The Amazing Spider-Man 9

amazing spiderman 9Today, Spencer and Patrick are discussing The Amazing Spider-Man 9, originally released November 5th, 2014.

Spencer: I started reading comics regularly right at the beginning of DC’s Infinite Crisis crossover event back in 2005 or 2006; the story scattered just about every DC character across the universe, and I must’ve spent hours obsessively charting out which heroes were where. This gave me a big soft spot for massive crossover epics, the kind of stories that can really only be done in superhero comics, which have decades of stories across hundreds of titles to mine. When done right these epics are extraordinarily fun, a testament to the grand histories the DC and Marvel universes have built, but when done wrong they can just feel excessive, too caught up in their own impenetrable histories to tell a coherent story. What strikes me the most about The Amazing Spider-Man 9the first “official” chapter of Spider-Verse — is how aware of this danger writer Dan Slott seems to be. Spider-Verse is a story built around history and cameos, but Slott seems to be going out of his way to make the story — and the stakes — as clear as possible. So far, so good. Continue reading

Action Comics 36

Today, Shane and Taylor are discussing Action Comics 36, originally released November 5th, 2014. 

Shane: Horror in comics has recently hit a major revitalization. Heralded by the meteoric success of The Walking Dead, we’ve seen such titles as American VampireUzumaki and Locke & Key emerge to terrify the market. Even mainstream superhero books like Animal Man and X-Men have made real attempts to embrace the horror genre, but, honestly, answer me a question: If you had to pick an iconic superhero, one of the real icons, to have a major horror arc…would Superman be your first choice? No. Not at all. Batman, sure — he fits right into the dark world. Even Wonder Woman, with her mythological connections, could gravitate towards a number of unsettling stories. But Superman, the paragon of hope? Not a chance. Continue reading

Rocket Raccoon 5

Alternating Currents: Rocket Raccoon 5, Drew and SpencerToday, Drew and Spencer are discussing Rocket Raccoon 5, originally released November 5th, 2014.

Drew: I think reading makes us bad at evaluating comics. Or, rather, the fact that literacy so far outstrips our art literacy that the art can often go unnoticed. I know from my own experience that there’s a tendency for beginning readers to just burn through the dialogue, barely paying any attention to the art. It’s these tendencies that make Stan Lee an inarguable household name, while Steve Ditko and Jack Kirby are only known by comic fans. Indeed, our focus on writing is so ingrained, it often takes a compelling dialogue-free issue (or sequence) to remind us that comics are a visual medium. With Rocket Raccoon 5, Skottie Young and Jake Parker deliver something of a goofy cousin of the silent issue, but one that nevertheless emphasizes just how much storytelling can be done with images alone. Continue reading

Superman Unchained 9

superman unchained 9Today, Patrick and Drew are discussing Superman Unchained 9, originally released November 5th, 2014.

What do you want to be when you grow up?

-Traditional

Patrick: As I sit down to write this piece, the clock on the wall above my desk reads 11:00pm. It’s the end of a long day that’s been packed with all the various activities with which I busy myself. I worked, I ran, I improvised, I saw a show, I socialized. I talked to my sister on the phone, I explored the new podcasts on the Wolfpop network, I listened to that Nintendo Direct (Mario Kart DLC on November 13!), I even found some time to read a few comics. All of my interests were active all day, occasionally shifting in immediate priority so I could focus on completing one thing. This is the only way I know how to live my life — I don’t have much of a plan for my future, because I cannot predict which of these things is going to be / should be the most important thing to me. My enthusiasms revise themselves as opportunities and proficiencies wax and wane, and I’m constantly in fear that this maleability will rob me of genuine perspective. How can a writer have a voice, or a point of view, if they’re not any one thing consistently? In his spectacular finale to Superman Unchained, Scott Snyder posits that adaptability trumps consistency, and that Superman’s lack of defining ideology is his greatest strength. Neither Superman nor Patrick Ehlers stand for any one thing — and that’s what makes us mighty. Continue reading

Saga 24

saga 24Today, Ryan and Spencer are discussing Saga 24, originally released October 29th, 2014.

