Captain America: White 1

captain america white 1

Today, Andrew and Taylor are discussing Captain America: White 1, originally released September 16th , 2015.

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Andrew: After being unfrozen from the ice after 7 years, Jeph Loeb and Tim Sale have delivered on their long teased series dissecting our favorite Nazi kicking boy scout, Steve Rogers. In line with their color series (including Daredevil: Yellow, Hulk: Grey, and Spiderman: Blue), Captain America: White presents a retelling of what made Loeb and Sale fall in love with Captain America in the first place, focused through a thematic color. Loeb and Sale paint a critical picture of this icon without being cynical. The Cap we’ve seen so far is calm, confident, but above all, naive. He is a soldier but not a leader. He has the enormous privilege of superhuman abilities which separate him from ever truly sharing the average soldier’s experience. This privilege and optimism blinds him to the dangers he puts Bucky through. It’s his relationship and loss of Bucky that is put at the forefront of this issue and what ultimately makes him into the nuanced Marvel character that he became today. Continue reading

Avengers 44/New Avengers 33

avengers 44

Today, Spencer and Ryan are discussing Avengers 44 and New Avengers 33, originally released April 29th, 2015. 

Spencer: Jonathan Hickman’s Avengers saga has gone through three different phases. The first, which lasted from the series’ debut through the end of Infinity, found Avengers exploring the forced evolution of the planet Earth via Ex Nihilo’s Origin Bombs while New Avengers established the threat of the Incursions and the drastic measures the Illuminati would have to take to combat them. The second phase found Avengers essentially spinning its wheels, waiting for the Illuminati in New Avengers to reach their limit and, ultimately, fail. Then the books skipped ahead in time eight months, and both lost a bit of their former identities as they became swallowed up in the Incursions storyline. New Avengers has spent most of phase three explaining the mechanics of everything that came before, while Avengers explored the personal fall-out between the members of all these various teams. While the Incursion storyline is continuing into Hickman’s upcoming Secret Wars, the final issues of Avengers and New Avengers focus on wrapping up the ideas they’ve been exploring since phase three began. One is decidedly more engaging than the other. Continue reading

Chat Cave: Avengers – Age of Ultron

Marvel’s flagship film franchise landed its second installment this weekend, assembling the Avengers to take on Ultron. Secrets were revealed! Tears were shed! Scenery was chewed! Spoilers for sure after the break: welcome to the Chat Cave. Continue reading

New Avengers 30

new avengers 30

Today, Spencer and Mark are discussing New Avengers 30, originally released February 25th, 2015. 

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Spencer: Jonathan Hickman and Dalibor Talajic’s New Avengers 30 reads a bit like a textbook on multiversal theory. It’s about as dry as beef jerky, and is focused so strongly on explaining every minute detail about the Ivory Kings that it largely fails to address why they’re doing what they’re doing. The information contained within its pages will likely prove important as Secret Wars grows closer, but for the moment, New Avengers 30 feels like an issue that highlights the greatest weakness of Hickman’s Avengers books: a focus on plot that supersedes “story” or characterization.  Continue reading

Avengers 40

Alternating Currents: Avengers 40, Drew and Mark

Today, Drew and Mark are discussing Avengers 40, originally released January 14th, 2015. 

The more I love humanity in general, the less I love man in particular

Fyodor Dostoyevsky, The Brothers Karamazov

Drew: I think it would be fair to say that Dostoevsky’s polyphonic style — one built upon the perspectives of an array of characters — is antithetical to the notion of the hero’s journey. Indeed, Dostoyevsky’s philosophies (as articulated in the quote above) suggest that there’s an active tension between caring about an individual and caring about humanity at large. I’ve always been partial to the depth of understanding achieved by sticking with one protagonist — especially when it comes to comics — which has made me wary of the kind of expansive, Dostoyevskian scope of Jonathan Hickman’s Avengers. In my mind, a tight focus on a single character more accurately reflects how we experience the world, but with Avengers 40, Hickman makes a compelling case for how his dense interconnectedness reflects how the world actually is. Continue reading

Avengers 39

avengers 39Today, Spencer and Mark are discussing Avengers 39, originally released December 10th, 2014. 

