Author Archives: Drew

Apr 30 2013

All-Star Western 19

Alternating Currents: All-Star Western 19, Drew and Taylor

Today, Drew and Taylor are discussing All-Star Western 19, originally released April 24th, 2013.

Drew: Time travel does weird things to stories. Leaving aside whatever chronology wankery that usually goes along with it, time travel stories actually require pretty specific things of their characters. If they are going to the past, for example, they must not know history that well (or events have to play out in a way different from what they learned). Sure, having a character aware of the hands of fate sounds good, but knowing everything before it happens sure sounds boring. Making the time traveler relatively unaware allows for all kinds of neat dramatic irony — we know how things play out even if the characters don’t. This is especially true of historical events we might recognize, but it’s also true of smaller period details. We laugh when Bill and Ted high-five Napoleon, or when Marty McFly plays Johnny B. Goode because we understand that that’s not how someone from that time period would behave. It’s this smaller-scale dramatic irony that permeates All-Star Western 19, as Jonah Hex runs into a time-displaced Booster Gold. Continue reading →

Apr 30 2013

The Flash 19

Alternating Currents: The Flash 19, Drew and MikyzptlkToday, Drew and Mikyzptlk are discussing the Flash 19, originally released April 24th, 2013.

Drew: It’s hard to pick a favorite thing about The Flash. Is it the bright tone? The vivid, thematically rich art? It’s penchant for clever meta-commentary? In many ways, it feels like it was designed for the kind of nerdy dissections we do here at Retcon Punch, giving us everything we look for in a comic. Nothing brings that feeling about more than the specific pop-culture references this series drops from time to time. Things like having characters from LOST pop up randomly, or building an entire arc up to a single Planet of the Apes reference feel like they were designed rather specifically for my nerdy mentalities. Those references were fun, if entirely disposable — they amounted to little more than throwaway lines and background characters — but with issue 19, writer Brian Buccellato goes into full-on homage mode, giving us an extended Die Hard tribute that plays a key role in the plot. Continue reading →

Apr 26 2013

Batman Incorporated 10

batman inc 10

Today, Drew and Patrick are discussing Batman Incorporated 10, originally released April 25th, 2013.

Drew: One of the defining characteristics of Batman is his relative plausibility. Fictional technology aside, he’s basically an extremely wealthy, extremely determined individual — no alien DNA, no radioactive animal bites, no magic. Writers will vary in just how plausible they want their version of Batman to be, but most respect that believability as one of the character’s biggest draws. Every so often, writers will break that rule — Jason will be resurrected via magic, or Bruce might call in a favor from Superman —  to show you just how big the stakes are. In this issue, the situation is so dire, Bruce turns to not one, but several such outlandish solutions, tapping into every corner of Batman-exess he can. Continue reading →

Apr 23 2013

Nova 1-3

Alternating Currents: Nova 1-3, Drew and Patrick

Today, Drew and Patrick are discussing Nova 1-3, originally released February, March, and April 17th, 2013, respectively.

Drew: Cliche is a complicated subject in genre fiction. We tend to characterize predictability as bad, but it’s only by setting up expectations that writers are able to thwart them. Moreover, those tropes may be the very thing that draws us to those genres in the first place — we want the hero to beat the villain, get the girl, and ride off into the sunset. As a veteran writer conversant in a number of genres, Jeff Loeb understands the power of those tropes, mixing them potently in his take on Nova. Continue reading →

Apr 18 2013

Wonder Woman 19

Alternating Currents: Wonder Woman 19, Drew and Scott

Today, Drew and Scott are discussing Wonder Woman 19, originally released April 17th, 2013.

Drew: Wonder Woman 18 ended on an atypically happy note — Zola was reunited with her baby, Diana and Ares seemed to have patched things up, Hera had found a bottle of wine — but the end of those good times is lurking around every corner. Unfortunately, Diana and friends may be caught unawares, mistaking their recent battles for the coming war. Indeed, when wagering on the outcome of that war, Poseidon discounts Diana, suggesting that he “always bet[s] against a player who doesn’t know they’re in the game.” Poseidon has made the mistake of underestimating Diana before, but he may have a point: while her adversaries are arming themselves, Diana seems to be distracted by more basic team maintenance. Continue reading →

Apr 17 2013

Avengers Assemble 14AU

Alternating Currents: Avengers Assemble 14AU, Drew and Ethan

Today, Drew and Ethan are discussing Avengers Assemble 14AU, originally released April 10th 2013. This issue is part of the Age of Ultron crossover event. Click here for complete AU coverage.

ultron-div

…it’s not who you are underneath, it’s what you do that defines you.

