Category Alternating Current

Cross-talks on individual issues.

Apr 14 2014

Secret Avengers 2

secret avengers 2Today, Patrick and (guest writer) Mark are discussing Secret Avengers 2, originally released April 9th, 2014. 

This is the Secret Avengers, there are no rules.

-S.H.I.E.L.D. Director Maria Hill

Patrick: For all the crap people give the superhero genre for being “formulaic” or “predictable,” the medium of comics is anything but. I really liked Captain America: The Winter Soldier — and that flick does take a lot of big crazy chances — but one of the moments I was disappointed by was the split second we thought we were going to see Nick Fury’s car fly through the streets of D.C. Hot damn, I wanted to see that car fly. “Flying car” is one of those things you sorta just have to shrug at and say “comics are weird, man.” Or, more precisely, “there are no rules.” Ales Kot’s Secret Avengers embraces this philosophy, combining a cast of button-down Special Agents with a band of superhero (…and supervillain) misfits into one cacophonous volume. It’s a buffet of surprises, each one gleefully undermining all the others. Continue reading →

Apr 11 2014

Daredevil 1.5

Alternating Currents: Daredevil 1.5, Drew and PatrickToday, Drew and Patrick are discussing Daredevil 1.5, originally released April 9th, 2014. 

Drew: Ah, the anthology-style anniversary issue. I absolutely appreciate the concept of bringing in a bunch of top creators to riff on a character they know and love, but in practice, all of that talent ends up competing to leave an impression. That often means wild deconstructions of the very character the issue is celebrating — a thrilling exercise for longtime fans, but one that runs the risk of alienating more casual readers. In the letters column for Daredevil 1.5, editor Ellie Pyle asks what Daredevil means to us, but the question in my mind is “who is this comic for?”

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Apr 11 2014

All-New X-Men 25

Today,  Taylor and Shelby are discussing All-New X-Men 25, originally released April 9th, 2014.

Taylor: They, the ever shifting and nebulous authority that knows more than us, is always saying that hindsight is 20/20. Once events have played out, we know exactly what we should have done in a given situation to obtain our desired results. It’s a damned feeling; there’s nothing you can do about it but you kick yourself for not doing the right thing. This feeling is often so frustrating that it can keep us up at night, pondering the grand “what if?” While that can be crushing, just imagine what the feeling would be like if perhaps you could change the past, if only you thought about it hard enough. Hank McCoy (the one in his proper time) knows this feeling and All-New X-Men 25 shows us just how deep and dark that hole can be.

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Apr 11 2014

Batman Eternal 1

batman eternal 1Today, Patrick leads a discussion on Batman Eternal 1, originally released April 9th, 2014.

Patrick: I love Batman, but I’ve been exposed to so many books and games and movies and TV shows (plus one Stunt Show Spectacular at Six Flags), that very little in a Batman story can genuinely surprise me. The writing team on Batman Eternal acknowledges this familiarity, simultaneously leveraging those emotional beats for everything they’re worth, and suggesting that there are still some surprises out there. Continue reading →

Apr 10 2014

Deadpool 27

deadpool 27Today, Spencer and Patrick are discussing Deadpool 27, originally released April 9th, 2014.

Spencer: We all have that one friend whom we love dearly, but who’s clearly a huge jerk. What’s fascinating about having a friend like this is what happens when they fall in love and/or get married. It’s a strange thing to experience; there’s joy at seeing your friend happy, but there’s also a bizarre feeling of unease and dread. Can this last? Is it for the best? Should you warn their boyfriend/girlfriend about what they’re getting themselves into? (Pro-tip: Don’t do this). As sad as it is to say, there’s this odd feeling that maybe the whole thing is just a very bad idea. This is the situation Deadpool’s friends find themselves facing in Deadpool 27. Yes, Wade Wilson is getting married, and it’s exactly as strange as it sounds. Continue reading →

Apr 10 2014

Superman/Wonder Woman 7

superman wonder woman 7

Today, Shelby and Drew are discussing Superman/Wonder Woman 7, originally released April 9th, 2014.