Ryan: You may be inclined to a small moment of panic when you begin reading Saga 24. I, personally, thought that I had skipped an issue somewhere. Last issue focused on the teased but unrealized extramarital affair between Marko and that hussy, Ginny, the fallouts of Alana’s fight with Marko, and Dengo using Yuma to abduct most of our protagonists in one fell swoop. This issue’s beautiful cover and opening scene reintroduce The Will’s sister, The Brand, toting a crash helm and her sidekick Sweet Boy on her search for her brother.

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Batman Eternal 30

batman eternal 30Today, Mark and Suzanne are discussing Batman Eternal 30, originally released October 29th, 2014.

Mark: In a few weeks, the Batman Eternal creative team will have produced more issues than even the longest running New 52 books. With the task of producing so much content, the challenges of serialization in a weekly title are magnified compared to a monthly title. Plot and action have to be metered out very carefully as to not burn through too much too fast, but at the same time every issue still has to feel like an event as readers have been trained to expect by monthlies. With that in mind, it’s enjoyable for me to watch the writers of Batman Eternal juggle the many, many plot threads they have introduced over 30 issues. I’ve read every issue since the title launched, and every few weeks I have a good “Hey, remember when this thing was about NANOBOTS?!” moment when something introduced months ago and seemingly dropped suddenly comes back to the forefront. The narrative whiplash is part of the fun. Continue reading

Guardians of the Galaxy 20

guardians of the galaxy 20Today, Spencer and Shane are discussing Guardians of the Galaxy 20, originally released October 29th, 2014.

Spencer: The first couple of times I read through Guardians of the Galaxy 20 I found myself utterly unable to figure out how to approach writing about it. To be honest, I’m still a little flummoxed; there’s plenty of moments within the issue I think are quite well done, but I don’t know if any of them ever coalesce into a cohesive whole. Is this an issue about Nova’s heroic sacrifice, or an issue about how his death has affected the Guardians? Writer Brian Michael Bendis is clearly trying to make it about both, but in the process, I’m not sure he gives either thread the full attention it requires. Continue reading

Elektra 7

elektra 7Today, Patrick and Drew discussing Elektra 7, originally released on October 29th, 2014.

Patrick: Though my love for Green Lantern has dulled some over the years, the central concept behind the character is infinitely compelling to me. All the Green Lanterns use their power rings to will physical objects into existence. Sometimes these constructs are simple blasts of energy, sometimes they’re giant hammers, sometimes they’re cages or slings or flyswatters. Whatever it is, the thing only exists because a human being (…or some kind of alien…) willed it into existence. I find this idea fascinating — all it takes to achieve the impossible is to have the resolve to declare it possible. Realistically, I know that’s not all there is to it: achieving just about anything also takes time and hard work and practice and failure and money — but that all falls as a result of one’s will. Superheroes are a willful lot, but none more defiantly so than Elektra, and issue 7 demonstrates that that’s been her most valuable superpower all along.

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Death Of Wolverine: Deadpool & Captain America 1

wolverine deadpool capToday, Greg and Taylor are discussing Death Of Wolverine: Deadpool & Captain America, originally released October 29th, 2014.

Greg: Is it macabre to say I hope I go to an Irish wake one day? Maybe my view is distorted by inaccurate media representations, but they seem vibrant, emotionally charged, full of humor and, well, life. Yet a sense of melancholy reverberates throughout — not unnecessarily maudlin, but genuine and cathartic. Death Of Wolverine: Deadpool & Captain America hits these disparate Irish wake-ish notes expertly, taking the reader through outstanding jokes and poignant gut-punches, sometimes on the same page. Continue reading

Swamp Thing Annual 3

swamp thing annual 3Today, Spencer and Drew are discussing Swamp Thing Annual 3, originally released October 29th, 2014.

Spencer: As a very young child, I loved watching Lois and Clark: The New Adventures of Superman with my mom every week. It wasn’t the first superhero show I fell in love with, but it was the first show I loved that got cancelled. I can still vividly remember sitting on the floor at my grandfather’s house bawling inconsolably the night the final episode aired. As an adult I’ve better come to appreciate that everything ends, but while many endings are absolutely triumphant (see: Trillium), there’s still always a feeling of melancholy that accompanies watching something I love come to an end. Charles Soule clearly can relate: Swamp Thing Annual 3 is all about the fact that all stories must come to an end, and how difficult those endings can be for those that have to experience them. In the process, Soule also explores the great power stories have in our lives, be it the power to comfort and inspire or the power to deceive and sow fear.

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