-Rachel Dawes, Batman Begins

Drew: I remember laughing out loud when I first heard Rachel’s lecture to Bruce in Batman Begins. It’s not that the scene was poorly acted, or even that the sentiment was that offensive, but that its underlying “who you are on the inside doesn’t count for much, after all” message flew in the face of essentially every 90s movie, from Beauty and the Beast to She’s All That. Of course, the message here is about action vs. sentiment — talk is cheap, if you will — rather than about superficiality, which makes it a more appropriate, if sensitive, topic for comics. It’s sensitive because we care about who our heroes are underneath. Does Superman’s moral strength come from never failing to want the right thing, or from never failing to do the right thing? Many fans may balk at finding out Superman has immoral thoughts, while others may find a squeaky-clean mind entirely unrelatable, making the very act of pulling back the curtain a precarious one. You might expect this discomfort to be smaller with more down-to-earth human characters, but as Al Ewing demonstrates in Avengers Assemble 14AU, the opposite might be true. Continue reading →

Apr 16 2013

Fantastic Four 6

Alternating Currents: Fantastic Four 6, Drew and Patrick

Today, Drew and Patrick are discussing Fantastic Four 6, originally released April 10th, 2013.

Drew: “Take only pictures, leave only footprints” has long been the rule of thumb for eco-tourists — or really anybody visiting nature. The point is simple: don’t change things (and indeed, many ecologists now advocate for “leave no trace” practices, which argue that even footprints are too disruptive). This idea is quite common in sci-fi as well — the Star Trek had the prime directive, and Ray Bradbury’s time traveler had the butterfly effect — which exaggerates the danger of changing things to potentially harming history itself. You’d think, then, that a group as smart as the Fantastic Four would be especially careful when encountering alien cultures while time traveling, but issue 6 proves yet again that they can’t really be bothered with such concerns, willing to alter things at the very dawn of time itself. Continue reading →

Apr 11 2013

Uncanny X-Men 4

Alternating Currents: Uncanny X-Men 4, Drew and PatrickToday, Drew and Patrick are discussing Uncanny X-Men 4, originally released April 10th 2013.

Drew: Writers love exploring different vantage points on the same scene. In fact, they loved it so much, they named it: the Roshomon Effect, for the film that made the conceit famous. Its mix of repetition and change is a potent one, so its use often comes off as gimmicky, but when pulled off well, it can add immense insight into a character’s subjective experience of the world. In Uncanny X-Men 4, Brian Michael Bendis reexamines Cyclops’ pitch from All-New X-Men 10, giving us a rare glimpse into Emma Frost’s mind. Continue reading →

Apr 10 2013

iOS Blocks Saga 12

Yesterday, Brian K Vaughan announced that Apple has blocked any sales of Saga 12 through any iOS apps, ostensibly over what Vaughan characterized as “two postage stamp-sized images of gay sex.” This move may come as a surprise to many readers, but will sound familiar to fans of Joe Casey’s Sex #1, which was similarly blocked last month. You can bet your ass that the Retcon Punchers have opinions on this one. Welcome to the Chat Cave.
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Apr 8 2013

All-New X-Men 10

Alternating Currents: All-New X-Men 10, Drew and Shelby

Today, Drew and Shelby. are discussing All-New X-Men 10, originally released April 3rd, 2013.

Drew: They say that history is written by the victors. Generally, we mean that in a societal sense: the winners of wars paint their cause in a favorable light, which is why successful overthrows of the government are called “revolutions,” while failures are called “civil wars.” But what if we applied the phrase personally? Our lives are made up of decisions and compromises, which we tell ourselves were the right ones. This is easy enough to do, since we can always paint the opposing choice as naiveté or ignorance — sure, being a fireman seemed like a cool idea when I was six, but I realized it really wasn’t what I was interested in as I grew older — but does that mean it’s always right? This is hard to know because of the one-sided relationship we have with the past — we may know the mindsets of our past selves, but those past selves can’t know the circumstances that lead to where we are now. All-New X-Men has reveled in the idea of a dialogue with the past, forcing its characters to defend their actions in ways that they never would otherwise. Issue 10 brings this dialogue to a head, as Old, Evil Scott (as we’ve taken to calling him here) provides a measured response to Young Scott’s impassioned “how could you?”

Continue reading →