Spencer: When you read enough comics, you start to see certain repeated themes and styles emerge among various writers. Brian Michael Bendis is known for dialogue-heavy, somewhat decompressed comics. Kieron Gillen makes no attempt to hide his musical influences and knack for clever dialogue. Geoff Johns loves to rehabilitate long-forgotten or mishandled characters and concepts (and is also a bit infamous for cutting off his characters’ arms). Jonathan Hickman, meanwhile, is probably best known for his cerebral, somewhat detached style of writing that can spend years setting things up before finally letting all the dominos fall into place. With this week’s Avengers 39 we’re getting closer and closer to the end of Hickman’s Avengers epic, but the most interesting part of the issue is the commentary Hickman seems to be making on his own writing style. Continue reading

Avengers 38

avengers 38Today, Spencer and Drew are discussing Avengers 38, originally released November 19th, 2014. 

You can’t tell the players without a program!

Traditional

Spencer: I actually bought a program at a ballgame once, and while it made a nice souvenir, I can’t say it helped me follow the game any better — if anything, it was a bit of a distraction. I didn’t need to be able to tell the players to follow the action on the field, but the same isn’t true for Jonathan Hickman’s Avengers epic; thankfully, Avengers 38 provides us with a pretty snazzy program of its own, free of charge!

Program

While only the characters in color actually appear in this issue, almost all of them play some sort of role in its story, making me increasingly grateful for this handy run-down. Actually, in its own way all of Avengers 38 is a program; the issue sets up the players in the upcoming conflict between the various Avengers teams as well as their motivations, allegiances, and weapons, and I have a feeling we’re going to be referencing this issue for quite a while to come. It’s place-setting, but place-setting is rarely this entertaining. Continue reading

She-Hulk 10

she hulk 10Today, Spencer and Suzanne are discussing She-Hulk 10, originally released November 12th, 2014. 

slim-bannerSpencer: At first glance, there are hardly any similarities between being a writer and being a lawyer, but ultimately, both professions owe a lot to the power of words. Writers use words to bring life to worlds and characters, while lawyers use them to argue and persuade, and sometimes even to tell stories of their own. The case between Jen Walters and Matt Murdock over the fate of Steve Rogers, as presented in Charles Soule and Javier Pulido’s She-Hulk 10, is just one of those situations; everything comes down to the two lawyers each telling their own version of the truth and leaving the jury to decide which story they believe. As a look into the criminal justice system, it’s a bit unnerving, but as a showcase of the kind of power storytellers hold, it’s absolutely fascinating. Continue reading

All-New Captain America 1

Alternating Currents: All-New Captain America 1, Drew and TaylorToday, Drew and Taylor are discussing All-New Captain America 1, originally released November 12th, 2014.

Drew: Am I the only one who sees Captain America as an unlikely legacy hero? I understand that the precedent was set back when Bucky first took up the mantle, but Captain America has always struck me as a character more defined by his personality than his power-set. I think that tends to be true of Marvel’s heroes in general — Iron Man is less the adventures of a guy with a metal suit, and more the adventures of Tony Stark, for example — which makes the thought of separating the hero from the alter-ego seem almost impossible. If you take Steve Rogers out of the equation, what is Captain America other than a good fighter with a patriotic outfit? That question seems to be at the center of Rick Remender and Stuart Immonen’s All-New Captain America, and while the first issue only addresses it glancingly, it’s clear they have a compelling answer. Continue reading

Death Of Wolverine: Deadpool & Captain America 1

wolverine deadpool capToday, Greg and Taylor are discussing Death Of Wolverine: Deadpool & Captain America, originally released October 29th, 2014.

Greg: Is it macabre to say I hope I go to an Irish wake one day? Maybe my view is distorted by inaccurate media representations, but they seem vibrant, emotionally charged, full of humor and, well, life. Yet a sense of melancholy reverberates throughout — not unnecessarily maudlin, but genuine and cathartic. Death Of Wolverine: Deadpool & Captain America hits these disparate Irish wake-ish notes expertly, taking the reader through outstanding jokes and poignant gut-punches, sometimes on the same page. Continue reading