Gotham Academy 10

gotham academy 10

Today, Ryan M. and Taylor are discussing Gotham Academy 10, originally released September 9, 2015.

Ryan: As the daughter of a high school teacher, I grew up seeing a lot of teens preforming Shakespeare. My dad wanted to support his students and I wanted to see people in costumes; it was a win-win. I saw a dozen of these amateur auditorium productions before I ever saw a professional one.  When I was little, I didn’t always understand the language of the scene, and I certainly wasn’t grasping the deeper themes. What I was enthralled by, other than those fun costumes, was wondering about the actors. Were they friends in class? Were there romances? Which ones were nerds or cool kids? Because, while I didn’t always get Shakespeare, I watched a lot of Saved by the Bell. In this issue of Gotham Academy, there is a lot happening behind the scenes, but it is even more spooky than the time Zack and the gang went to the murder mystery house.

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Batman 44

batman 44

Today, Michael and Patrick are discussing Batman 44, originally released September 9th, 2015.

Michael: While Scott Snyder’s current Batman run could fit into the mold of “written for trade paperback collections,” he also likes his standalone issues. Batman 44 takes a reprieve from Jim Gordon’s inaugural Batman arc, “Superheavy,” to tell an all-too-real story about a murdered black teenager. Taking place shortly after Zero Year, the relatively new Batman does some detective work to find out a little more about this murdered teen: Peter Duggio. He discovers that Peter was mixed up with The Penguin, the Four Fives gang and a mysterious man (who readers know to be Mr. Bloom) who gave him some temporary super powers. When his powers ran out (Man-bat wings), Peter fell to his death. But before that he was shot four times by a police officer. Continue reading

Midnighter 4

midnighter 4

Today, Andy and Mark are discussing Midnighter 4, originally released September 2nd, 2015.

AndyMidnighter 4 continues the search for the stolen God Garden Tech with Midnighter enlisting the help of Spyral Agent Dick Grayson (of Robin/ Batman/ Nightwing fame) chasing a name associated with the stolen tech from the God Garden, Noi Akakyevich. Following a brawl in a Russian Banya, Midnighter and Grayson squeeze a potential hideout out of a trio of Russian Business Bros. A tech modded gangster is offering scummy businessmen the opportunity to slay their own vampire, bred out of lured bums from the nearby alleys. After taking out Polidorin, the big bad, Grayson’s attempt to save the remaining prisoners backfires, and they are burnt to a crisp. Continue reading

Green Arrow 44

green arrow 44

Today, Michael and Spencer are discussing Green Arrow 44, originally released September 2nd, 2015.

Michael: Interlude: from Medieval Latin word interludium; “inter” (between) and “ludus” (play). Interludes are curious animals; they often serve as a bridge between stories in an ongoing narrative but can simultaneously be standalone anecdotes. Part prologue, part origin story, Green Arrow 44 serves as such an interlude. And like many interludes, it provides some setup for the overall plot but also exists as its own island of a story. Continue reading

DC Round-Up Comics Released 8/19/15

dc roundup6

Retcon Punch is on Summer Hours, which means we’re going to be writing fewer in-depth pieces for the month of August. But we’re addicts at this point, so we need a place for our thoughts on all those comics we can’t stop reading. Today, we’re discussing Bizarro 3, Black Canary 3, Dr. Fate 3, Green Lantern The Lost Army 3, Justice League 43, Martian Manhunter 3 and Robin: Son of Batman 3.

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Batman 43

batman 43

Today, Drew and Michael are discussing Batman 43, originally released August 12th, 2015.

It seems like so many of these interpretations [of Batman] are somebody’s favorite. And the truth be told is that they all feel like it’s the same character. Regardless of how different they might be or how separate they might feel, they all feel like they’re Batman. They all feel true to the core conceit of what that character is.

