Author Archives: Drew

Jul 16 2013

Hawkeye 12

Alternating Currents: Hawkeye 12, Drew and Spencer

Today, Drew and Spencer are discussing Hawkeye 12, originally released July 10th, 2013.

Drew: What is it that excites you most about a narrative? Or, what element of a story is so important to you that you might overlook other issues? Obviously, there’s a baseline for quality, but in a pinch, some of us might excuse weak plotting if the character work is good, or flat characters if the story is exciting enough. For me, that magic element is form. I’m willing to excuse wrote plotting or stiff characters as long as the story is told to me in a new way. Hawkeye has never suffered from either of those problems, but its recent discursive plotting and focus on seemingly every character except Clint has the potential to bore plot- and character-philes. Its form, on the other hand, has been absolute crackerjacks. Issue 8 kicked of a series of issues — each from a different perspective — that have revisited scenes time and again, each offering a different perspective on the events. It’s part Roshomon, part A/B plotting, creating a hybrid form that keeps each episode emotionally satisfying, all while weaving an incredibly dense chain of events. Hawkeye 12 adds Barney Barton to the mix, mining a great deal of pathos from the brothers’ childhood. Continue reading →

Jul 16 2013

Suicide Squad 22

Alternating Currents: Suicide Squad 22, Drew and Mikyzptlk

Today, Drew and Mikyzptlk are discussing Suicide Squad 22, originally released July 10th, 2013.

Drew: Superhero team-ups are weird. Notions like marketability and synergy are taken into account over tactical utility, forcing writers to tie themselves in knots over why the Avengers would want the Hulk anywhere near them, or what value Aquaman adds to a team that already has actual superheroes on it. More importantly, a team-up often involves characters taking on specific roles within the team — which may not always “fit” their characters. Without any huge names on the title, Suicide Squad has a bit more flexibility in making the pieces fit together (and with the entire population of Belle Reve prison up for grabs, plenty of pieces to work with), but writer Ales Kot seems much more interested in how they don’t fit. Continue reading →

Jul 12 2013

Batgirl 22

Alternating Currents: Batgirl 22, Drew and PatrickToday, Drew and Patrick are discussing Batgirl 22, originally released July 10th, 2013.

Drew: Gail Simone gets Barbara Gordon. I mean that both in that Simone understands Babs’ motivations and has a clear sense of her voice AND that she understands what makes her an interesting character. Early issues of Batgirl featured a fresh balance of uncertainty both under the cape (pertaining to PTSD and survivor’s guilt) and out of it (pertaining to the more pedestrian trappings of being an unemployed twenty-something looking for an apartment). More recent developments in this title (and Batman) have piled on a few more issues, from questioning the trust of Bruce Wayne to guilt over killing her own brother, which threatened to crowd out those elements I loved so much. Issue 22 finds both Simone and Babs taking a step back, separating the bat from the girl, and refocusing the story on Babs. Continue reading →

Jul 9 2013

Avengers 15

Alternating Currents: Avengers 15, Drew and Patrick

Today, Drew and Patrick are discussing Avengers 15, originally released July 3rd, 2013. 

Drew: I have a buddy who doesn’t like Peter Jackson’s The Lord of the Rings films — but it’s not because he doesn’t like fantasy. In his mind, the story is a too simple escalation of “then they fought an even bigger villain” repeated ad nauseam. He has a point: that narrative is particularly focused on building to the final boss battle, but I’d argue that that focus is exactly what prevents each encounter from feeling routine. We understand the importance of Frodo’s quest, so there’s actual tension to be garnered from any obstacles that might pop up along the way. More importantly, having that goal laid out offers direction after each villain is defeated — there’s none of that “wander around the woods until you find something else to fight” RPG bullshit. Unfortunately, Avengers 15 lacks that kind of focused direction. Continue reading →

Jul 8 2013

The Private Eye 3

private eye 3

Today, Drew and Patrick are discussing The Private Eye 3, originally released June 28th, 2013.

Technology is an enabler of rights, not a right itself.

Vinton G. Cerf
The New York Times

Drew: In 2009, the highest court in France declared access to the internet a basic human right. In 2010, Costa Rica’s Supreme Court issued a similar ruling. Greece even wrote that right into their constitution. I tend to agree more with Vinton Cerf’s op-ed piece (quoted above) than the courts and councils of these countries, but that only dredges up the stickier question of what rights are enabled by the internet? The freedom of speech is an obvious example, but it also obviously existed before the internet. Sure, the internet facilitates the distribution of ideas, but so does being published by Random House, and nobody would claim that publishing contracts are an inalienable right. To me, the internet isn’t nearly as much about the freedom of speech as it is about the freedoms of convenience and anonymity. I would argue that neither of these are rights, per se, but does something need to be a right for someone to feel injustice when it is taken away? More importantly, how might that sense of injustice deform society? This seems to be the question at the heart of Private Eye — and the reason its setting doesn’t simply resemble a pre-internet world. Continue reading →

Jul 5 2013

Batman Incorporated 12

Alternating Currents: Batman Incorporated 12, Drew and Patrick

Today, Drew and Patrick are discussing Batman Incorporated 12, originally released July 3rd, 2013.

