Category Shelby Peterson

Shelby Peterson, Editor, Designer
shelby@retcon-punch.com

Location: Chicago

History With Comics: While the X-Men will always hold a special place in her heart, Shelby’s first love was Batman. Between Michael Keaton and Kevin Conroy, she fell hard. Like many, her first graphic novel was The Watchmen in college, followed by a handful of the Batman must-reads. Fast forward to last year: Shelby discovered the awesomeness of the DC universe through Geoff Johns’ Green Lantern Rebirth and Blackest Night. She once again fell in love with a comic book character, but this time it was Neil Gaiman’s Morpheus from his Sandman series, and now all her thoughts are translated into 8 or 9 panels per page with the occasional 2-page spread.

New 52 Favorites: Batgirl, Animal Man, Swamp Thing, Batman

Other Favorite Comics:

Oct 17 2012

Chat Cave: The Amethyst Controversy

Zero month saw the launch of several new titles, including the fantasy-infused Sword of Sorcery. As soon as the issue was released, the return of Amethyst: Princess of Gemworld was overshadowed by controversy surrounding a scene of an attempted rape. Reactions ranged from outrage and disappointment to outrage and disappointment over said outrage and disappointment. The only thing that could really be said about the reactions is that everybody had one. Not to be left out of the dialogue, the Retcon Punchers have their own thoughts on the issue. Welcome to the Chat Cave.

Drew: The charge against this issue is largely lead by Chris Sims of Comic Alliance. Sims’ objection basically boils down to two key points: 1) that rape as an overused trope writers use to darken comics needlessly, and 2) that it’s particularly inappropriate in a kid-friendly title.  This blogger does a pretty good job of rebutting Sims first point, so I’ll just add that while rape can be misused as a narrative bludgeon — as can death, love, war, hate, or pretty much anything else that makes stories compelling — it doesn’t mean it should be off-limits. Whether or not it was used inappropriately should be determined on a case-by-case basis, so its perceived overuse shouldn’t enter into the conversation at all. Continue reading →

Oct 16 2012

Frankenstein: Agent of S.H.A.D.E 13

Today, Shelby and Scott are discussing Frankenstein: Agent of S.H.A.D.E 13, originally released October 10th, 2012. This issue is part of the RotWorld crossover event. Click here for complete RotWorld coverage. 

Shelby: I liked the zero issue of Frankenstein. I already know the original Frankenstein story, so I just enjoyed this comic book take on it. Sure, I didn’t know anything about S.H.A.D.E., including what the acronym stands for, but it didn’t get in my way of appreciating the story being told. Knowing that we’d be covering the title at least through Rotworld, I foolishly thought I didn’t need to know anymore, that I’d be able to pick up issue 13 just fine. Apparently, I forgot how comic books work; even with the familiar faces of the Red and the Rot to guide the story, I have almost no idea what is going on here, so bear with me.

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Oct 15 2012

Batman and Robin 13

Today, Drew and Shelby are discussing Batman and Robin 12, originally released October 10th 2012.

Drew: Peter Tomasi has a pretty thankless job. Titles like Batman and Robin and Green Lantern Corps often take a back seat to their flagship counterparts — both in popularity, and narrative. Those kind of supporting titles are often bound to crossover events, requiring their writers to absorb, implement, and embrace plot developments they didn’t come up with themselves, and which may be disruptive to their own plans. In the collaborative, editor-driven world of comics, following such dicta is par for the course, but Tomasi has found himself particularly bound by crossovers, as Death of the Family kicks off the third he’s been involved in since the relaunch. It’s a testament to Tomasi’s skill, then, that he’s able to incorporate details of Death of the Family so elegantly into this issue, while still finding the emotional through-line that has made is work on Batman and Robin so enjoyable. Continue reading →

Oct 12 2012

Team 7 1

 

Today, Mike Logsdon and Shelby are discussing Team 7 1, originally released October 10th, 2012.

Mik: Hey all, Mikyzptlk here, but you can call me Mik (with a long “I”) if, you know, you’re into the whole brevity thing. With that out of the way, let’s get cracking. Going into Team 7, I know next to nothing about this team. I know that it was originally a Wildstorm book but that’s about it. Except for The Authority, I tended to stay away from most of what Wildstorm had to offer. That being the case, I normally wouldn’t be interested in this book but DC has done a few clever things to get me interested. First off, they’ve added a few familiar faces from the DCU into the mix and, more importantly, they’ve set the book in the early (and mostly shrouded) years of the The New 52. ZERO Month did a good job of filling in some of the details of the first 5 years of the new DCU but there are still A LOT of gaps to close. 
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Oct 9 2012

Detective Comics 13

Today, Scott and Patrick are discussing Detective Comics 13, originally released October 3rd, 2012.