Dan DiDio

Drew: As diverse as Batman stories can be, they’ve always shared some core tenants of who the character is and what he stands for. Or, maybe we need to be more specific — there have been a few different Batmen over the years, with some variation in guiding principles (and origin stories), but Bruce Wayne has always stood for the same things. Scott Snyder and Greg Capullo’s run on this series has been a slow indictment of each of those guiding principles, from Batman’s relationship to Gotham to exactly where he falls on the “superstitious and cowardly” spectrum, but this issue takes away something even more central to Bruce than all of these things combined: his drive as a detective. Indeed, that seems to be the linchpin that makes Bruce Batman — without it, he’s almost unrecognizable. Continue reading

Justice League 42

justice league 42

Today, Patrick and (guest writer) Reid are discussing Justice League 42, originally released July 15th, 2015.

Patrick: Justice League 42 is all about gods – who are gods, who are not gods, who can defy gods, who can become gods, whose godliness can be taken away. But that’s the real difference between a ‘god’ and a ‘superhero?’ Is it physical abilities? Do our gods need to be able to destroy worlds? Do we need our gods to present pure morality? Do we just need to feel that our gods are in control and have a plan? Or maybe gods just need to come from an established pantheon? Whatever other qualities you want to ascribe to gods, I think the most important idea is that they matter in a way that mere humans don’t. Geoff Johns and Jason Fabok’s “Darkseid War” zeroes in a conflict so big and so “important” that we need to check in on the godliness of every hero and every villain. Continue reading

Batman/Superman 22

batman superman 22

Today, Michael and Patrick are discussing Batman/Superman 22, originally released July 8th, 2015.

Michael: Any given issue of Batman/Superman is a coin toss. The relatively young incarnation of this relatively old idea is more of a companion piece to writer Greg Pak’s other Superman series, Action Comics. It’s an exploration of different avenues for Superman while being grounded by Batman as the constant. What happens when both the constant and the variable of this story-telling formula are changed? Is it the same book?

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Detective Comics 42

detective comics 42

Today, Patrick and Michael are discussing Detective Comics 42, originally released July 1st, 2015.

Patrick: Creators on long-running comics are always trying to shake up the status quo. That can be exciting for fans, who love (or love to hate) seeing their favorite properties monkeyed with. And eventually, there’s always the added reward of the return of the original status quo — the status quo ante — which reinstates all our old standards. I try not to be a cynical reader, but sometimes I can’t escape the idea that characters are changed more or less arbitrarily in order to generate conversation and enthusiasm about a series. It’s not like this is bad — change means growth, and I’d love for superhero comics to embrace more growth — but the tendency to revert to a status quo ante makes any attempt at growth feel impotent. Bruce Wayne is dead. Sure. New status quo. He’ll be back. Status quo ante. But what about everyone caught in Batman’s periphery? They have to change too, but there’s nothing forcing them to change back. Detective Comics 42 hovers around this periphery, challenging and pushing characters that may actually be capable of growth. Continue reading

Batgirl 41

batgirl 41

Today, Spencer and Drew are discussing Batgirl 41, originally released June 24th, 2015.

Spencer: One of the defining moments of my childhood was watching the Batman: The Animated Series episode “Over the Edge” in its initial broadcast. For any of you who aren’t familiar with the episode, it the one that ends its first act with Batgirl falling from a building to her death, proceeds to Jim Gordon, who feels betrayed that Batman never told him that Batgirl was his daughter Barbara, raiding the Batcave and capturing Alfred, and only gets more insane (and more violent — I never saw the episode reran) from there. The sheer spectacle of the episode captured my young heart, but it also garnered its fair share of detractors for its ending: the whole story was a nightmare of Barbara’s after being gassed by the Scarecrow.

The “it’s all a dream” ending never bothered me because, as exhilarating as the action was, the true heart of the story was Barbara’s fear of what would happen if she never told her father she was Batgirl. The conflict over Babs’ identity and Jim’s reaction to it is one I’ve seen rehashed in the comics numerous times since, but with diminishing returns. With Jim Gordon now taking the mantle of Batman, it seems inevitable that Batgirl 41 would again focus on this aspect of Jim and Barbara’s relationship, but I feel like I’ve seen this story a few too many times at this point. Continue reading