, and becoming another cog in the Green Lantern machine (not that it’s a bad machine, but I think this title is strong enough to stand independently of whatever plotting is tying the rest of the GL universe together). I was heartened, then, to see the team back together in this issue, refocusing on their shared goals. Continue reading →

Jul 24 2012

Batwoman 11

Alternating Currents: Batwoman 11, Drew and ShelbyToday, Drew and Shelby are discussing Batwoman 11, originally released July 18th, 2012.

Drew: In their write-up for issue 10, the siblings Ehlers described the “To Drown the World” arc as one about the power of belief. That summary somehow seemed too simple, given the chronological gymnastics that dominated our discussions. The emphasis on the chronology has eased off as the arc draws to its close, taking it out of the realm of gimmick and back to the much more common device of alternating between A and B story lines. What we’re left with are the themes the Ehlers so readily pointed out — how the lies we tell ourselves and others shape the way we perceive the world. I don’t know if it’s intentional or ironic that my faith in the creative team lead me to believe in vain there was more to the narrative gimmickry, but it establishes a fascinating meta-theme for the arc. Continue reading →