Tag Archives: Clark Kent

Oct 18 2017

Jor-El and Superman Can’t Back Down From Their Convictions in Action Comics 989

by Spencer Irwin

 

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

For simplicity’s sake, comics tend to paint large groups or alien races with a broad cultural brush (“On Tamaran we all follow our hearts and live by our emotions!”), but in reality, entire races or civilizations can’t be that simply summed up. In all honesty, Superman claiming that humanity are better than their base instincts is just as ridiculous as Jor-El saying that humanity are no better than their base instincts — both are trying to sum up six billion people with one easy label that will never be applicable to them all. Both have made a choice to see humanity in a way that reaffirms their worldview.  Continue reading →

Oct 16 2017

Looking Forward by Looking Back in Hal Jordan and the Green Lantern Corps 30

by Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Green Lantern is a mythological big bang, constantly expanding outward into space at an alarming rate. Hal Jordan and the Green Lantern Corps writer Robert Venditti usually participates in these kind of elliptical expansions that loop back around on information or concepts that readers are already familiar with and then venturing out further into the undefined depths of space. That’s how Hal’s relationship to the New Gods of New Genesis was fleshed out, that’s how Soranik Natu temporarily re-joined the corps before betraying them and defecting with her father’s evil army. But those are whirling galaxies of mythology, and in issue 30, Venditti and artist Patrick Zircher bring that same cyclonic energy planetside.  Continue reading →

Oct 6 2017

Deathstroke’s Murky Morality in Superman 32

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Superman’s moral code is not complex, and that’s a great thing about him as far as I’m concerned. Superman does good simply because it’s the right thing to do, and he never kills — Man of Steel nonwithstanding, he always finds a way to win without sacrificing his morals, because that’s just who Superman is. Deathstroke’s morality is far more murky, and that leads to some interesting juxtaposition in Superman 32. Continue reading →

Oct 2 2017

Jor-El Loses Hope in Action Comics 988

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

While Superman’s mission is most often described as “truth, justice, and the American Way,” personally I think the quality that best describes him and his methods is “hope.” Superman has hope that people can be better, and that’s the one thing he can never give up on. It’s also clearly going to be a major point of contention between him and his father, Jor-El a.k.a. the newly revealed Mr. Oz, as this arc of Action Comics moves forward. Continue reading →

Sep 21 2017

Ace Reporter Lois Lane Returns in Superman 31

by Mark Mitchell

This article contains SPOILERS. If you haven’t read the issue yet, read on at your own risk!

So much of Rebirth-ed Superman has been focused on Clark and Lois as parents. These familial dynamics are an interesting lens through which to view such storied characters, but doing so has largely left Lois cast in a passive role. The cover of Superman 31 promises fisticuffs between the Man of Steel and Deathstroke, but the issue is really all about Lois Lane, Ace Reporter, and how sweet it is to have this version of Lois back. Continue reading →

Sep 15 2017

Action Comics 987: Discussion

by Mark Mitchell and Michael DeLaney  

Action Comics 987

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

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Mark: Modern comic books are built on tropes. After nearly a century of storytelling in the medium, the particulars of what makes a Superman story different from a Batman story are so deeply engrained that creators have a binary choice when sitting down to craft a tale: embrace the tropes or react against them. And while longtime comic book readers tend to seek out and reward stories that are willing to subvert and contort their expectations, either choice can be successful if executed well. Continue reading →

Sep 7 2017

The Details Drag Down a Strong Premise in Superman 30

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

There’s a particular brand of story that eschews hard logic or consistent rules for pure emotional storytelling: think Doctor Who at its best, where rules are often bent or changed to support the emotional thrust a given episode, or even the old Teen Titans animated series, where Trigon was defeated by the metaphor of Raven growing up, even if there was never explanation given as to how she gained so much raw power. This kind of storytelling can be tricky: if the emotions and metaphors work well enough readers will forgive (or perhaps not even notice) any gaps in logic, but there’s always the risk that they won’t. For my money, Superman 30 falls a little too close to the latter category; there’s a strong emotional core here, but also a lot of details that don’t fully add-up or make sense. Continue reading →

Aug 18 2017

Dark Nights: Metal 1: Discussion

by Patrick Ehlers and Mark Mitchell 

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

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Patrick: Throughout Scott Snyder and Greg Capullo’s run on Batman, the creative team valued invention over archeology. The character of Batman has been around for so long that deconstruction of the character is practically in his DNA, and while Snyder and Capullo found ways to riff on Batman’s history, their stories were always new. New threats, new allies, new secret identity. With Metal, the latest DC event, Snyder and Capullo turn inward, to explore, refine, and recontextualize the mythology and iconography that is already part of their multiverse. There’s a premium on re-arranging existing pieces into an entirely new whole. Continue reading →

Aug 8 2017

“People” are the Detail that Matters Most in Green Arrow 28

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

At one point in Green Arrow 28 Lex Luthor compares himself to Sherlock Holmes, priding himself in his ability to be 12 steps ahead of everyone else, and proving it by (rather accurately) analyzing Arrow’s current situation based off of a few small clues in a most Cumberbatchian fashion. Yet for all his genius and detective prowess, there’s one small detail Luthor is rather blind to: people, especially the people who have helped make his company great. Continue reading →

Aug 3 2017

Superman 28: Discussion

by Spencer Irwin and Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Spencer: I’ve never considered myself very patriotic. I appreciate the freedoms and privileges I enjoy as an American citizen, of course, as well as the sacrifices so many have made in order to ensure them, but it’s hard for me to fully support a country built on slavery and genocide, a country that’s struggled to properly care for minorities and the poor, a country that effortlessly and thoughtlessly kills foreign innocents in their own homes. I’m not comfortable putting my faith in an organization whose agendas so often shift (or can so easily be bought); I’d rather put my faith in individual people.

On paper, then, I probably shouldn’t like Superman 28, the conclusion of Peter Tomasi, Patrick Gleason, and Scott Godlewski’s brief “Declaration” storyline. In many ways Clark, Lois, and Jon’s road trip is patriotism at its finest, yet what endears me to this story is the focus the creative team puts on people; on the people who sacrificed so much to fight for their beliefs, and on the very human cost of America’s many wars. That’s a thesis I can get behind. Continue reading →