Swamp Thing 32

swamp thing 32

Today, Scott and Shelby are discussing Swamp Thing 32, originally released June 4th, 2014. 

slim-bannerScott: We all want to feel like we’re in control. It’s a big part of growing up. We move out, get our own place, buy a car, pay bills, decide what we eat and when we sleep. But we can only control things to a certain extent. As resolute as we may want to be, we still can’t really know what to do the first time we carve a turkey, or get in a car accident, or find out we’re pregnant. In our rush to take control of our lives, we fail to realize just how much we don’t know, and in doing so we become a huge liability to ourselves. Fortunately, life is pretty forgiving, allowing us to acquire wisdom through a system of trial and error. Like the rest of us, Alec Holland has a lot to learn, in his case about being the Avatar of the Green. Swamp Thing 32 finds him fighting for control against an obstacle he brought on himself but never saw coming.

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Original Sin 3

original sin 3

Today, Drew and Shelby are discussing Original Sin 3, originally released June 4th, 2014.

Someone shot and killed…a planet. I’m gonna need a minute to process that.

Moon Knight

Drew: The last time we talked about this series, I couldn’t get over how over-the-top comic book-y it is. And I mean that quite specifically: it’s not just epic or violent (as so many summer crossover events tend to be), it’s also whole-heartedly absurd, embracing all of the silliness that makes comics so much fun in the first place. Or, at least I thought that’s what this series was. Immediately after building to the line highlighted in the epigraph, this issue takes a sudden turn into the gory. The abruptness of the shift in tone makes it utterly shocking, but it may also rob this series of the frivolity that distinguished it from the likes of DC’s joyless gore-fests. Continue reading

Black Widow 7

black widow 7Today, Shelby and Drew are discussing Black Widow 7, originally released June 4th, 2014. 

slim-bannerShelby: Sometimes it takes other people to really see something about a character.  Seeing a character’s actions and internal monologue when it’s separate from others can almost numb you towards that character’s actions. It’s with the inclusion of another point of view that you suddenly realize the character is not all right, or that they need more help than even they realize. If there’s any character out there who needs more help than they realize, it’s gotta be Nathan Edmondson’s Black Widow.

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The Wake 9

wake 9 Today, Shelby and Drew are discussing The Wake 9 originally released June 4th, 2014. Shelby: Death is a pretty easy way to end a story. In most mediums, you wouldn’t be wrong to say it’s the ultimate end of a story; dead is dead, right? We’ve learned time and time again, however, that comic books play by their own, messier set of rules when it comes to the death of a character. Usually it’s an eye-rolling sort of resurrection we all begrudgingly saw coming a mile away. Sometimes, like in Charles Soule’s last issue of Thunderbolts, we love the “just kidding, not dead!” moment despite knowing with complete certainty it was coming. Sometimes, though, the death/not death of a character catches us so off guard we don’t know where to go next. That shock is exactly what I got at the end of Scott Snyder and Sean Murphy’s penultimate issue of The Wake. In case you didn’t catch my drift (ocean puns!): here be spoilers. Continue reading

Inhuman 2

inhumanity 2Today, Shelby and Patrick are discussing Inhuman 2, originally released May 28th, 2014

Shelby: Serialized media has it’s pros and cons. I rather like having to wait a bit between installments; as long as the wait isn’t too long, and I know when I’m going to get my next chunk of the story, that waiting period adds delicious tension to the tale. I think it also makes things more special, having to wait for them; anticipation can definitely make things sweeter. But, like everything, there’s a downside to dragging a story out over months; when the reader wonders, “wait, is this still happening?” when we’re only on issue 2 of the book, you know there’s a problem.

