Jupiter’s Legacy 5

Alternating Currents: Jupiters Legacy 5, Ryan and Drew

Today, Ryan and Drew are discussing Jupiter’s Legacy 5, originally released January 14th, 2015.

Ryan: When George Lucas was writing a little thing called Star Wars, he visited one Dr. Joseph Campbell for mentorship and guidance. Campbell, author of The Hero with a Thousand Faces, developed a monomythical model on the Hero’s Journey taken from many of history’s prototypical protagonists. With this in mind, Lucas crafted perhaps the most iconic modern heroes in Luke Skywalker. In Jupiter’s Legacy, Mark Millar continues to ask big questions about what it means to be a hero. Continue reading

Lazarus 14

lazarus 14

Today, Spencer and Drew are discussing Lazarus 14, originally released January 14th, 2015.

Spencer: It takes more than blood to make a family. I have great aunts and uncles I barely know, a few cousins I’ve never even met — they may be my relatives, but as far as I’m concerned, they’re not my family. No, family is forged in many different ways, but almost all of them involve either large quantities of time spent together or a unique shared understanding of life. Forever has never received either of these things from the rest of the Carlyles, which makes it all the more strange that her first real familial connection amongst them is made with Jonah, the brother who tried to kill her. Yet, that’s exactly what happens in Greg Rucka and Michael Lark’s Lazarus 14, and the consequences of their newfound connection looks like it will only make Forever’s life even tougher in the future. Continue reading

Trees 8

trees 8

Today, Drew and Ryan are discussing Trees 8, originally released January 7th, 2015.

…like Psycho, it will now effectively recommence, shifting focus to characters who had seemed to be playing supporting roles…

Mike D’Angelo

Drew: As well-known and well-regarded as Psycho is, its form — where the focus of the movie abruptly shifts upon the death of what appeared to be the film’s protagonist — is as jarring today as it was in 1960. Killing the protagonist violates one of our most basic assumptions about a narrative, leaving us without an anchor as the story continues without its lead. Mike D’Angelo’s thought-provoking “How did one of 2014’s most striking scenes get confused with one of its worst?” (quoted above) details how director Zack Palmer negotiates this transition in Proxy, but I’d argue that the most important part of the transition is simply that the story isn’t complete.

If Psycho was truly about Janet Leigh’s thieving secretary, her death would be a totally satisfactory ending, but rather than resolving anything, her death only creates more tension. Who killed her? Why? Will this villain ever meet justice? That Psycho misleads us about those first two questions is inconsequential — Quentin Tarantino’s Death Proof is unequivocal about those, leaving only the third question to be resolved in its second half. The point is, while the protagonist’s life is over, the story sure as hell isn’t, which is enough to carry us through any number of unexpected deaths. At least, that’s the presumption Warren Ellis and Jason Howard are banking on as they carry us through their own outsized Psycho moment in Trees 8. Continue reading

The Fade Out 4

fade out 4

Today, Patrick and Drew are discussing The Fade Out 4, originally released January 7th, 2015.

Patrick: I was at my parents’ house this past week for a funeral. My grandmother passed away at 96, so I flew from Los Angeles to Milwaukee, reconvened with my family and then drove down to Dixon, Illinois for the service. There were a lot of people at the funeral that I hadn’t seen in decades — friends, family, that bizarre mix between the two. Over the course of catching up, I found it difficult to express who I am right now. I’ve lived a couple different lives since they knew me last: student, musician, legal secretary, Hawaii, Chicago, California. How much of any of that is the person they saw in front of them on Thursday? The Fade Out 4 pushes these questions to the forefront as Charlie’s past versions of himself — be they heroic or black-out drunk — clash with the Charlie Parish he’s presenting. Continue reading

