Weavers 1

weavers-1

Today, Taylor and Mark are discussing Weavers 1, originally released May 4th, 2016.

Taylor: No matter the job, your first day always sucks. When you start a new job there are so many things to get acquainted with: coworkers, your work space, your boss, and of course the duties of the job you were actually hired to do. All of this newness is disorienting and the first day on the job is always long. By the time the clock hits five you can’t help but feel you’ve made a huge mistake. Luckily things get better as you get familiar with your new digs. Hell, you may even be so lucky as to eventually like this job. Point is, beginning employment anew is hard, even when your boss isn’t threatening you with your life or when you’ve had the (mis)fortune of gaining awesome powers due to a weird symbiotic organism. For Sid in Weavers 1, the first day on the job isn’t hard. It’s nightmarish.

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New Suicide Squad 20

suicide squad 20

Today, Michael and Ryan D. are discussing New Suicide Squad 20, originally released May 4th, 2016.

Michael: One of the big draws to New Suicide Squad 20 was the writer Tim Seeley and artist Juan E. Ferreyra – the team who worked on the short-lived, but inspired Gotham By Midnight. While that series was firmly steeped in questions of faith and spirituality from the get-go, it’s interesting that Seeley and Ferreyra seem to be tackling those very same themes in a comic about (mostly) unrepentant killers. Nevertheless, New Suicide Squad 20 gives us a standard shoot ‘em up story framed by the beliefs and personal philosophies of its characters. Continue reading

Klaus 5

klaus 5

Today, Patrick and Michael are discussing Klaus 5, originally released May 4th, 2016.

Patrick: Joseph Campbell’s monomyth needs revision. Certainly, the concepts born out in his Hero With A Thousand Faces appear in every blockbuster action movie and comic book produced in the last half-century. But the proliferation of visual storytelling since Campbell’s heyday has added some colorful hallmarks to the heroic storyteller’s lexicon. I don’t know what we can really trace these recurring visual motifs to — Hollywood Westerns, anime, comic books, Saturday morning cartoons — but the fact remains that our heroes all share some common traits. They have costumes that give them either an instantly recognizable silhouette or an instantly recognizable color palette. They all move the same way: with a shocking grace, often over rooftops. In Klaus, Grant Morrison and Dan Mora imbue Santa with these same visual hallmarks, updating him from folk legend to comic book hero.  Continue reading

Batman/Superman 32

batman superman 32

Today, Drew and Spencer are discussing Batman/Superman 32, originally released May 4th, 2016.

Spencer: I’m a sucker for fight scenes. When I was younger, my top priority for any piece of media I checked out was “lots and lots of fighting,” as my voracious consumption of Dragonball Z in middle and high school can attest to. I still have a soft spot for this kind of action — and I look forward to lots of lovingly, intricately choreographed fight scenes when I finally get to see Captain America: Civil War on Friday — but as I’ve grown older, I’ve come to realize that action without any sort of substance supporting it is just hollow. While the “Final Days of Superman” storyline has plenty of substance to it, little of it makes its way into Batman/Superman 32. This issue has tons of action, but little of it means anything. Continue reading

Marvel Round-Up: Comics Released 4/27/16

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We try to stay up on what’s going on at Marvel, but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles coming out of Marvel Comics. Today, we’re discussing Avengers Standoff: Assault on Pleasant Hill Omega 1, All-New Wolverine 7, Amazing Spider-Man 11, Daredevil 6, Ms. Marvel 6, Old Man Logan 5, Patsy Walker A.K.A. Hellcat 5, Spider-Woman 6, Ultimates 6, and Unbeatable Squirrel Girl 7.

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Dark Knight III: The Master Race 4

Alternating Currents: Dark Knight III 4, Drew and Michael

Today, Drew and Michael are discussing Dark Knight III: The Master Race 4, originally released April 27th, 2016.

Drew: As much as I enjoy The Dark Knight Returns, I have to admit that it’s a pretty shaggy story — Batman takes on an entirely new foe in every issue (Two-Face, the Mutants, Joker, and the Government, respectively), and most of the conclusions people draw about the book’s maturity comes from parsing only one or another of those battles. How does your neocon reading of part 4 jibe with Bruce Wayne getting his groove back in part 1? How does your psychosexual reading of his relationship with the Joker fit in with the rest of the series (which continues well after the Joker dies)? For all the glib distillations of DKR, none of them actually capture the angularity of what I would argue is a decidedly episodic story. Those terse critics should rejoice, then, over DKIII, which offers a through-line so clear, even literary critics should be able to find it. Continue reading

Saga 36

Today, Ryan M. and Patrick are discussing Saga 36, originally released April 27, 2016.

Ryan M: I’m a sympathetic cryer. When I hear that telltale catch in someone else’s voice, my eyes swell. It’s not limited to real people either. Characters in movies I don’t even like can get me pretty easily, as well as any one who is dying and says that they aren’t ready out loud. I’m also not really a fan of crying in front of people, so I tend to be wary about finishing a book on the bus or seeing heavy dramas at the movie theater. So, I made sure I was all alone when I read Saga 36. That’s how sure I was that Brian K. Vaughan and Fiona Staples were preparing to gut me with empathetic sadness as they closed an arc with the death of one of the characters. Of course, I was pretty wrong about that. I still cried, but only happy tears. Continue reading

Batman 51

Alternating Currents: Batman 51, Drew and Patrick

Today, Drew and Spencer are discussing Batman 51, originally released April 27th, 2016.

Drew: Nostalgia is a complicated force in superhero comics. On the one hand, a 75-year history is a unique and powerful tool, one that can be mined to celebrate past achievements and reward loyal readers; on the other hand, an audience’s fondness for that history may be exploited, used in lieu of actual quality to assure sales of a given title. These ends may not be mutually exclusive, but parsing the value of nostalgia becomes even more complicated when we consider our own relationship to the material. I don’t bring this up to spark a discussion of critical theory and the fallacy of objectivity (though that’s a conversation I’m always willing to have), but to acknowledge just how important Scott Snyder and Greg Capullo’s Batman run has been to me, personally, and to Retcon Punch as a website. Continue reading

Doctor Strange 7/Doctor Strange: Last Days of Magic 1

doctor strange roundupToday, Spencer and Taylor are discussing Doctor Strange 7 and Doctor Strange: Last Days of Magic 1, originally released April 27th, 2016.

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Doctor Strange 7

Spencer: Science vs. magic, in one form or another, has been a debate since the beginning of time. Those fighting this battle defend their side vehemently, probably because the conflict taps into a number of elemental aspects of the human condition, such as the origin of life, the idea of a higher power, and perhaps most fundamentally, the balance between order and chaos. The thing most people lose sight of, though — especially the Imperator of the Empirikul, villain of Jason Aaron and Chris Bachalo’s Doctor Strange 7 — is that it isn’t an either/or proposition. Science and magic can, and should, exist side-by-side. Continue reading