Swamp Thing 19

Alternating Current: Swamp Thing 19, Drew and PatrickToday, Drew and Patrick are discussing Swamp Thing 19 originally released April 3rd, 2013.

Drew: Taking over a title from a much-loved creative team must be an intimidating task — especially after an epic story arc like Rotworld. First issues necessarily inspire less awe than story conclusions, which means the most salient points of comparison can only be unflattering. Mercifully (or perhaps diabolically), Snyder and Paquette had a bit of a fire-sale with characters, effectively setting the series back to zero in terms of interpersonal relationships. Those changes hinted at a very different status quo for Swamp Thing moving forward, one that new creative team Charles Soule and Kano not only pick up on, but assert with a strong sense of purpose. Continue reading

FF 5

Alternating Currents: FF 5, Drew and Shelby

Today, Drew and Shelby are discussing FF 5, originally released March 27, 2013.

Drew: Comics have a LOT of history, which is precisely what makes them so intimidating. Marketing ploys like the New 52 and Marvel NOW are designed specifically to minimize the cost of entry — sure, there may be decades of dense continuity to follow, but why bother when you can start with a brand new #1. As someone who was enticed by those ploys, I often have the false sense of security that I understand the universes these stories are told in. Sure, there are references to events and characters I don’t know, but I continue on the faith that, if it’s important, everything will be explained. For the most part that attitude has served me well, but every so often, I’m reminded of just how my ignorance might color my readings. The recent twist ending in Age of Ultron 3 is a great example — everything about the reveal told me that this was a big surprise, but I completely lacked the knowledge to understand what actually happened, forcing me to consult the Marvel Wiki for answers. Of course, the long, convoluted histories that most characters have often make that experience more confusing than helpful, which is exactly the experience I had trying to parse the ending of FF 5. Continue reading

Superman 18

Alternating Currents: Superman 18, Drew and Scott

Today, Drew and Scott are discussing Superman 18, originally released March 27th, 2013.

Drew: Why do we like stories? Is it about amazing feats, or smaller, more relatable character moments? Early in Superman 18, Orion suggests that the New Gods’ lack of emotions makes them boring, in spite of their power and immortality. Writer Scott Lobdell would have done well to take his own words to heart — in spite of the powerful, immortal beings populating the pages of this issue, there are no emotions to latch onto. Orion would be bored out of his mind. Continue reading

Batman Incorporated 9

Alternating Currents: Batman Incorporated 9, Drew and Patrick

Today, Drew and Patrick are discussing Batman Incorporated 9, originally released March 27th, 2013.

Drew: In Batman Incorporated 0, Grant Morrison asserted that “the first truth of Batman” was that he was never alone, and backs it up with the fact that Alfred was there from the start. But is that the first truth of Batman? If Batman was born that night in his father’s study, he was surely conceived 18 years earlier as Thomas an Martha died, making loss the first truth of Batman. With that loss comes the loneliness that Morrison’s “first truth” was reacting to. Sure, Bruce sought comfort in his friends and wards, but every moment of his life was shaped by the crushing loneliness he felt watching his parents die. The death of Damian reemphasizes that point, distancing Bruce even from Alfred, who — as Morrison asserted — was always there. The result is a uniquely lonely Batman, spinning another take on the character into the tapestry of Morrison’s epic. Continue reading

Daredevil 24

Alternating Currents: Daredevil 24, Drew and DavidToday, Drew and guest writer David “The Mast” Masters are discussing Daredevil 24, originally released March 20th, 2013.

Drew: Superhero comics are great at exaggeration. Everything is a matter of life and death, good vs. evil. It makes for exciting stories, but it also has the power to make anything less extreme seem dull by comparison. Many titles deal with this issue by avoiding it altogether, minimizing any time the heroes spend outside of their costume to brief interruptions in the otherwise endless stream of fights and explosions. Mark Waid’s run on Daredevil has always found a much more even balance between his life in and out of the costume, but issue 24 goes a step further, presenting the superhero action as brief interruptions in an otherwise normal life. Continue reading

The Superior Spider-Man 6

Alternating Currents: Superior Spider-Man 6, Drew and Freakin' Animal Man

Today, Drew and guest writer The Freakin’ Animal Man are discussing Superior Spider-Man 6, originally released March 20th, 2013.