Best of 2014: Best Series Part 2

Best of 2014: Best TitleWe all love a good one-off or anthology, but it’s the thrill of a series that keeps us coming back to our comic shop week-in, week-out. Whether it’s a decades-spanning ongoing or a short-run miniseries, serialized storytelling allows for bigger casts, bigger worlds, and bigger adventures. Indeed, we’re so enamored of serialization that we decided to split our favorite series list into two installments. Here’s part 2 our top 14 series of 2014 (click here for part 1).
Continue reading

Best of 2014: Best Series Part 1

Best of 2014: Best TitleWe all love a good one-off or anthology, but it’s the thrill of a series that keeps us coming back to our comic shop week-in, week-out. Whether it’s a decades-spanning ongoing or a short-run miniseries, serialized storytelling allows for bigger casts, bigger worlds, and bigger adventures. Indeed, we’re so enamored of serialization that we decided to split our favorite series list into two installments. Here’s part 1 our top 14 series of 2014 (check back here for part 2 tomorrow).
Continue reading

East of West 16

east of west 16Today, Patrick and Drew are discussing East of West 16, originally released December 31st, 2014.

It only ends once. Everything else that happens is just progress.

Jacob, LOST “The Incident”

Patrick: What’s so appealing about the concept of the End of the World? There have been a couple of studies and polls conducted that collect this information, but around 45% of American adults believe that we are living in the end times. There’s something comforting about that idea — if the world ends, then we end together, and existence need never be without me. The much more likely truth is that the world is not ending and humanity will persevere for countless centuries. This has always been at the heart of East of West, apocalypse be damned. Issue 16 launches “The Apocalypse: Year Two,” and any ending seems achingly far away. That’s where the real horror sets in: the realization that this nightmarescape isn’t the end of the world, it’s just progress. Continue reading

Best of 2014: Best Issue

Best of 2014: Best IssueEpisodic storytelling is the name of the game in monthly comics. Month- or even multi-year-long arcs are fine, but a series lives and dies by its individual chapters. From self-contained one-offs to issues that recontextualize their respective series, this year had a ton of great issues. Whittling down those issues to a list was no easy task (and we look forward to hearing how your lists differ in the comments), but we would gladly recommend any (and all) of these issues without hesitation. These are our top 14 issues of 2014.
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The Wicked + The Divine 6

wicked and divine 6
Today, Suzanne and Spencer Spencer and Drew are discussing The Wicked + The Divine 6, originally released December 17th, 2014.Spencer: I’ve gone to a lot of shows by myself over the last couple of years, but it’s rare that I’m ever lonely. I am not a bold or outgoing person, but there’s something about knowing that the majority of the people in that building all love the same band I do that makes it easier to reach out and make new friends. That’s what I love about fan culture, how shared love of a show or book or band can bring strangers together, be it in person or online. Unfortunately, there’s a dark side to fan culture, be it pretentious elitists who believe their way of loving a piece of media is the only “right” way or gatekeepers who want to push out anybody they don’t want in their fandom, often resorting to violent or illegal means. The Wicked + The Divine 6 marks the beginning of a new storyline, one which Kieron Gillen and Jamie McKelvie already seem eager on using to explore the darker side of fan culture. See, it turns out that not all of the Pantheon’s fans are as loyal or level-headed as our Laura… Continue reading

Zero 13

Alternating Currents: Zero 13, Drew and PatrickToday, Drew and Patrick are discussing Zero 13, originally released December 17th, 2014.

What has been will be again, what has been done will be done again; there is nothing new under the sun.

Ecclesiastes 1:9

Drew: It’s easy for the neophile to be frustrated with art. As much as our society claims to value innovation, our art tends to rely heavily on the comforts of the known. That’s not to say the majority of art is devoid of surprise, just that the forms that those surprises take are so prescribed as to be relatively predictable. Whether it’s the hero returning home or the melody returning to the home key, our most tried-and-true structures leave only the smaller details to truly distinguish themselves. Zero 13 contains a masterful example of this kind of small surprise, but this issue’s biggest surprise might lie in what it reveals about the larger form of the series. Continue reading