Shelby:  I’m pretty bad at talking about my feelings. I’ve gotten better, because I have realized the value in just stating how I feel or what I want plainly, but I still sometimes have a hard time with it. Talking to dreamy men is still my biggest challenge; there’s just something about the simple phrase, “You are cute and cool, want to grab a drink?” that causes my brain to just completely melt down. I recognize it’s pretty silly, but am at the same time powerless to stop it. Maybe it’s an extreme fear of rejection? Or maybe I’m worried I’ll end up in a awkward situation like Clark and Diana, who have an unspoken, “I love you, too” hanging between them (not to mention nuclear fallout).

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Apr 9 2014

She-Hulk 3

she-hulk 3Today, Spencer and Drew are discussing She-Hulk 3, originally released April 2nd, 2014. 

slim-bannerSpencer: She-Hulk is a superhero lawyer. What does that mean? Well, she’s a superhero who is also a lawyer, but that’s obvious. Does it mean she takes on cases involving superpowered individuals? No doubt they’re a huge part of her clientele, but I think there’s more to it. Charles Soule and Javier Pulido’s She-Hulk 3 finally gives us a chance to see Jennifer Walters, attorney-at-law, in action, and she’s every bit as great at the job as we’ve been told. What stood out to me the most, though — and what truly makes her a “superhero lawyer” in my eyes — is that she tackles the case with the same kind of enthusiasm and dedication that she devotes to fighting crime. Continue reading →

Apr 8 2014

Veil 2

veil 2Today, Greg and Patrick are discussing Veil 2, originally released April 2nd, 2014.

Greg: I see a therapist regularly, and while it may be unhealthy to view therapy in a win/lose sports binary, I feel like I scored a big “victory” at my last session. She told me I seemed to be good at “living in the present,” that all-encompassing mantra that, to me, means the healthiest choice is to let go of what you can’t control in the “then,” and instead, find peace in the “now.” It’s something I’ve struggled with my whole life, which might explain why I responded so positively to the newest issue of Veil.

Basically what I’m saying is, if Dante needs to talk to someone, I can give him a number to call.  

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Apr 8 2014

Loki: Agent of Asgard 3

loki 3Today, Patrick and Shelby are discussing Loki: Agent of Asgard 3, originally released April 2, 2014. 

slim-bannerPatrick: I remember seeing a featurette on Kill Bill, Vol. 1 in anticipation of Vol. 2. In it, Quentin Tarantino mentioned a few of the storytelling accomplishments of the first movie. For the most part, Vol. 1 is an emotionally satisfying episode in and of itself: an emotionally and physically devastated woman finds the means, the will and strength to fight back. But Tarantino points out the importance of establishing the mythology of a Hattori Hanzo sword. By the time the second flick rolls around, they’re legendary, and their legacy adds an almost supernatural element to the fight between The Bride and Elle. I mean, it’s Hanzo Sword vs. Hanzo Sword for crying out loud! The thing is, the only way to communicate how powerful these blades are is to tell us stories about them. Al Ewing continues to explore the power of myth by having his antagonist craft his own mythical sword, not by forging the blade, but by forging the story of the blade. Continue reading →

Apr 8 2014

Moon Knight 2

Alternating Currents: Moon Knight 2, Drew and Spencer

Today, Drew and Spencer are discussing Moon Knight 2, originally released April 2nd, 2014.

Drew: When I talk about “density” in a piece of art, I’m usually referring to its meaning — the way themes and symbolism is laid over the plot to give us something more than a sequence of events. The notion that a work of art is greater than the sum of its parts is our working assumption here at Retcon Punch, but Moon Knight 2 posits that exactly the sum of those parts can be incredible in its own right. Indeed, while this issue features only the thinnest wisp of a plot, it introduces and retraces the scene with such thoroughness to create an entirely different kind of density. It’s an awe-inspiring object, featuring an intricate clockwork of pieces that aspire to exactly what they are: an utterly brief moment in time examined from every conceivable angle.

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