Scott: My former boss created a “Law and Order” cheat-sheet, a minute by minute breakdown of every plot point, twist and reveal that occurs over the course of an episode. Each episode follows this same format, almost down to the second. Even more impressive though, is that the show still manages to captivate, and even surprise the audience. Even though the format is totally predictable, they withhold just enough information that we still feel like we’re solving the crime along with the detectives, and revelations that we might have known were coming are completely satisfying. Withholding that information is key, and it’s also where Detective Comics 13 falters; what could have been an interesting mystery ultimately lacks intrigue because it gives away too much at the start.
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Oct 8 2012

Earth-2 5

 

Today, Shelby and Jack are discussing Earth-2 5, originally released October 3rd, 2012.

Shelby: Reintroducing old heroes to old audiences is not easy. The whole New 52 relaunch has been about juggling continuity and fresh stories to keep both new and old readers satisfied.  I’ve seen it as a great opportunity to learn more about characters new to me. I don’t feel so attached to old continuity, and instead like to discuss the differences between the old and the new, and what they mean for the story as a whole. I don’t know how I’m supposed to have a meaningful discussion, however, when I’m distracted by poor writing and cluttered art.
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Oct 8 2012

G.I. Combat 5

Today, Patrick and Shelby are discussing G.I. Combat 5, originally released October 3rd, 2012.

Patrick: True story: when we were deciding what series Retcon Punch was going to cover after zero month, we sorta hemmed and hawed about G.I. Combat. We’re generally fans of Jimmy Palmiotti and Justin Gray’s writing, and I (for one) am drawn to stories that explore the relationship between identity and military service. But on the flip-side, some of the previous stories have been trite, and the art wasn’t always hitting home. Plus, the major selling point (i.e. DINOSAURS) was going away. But when Drew and Shelby and I checked out the solicit to see whether or not we should continue to pick this series up, we saw the title “The Haunted Tank.” That’s just silly enough to work. Let’s explore The Haunted Tank and Unknown Soldier one-at-a-time. Continue reading →

Oct 4 2012

Swamp Thing 13

Today, Shelby and Patrick are discussing Swamp Thing 13, originally released October 3rd, 2012. This issue is part of the RotWorld crossover event. Click here for complete RotWorld coverage. 

Shelby:  Zero month gave us a little reprise from the events of Rotworld. Sure, we learned more about Anton Arcane’s horrifying history, making him that much more of a serious threat. But it was easy to forget that the last time we saw Alec, he was in a completely dead world, one which he assumed was an alternate version of the reality he knew. I’ll be honest, I assumed it was an alternate reality as well; the single panel reveal at the end of 12 didn’t really sink in. But now, we are fully immersed in Rotworld, and let me tell you: things are way worse than we thought. 

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Oct 3 2012

Voodoo 0

Alternating Currents: Voodoo 0, Drew and ShelbyToday, Drew and Shelby are discussing Voodoo 0, originally released September 26th, 2012. Voodoo 0 is part of the line-wide Zero Month.

Drew: September marks the one year anniversary of the launch of the New 52, and, by extension, the anniversary of when I first decided to get into monthly comic books. My initial pull list was seven titles, and while this month has been exceptional, a typical month sees me following about 40 titles. Suffice it to say, I’m no longer daunted by the cost of admission to comics. A year ago, even a small crossover might have put me off for the time and money involved, but now my reaction to the likes of the Rise of the Third Army, Rotworld, and Death of the Family is one of excitement. And yet, this month has revealed that there are corners of DC’s universe that I still find daunting. The thought that there are titles that are bonding over Daemonites or secret government agencies in the same way titles I like are bonding over Owls or Rot makes me hesitant to step into those worlds. I know noting about those elements, and the fear of wanting to know all about them is pretty effective at keeping me away. Or is it that those elements just don’t interest me? Whatever the reason, Voodoo 0, fits right in that pocket, yet somehow manages to transcend the space opera trappings to deliver an intriguing origin that may just find a way of living on beyond the series. Continue reading →

Oct 3 2012

Superman 0

Today, Shelby and (guest writer) Pete Peterson are discussing Superman 0, originally released September 27th, 2012. Superman 0 is part of the line-wide Zero Month.

Shelby: What more is there to know about the origin of Superman? Krypton blows up, baby Kal-El is loaded into an escape pod, crashes to Earth as the only survivor of Krypton (except for his cousin Supergirl, but that’s a different story), and becomes Superman because science. I have never stopped to think more about Superman’s story; turns out, there are a lot of details I’ve been glossing over. For example, what exactly caused an entire planet to blow up in the first place? Scott Lobdell gives us a clue to the destruction of Krypton, and decides the best place to start the origin of Superman is with his father.

Continue reading →