Drew: I don’t know when exactly I learned the phrase “grand finale,” but for much of my childhood, I only associated it with Fourth of July fireworks shows. I don’t know if it was just youthful impatience, or just excitement over getting to use those special words, but that was the only part of the show I ever cared about — who wants to see brilliant explosions paced out slowly when they can all go off in rapid succession? To some degree, I think there’s still an expectation for finales to be grand — remember everyone’s reaction to The Sopranos finale? — even if that ignores that narratives aren’t the same thing as fireworks shows. A satisfying conclusion to a narrative features consequents to the antecedents set up throughout the story, effectively closing all of the open parentheses. That job is already tough (think of how many otherwise decent stories have been totally ruined by a botched ending), but becomes exponentially tougher as the antecedents and open parens pile up over the years — especially when Grant Morrison is writing. His Batman Epic has been truly epic — it features both a global scope and a historical perspective, and has introduced countless characters, relationships, and histories — all of which require additional consideration as the story winds to its close. This entire final chapter of Batman Incorporated has been about starting that process, but issue 12 suggests that Morrison might actually intend to close ALL of his open parentheses AND give us the grand finale our inner child has been begging for for the past seven years. Continue reading →

Jul 2 2013

Young Avengers 6

young avengers 6Today, Drew and guest writer Julien are discussing Young Avengers 6, originally released June 26th, 2013. 

slim-banner

Drew: I used to think jobs were for grownups. Now I understand that jobs are for everybody — careers are for grownups. That may sound like a stupid distinction, but anyone who’s heard twenty-somethings ask each other about their jobs will understand that young people aren’t as ready to be defined by their jobs as teachers, mailmen, bakers, or any other characters from Richard Scarry books. This is just as true in the superhero world; Clark Kent might be happy to call himself a reporter, but his younger counterparts are still questioning their course in life — hell, many of them can’t even stick with a single name (I’m looking at you, former Robins). I’m used to seeing that uncertainty addressed in the overt angstiness we often associate with narratives featuring teens, but Kieron Gillen gets a great deal of mileage by toning it down to a more relatable level in Young Avengers 6. Continue reading →

Jun 27 2013

Batman/Superman 1

Alternating Currents: Batman/Superman 1, Drew and ScottToday, Drew and Scott are discussing Batman/Superman 1, originally released June 26th, 2013. 

Drew: Paper or plastic? Beatles or Stones? Smooth or crunchy? We love our false dichotomies, and while Marvel vs. DC may be the most obvious example in the world of comics, Batman vs. Superman is a close second. They’re presented as polar opposites enough to make it feel like a given, but are they really so different? Superman may draw his power from the sun, and Batman may draw his power from the shadows, but move beyond their color palettes and you’ll find that both fight for justice, both refuse to kill, and both have a penchant for wearing their underwear on the outside of their clothes. Of course, if you dig a bit deeper, you’ll find that their reasons differ on a fundamental level, growing out of their profoundly different psyches. It’s those differences, rather than the light/dark dichotomy, that Greg Pak sets to explore in Batman/Superman 1, and the result is a surprisingly fresh take on the pairing. Continue reading →

Jun 26 2013

Batman and Batgirl 21

batman and batgirl 21

Today, Drew and guest writer Gino Killiko are discussing Batman and Batgirl 21, originally released June 19th, 2013.

Drew: I have to admit, as a stage of grief, bargaining never made all that much sense to me — especially not as the third stage. I can accept that somebody might make an impassioned plea to whatever powers exist at the time of a loved one’s death, but I’m just not sure who people are bargaining with long after a loved one has died. It turns out, that is because the whole Kübler-Ross model that the “five stages of grief” are based on is actually adapted from the stages associated with an impending death, which kind of supports the notion that bargaining after the fact doesn’t necessarily make any sense. That might explain why Batman and Batgirl 21, which is meant to focus on the third stage of grief, doesn’t quite work. Continue reading →

Jun 21 2013

Age of Ultron 10

age of ultron 10 AU

Today, Drew are Shelby are discussing Age of Ultron 10, originally released June 19th, 2013. This issue is part of the Age of Ultron crossover event. Click here for complete AU coverage.

ultron-div

Drew: Age of Ultron 9 found Taylor asking “What is time?” It’s something so central to our perception of the world, yet something we barely understand. Issue 10 continues the trend of focusing on subjects at the edge of our scientific understanding, this time taking up the question “What is reality?” What really are these things we believe to be true? History, as they say, is written by the victors (and re-written by whoever beats them, and so on), suggesting that “reality” might be a bit more subjective than we like to think. But what if the victors could actually alter history, not just our retellings of it? What if reality was objectively malleable? That’s kind of the question this series has been asking all along, but its conclusion puts a finer point on it, making the very fabric of Marvel’s “reality” the focus of this issue. Continue reading →