Drew: Superheroes wear masks to protect their identities. The notion is that, by covering their faces, they will obscure who they really are. Of course, “who they really are” often has more to do with their actions than their names, which becomes readily apparent when another person steps behind the mask. The cops and villains of Gotham City all noticed a change in Batman when Dick took the reins, suggesting that much of the differences in Bruce and Dick’s personalities weren’t hidden by the cowl at all. At least Bruce and Dick are friends — imagine how apparent those changes might be if they were mortal enemies. That’s exactly the situation Superior Spider-Man finds itself in as the cracks in Otto’s facade continue to grow. Continue reading

Wonder Woman 18

Alternating Currents: Wonder Woman 18, Drew and Scott

Today, Drew and Scott are discussing Wonder Woman 18, originally released March 20th, 2013.

Drew: Wonder Woman is a hard title to pin down, which makes sense, given that its hero is equally slippery. Detractors might cite Diana’s unknowability as weak characterization, but as we saw in issue 9, that distance may be the sharpest weapon in writer Brian Azzarello’s arsenal. Azzarello seems to relish ambiguity, focusing on heroes that are anything but predictable. Issue 18 multiplies this effect, capitalizing on his large cast of equally oblique characters to produce a staggering parade of surprises.

Continue reading

Secret History of the Foot Clan 4

secret history of the foot clan 4a

Today, Drew and Patrick are discussing Secret History of the Foot Clan 4, originally released March 20th, 2013.

Drew: In my experience, there are two types of characters in action movies: those that act like it’s no big deal that that car just blew up, and those that understand that HOLY SHIT THAT CAR JUST BLEW UP! The former is obviously more badass, and I think captures a kind of aspirational relatability in the audience, even if the latter is ultimately more relatable — who wouldn’t freak out if they were caught in the middle of an action movie? Curiously, the relatability may make the characters in the latter category less realistic, as their presence often draws our attention to the artifice of the genre. It can be tricky to balance these characters (or these traits within characters), but Secret History of the Foot Clan continues to do so with aplomb. Continue reading

Thor: God of Thunder 6

Alternating Currents: Thor 6, Drew and Patrick

Today, Drew and Patrick are discussing Thor: God of Thunder 6, originally released March 13th, 2013.

Drew:  As a child, it seemed impossibly unfair to me that we’re more or less born into our religious beliefs — if there was one right way, how could so many people be consigned to hell simply by luck of birth? As a precocious skeptic, this just confirmed that religion was nothing more than an arbitrary (but comforting) tradition, practiced differently by everyone — like the way your family prepares stuffing on Thanksgiving, or the particular Monopoly house rules you grew up with. Of course, the wrinkle in that attitude comes when somebody does reject their parents’ religious beliefs (or stuffing recipes, house rules, political practices, etc), actively replacing them with something they deem superior. That wrinkle gets even wrinklier when that generation has their own kids — do the parents teach their beliefs as gospel, or foster the sense of skepticism that led to them changing their beliefs in the first place? It’s a daunting, complex subject, but it’s exactly where Jason Aaron sets his sights as he explores Gorr’s origin in Thor 6. Continue reading

Batman and Robin 18

Alternating Currents: Batman and Robin 18, Drew and Patrick

Today, Drew and Patrick are discussing Batman and Robin 18, originally released March 13th 2013.

Drew: I could have told you that summarizing and analyzing a dialogue-free comic would be hard — pictures are worth a thousand words, but the words in comics direct our attention, and provide context for those images. Strictly speaking, sequential art doesn’t require words, but they’re so common (especially in superhero comics) that to eschew them altogether feels downright radical. This isn’t meant as a value judgement — I’ve read many great dialogue-free comics — just to say that it’s a little outside my wheelhouse. By all rights Batman and Robin 18 should be hard to talk about because of it’s lack of dialogue, but instead, it’s hard to talk about because it’s so fucking sad. Continue reading