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Trees 1

Alternating Currents: Trees 1, Drew and ShelbyToday, Drew and Shelby are discussing Trees 1, originally released May 28th, 2014. Drew: All stories have a narrator. This point was obvious enough to me in high school english classes, as we aimed to parse first person from close third person, or subjective from omniscient, but was utterly lost when I thought about the more visual storytelling of film and comics. Who is the narrator of Casablanca? Of The Godfather? It’s easy enough for us to point to a first person narrator when there’s overbearing voiceover, but whose is the default point of view we take when watching a movie or reading a comic book without that kind of obvious diegetic narration? Some might argue that those narratives present some kind of objective accounting of the events in question, but subjectivity creeps in at every turn, with shot composition, lighting, costuming, pacing, editing, even music cues designed to illicit very specific emotional reactions (often those of the characters on the screen or page). With Trees 1, Warren Ellis and Jason Howard have shined a spotlight on those very details, starting threads that differ not only in their settings and characters, but in the perspective of their narrators, as well. Continue reading

Ms. Marvel 4

ms marvel 4Today, Suzanne and Drew are discussing Ms. Marvel 4, originally released May 28th, 2014.

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“What’s Ms. Marvel supposed to look like?”

Kamala Khan

Suzanne: It’s easy to get wrapped into other people’s expectations of you. Subtle messages and feedback from friends and strangers can inadvertently contribute to your sense of self. I’m reminded of this every time I walk into a comic book shop with my husband. The (male) store clerks start up a conversation with him and barely acknowledge my presence. Little do they know that he’s just keeping me company and doesn’t even read comics. So what is a comic book nerd supposed to look like? Would most people even consider women a part of the general readership? Stereotypes like the balding, Caucasian comic shop owner and socially awkward fans like Sheldon from The Big Bang Theory are still common in pop culture. Continue reading

Thunderbolts 26

thunderbolts 26

Today, Patrick and Shelby are discussing Thunderbolts 26, originally released May 28th, 2014.

Patrick: Every time you meet an enemy of the Hulk, you gotta ask yourself: this guy’s not really a bad guy, right? Thaddeus Ross — in his platonic, Hulk-huntin’ phase — is a totally rational individual. Who wouldn’t want to find a way to stomp out the big green guy? Oh sure, he’s more or less learned to control himself now, but Ross’ goal is fundamentally noble. That’s part of the reason the anti-hero label never stuck to him all that well in Thunderbolts. He’s not like the rest of these guys – they’re all amoral killers only looking out for their own selfish ends. But should that make them any more expendable than anyone else? With his final issue on Thunderbolts, Charles Soule reinforces that Ross’ view of his teammates, past and present, is precisely what makes him worthy of their company. But like most of the darker revelations in this series, its tinged with eventual sweetness, and we’re allowed to love these monsters all the same. Continue reading

Superman 31

superman 31Today, Shelby and Scott are discussing Superman 31, originally released May 28th, 2014.

Shelby: I hate being in the way. Like, to the point of anxiety: if I’m with people, trying to help, but just getting in the way, I have a really hard time with it. It’s frustrating on two levels; not only am I not helping like I want to be, I’m probably making things harder by being in the way. Apparently, I’m just like Superman; he’s infected with Doomsday spores, and while all he wants to do is, you know, help save the world over and over, he’s stuck being in the way. And by the way, I mean threatening everyone and everything around him. Heads up, I’m not reading Superman OR Doomed, so I am definitely approaching this from an outsider’s viewpoint.

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Velvet 5

Today, Greg and Shelby are discussing Velvet 5, originally released May 21st, 2014.

Greg: When I come home from work — hell, when I come home from a light jog — I’m often dog-tired. I feel drained and emaciated, like the only thing I have energy to do is crash in front of the TV. I have, at time, uttered the phrase “This day beat me up” out loud. However, after reading this particularly haunting and emotionally draining issue of Velvet, I realize that my pity parties are a grain of sand compared to how massively exhausted Velvet — hell, even other fictional spies like Bond and Bourne — must feel after an average day. The day beat her up, alright. Physically, emotionally, and everything in between.  Continue reading