Descender 22 and the Art of the Opening

by Ryan Desaulniers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

The curtains rise in Descender 22 on a stage which is nearly bare.

The only indication in the first panel that the comic has begun is the indication of the location, the planet Mata. A gentle blue irises on the right-hand side of the panel, and as your eye travels down the page, it’s difficult to tell that there even are panels. A fish glides into view, adding context to the first panel, then the next panel brings a flurry of fish and introduces an element of direction and movement, down and to the right. The gutters between the panels become more distinct here, before artist Dustin Nguyen, in the last image of the page, gives us the gloved hand, bare wrist, and a touch of the signature red of Telsa’s hair. The reader barely has time to think “oh shit!” before the page turn smashes us into a two-page spread of Telsa, floating and limp, wrapped in a hard layer of bubbles, hopeless. Continue reading

Crazy Twists Bring the Fun in Green Lanterns 27

by Mark Mitchell

This article contains SPOILERS. If you haven’t read the issue yet, read on at your own risk!

I’m a sucker for a big, sci-fi twist. I love the ending of Tim Burton’s misguided 2001 Planet of the Apes reboot with Mark Whalberg’s Leo Davidson crashing back to “Earth” in front of the Lincoln Memorial… which Burton then reveals to actually be Ape-raham Lincoln. It’s a twist that makes exactly zero sense when considered for even a passing moment, but it’s capital “F” Fun and that’s good enough for me. Continue reading

Irony vs. Sincerity in All-New Guardians of the Galaxy 6

by Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

There’s a little bit of a disconnect between the crew of the Milano. On one hand, you’ve got Gamora and Drax, honor-bound warriors who are deeply entrenched in the galactic mythology that shapes the universe around them. On the other, you’ve got Star-Lord and Rocket, both of whom would happily throw sarcastic scare quotes up around “Guardians of the Galaxy.” It’s a tension of values — irony vs. sincerity — that eventually melts away in Guardians of the Galaxy 6. Continue reading

The Strength — and Risks — of Intimacy in America 5

by Spencer Irwin

This article will contain SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Fear of intimacy is one of those tropes that’s so common it’s practically become cliché (Friends was on at the gym the other day, and I couldn’t help but to roll my eyes at Chandler trying to run away from his wedding), yet its based on very real, very understandable fears. Without intimacy one would lead a very lonely life, yet opening yourself up to another person is, ultimately, a risk that takes a surprising amount of courage to do. That’s something America Chavez has already discovered in America 5, an issue that shows the benefits of her emotional intimacy even as this same quality places her in grave danger. Continue reading

Stiff Acting Stilts Star Wars: Poe Dameron 17

by Mark Mitchell

This article contains SPOILERS. If you haven’t read the issue yet, read on at your own risk!

A resistance movement concerned with growing apathy among the people, dangerous and corrupt leadership in power propped up by a legislative body too power-hungry to care, journalists as heroes despite being considered untrustworthy by many — the many  parallels between the current political situation in the United States and the state of the galaxy are the driving forces of Charles Soule and Angel Unzueta’s Star Wars: Poe Dameron 17. Continue reading

Hammer Time in Mighty Thor 21

by Taylor Anderson

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

When it was first announced that a woman would take up the mantle of Thor a couple years ago, people were shocked. The uproar about this wasn’t so much about a different person being labeled Thor, but the fact that a this person was going to become Thor while using the Odinson’s signature hammer, Mjölnir. (I would be remiss not to mention that blatant sexism and fragile male egos also contributed to the backlash against a woman being named Thor, but that’s a different discussion entirely). There have been plenty of versions of Thor in the Marvel pantheon, but the idea of Mjölnir going to someone else seemed to agitate fans. That this bothered people raises a question: if a person is Thor, or a version thereof, based on which hammer they wield, who is actually the hero, the hammer or the person who uses it? Continue reading

Balance in the Space Between in Batman 27

by Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

What’s the difference between camp and genre fiction? How about the difference between parody and pastiche? All of these categorical distinctions share the same powerful feature — exploiting tropes to elicit involuntary emotional reactions. And usually, that reaction is a laugh. A knowing chuckle, a boisterous guffaw, rolling chortles — what’s the difference? Is one form ridiculous while the other form is cool? Is one form important while the other form is base? And is there any space between them? Tom King and Clay Mann’s Batman 27 answers that question with the simultaneously ludicrous and tragic origin story of Chuck Brown: The Kite Man. Continue reading

Secret Empire 6: Discussion

by Ryan Mogge and Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Ryan: Wednesday is the worst day of the week for soap operas. The storylines all build to a Friday afternoon cliffhanger, so by mid week you are still wrapping up the fallout of last week and are too early for this week’s storylines to be very juicy. Nick Spencer and Leinil Francis Yu are mid-run in Secret Empire 6, and rather than an issue with a self-contained arc that can be completed, we get bits and pieces of several arcs, with only limited links holding them together. Continue reading

Philosophy and Politics Laid Bare in Ms. Marvel 20

by Ryan Mogge

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Every character has a set of principles by which they live their lives. These can be made clear in daily actions or revealed in moments of crisis. Sometimes, a writer can just have the character lay it out. In Ms. Marvel 20, G. Willow Wilson give several of her characters a chance to share their philosophies directly, making it more a story of ideas than super-heroes.

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History Deepens in Doctor Strange 23

by Taylor Anderson

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

The Marvel universe is as deep as the Mariana Trench, which is to say it’s practically bottomless. After more than fifty years of continuously pumping out serialized stories, it’s fair to say that no person knows everything about the Marvel universe no matter how much they’ve read. The breadth of its history gives writers a leg up when writing their stories: when you have deep pool to draw from it’s unlikely it will run dry any time soon. Even with the vastness of this narrative landscape, Doctor Strange stands out because it always hints at an even deeper world history beyond the Marvel pages. This is something Dennis Hopeless knows and uses to his great advantage in Doctor Strange 21.

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