Apr 11 2013

Batman and Red Robin 19

Today, Mikyzptlk and Shelby are discussing Batman and Red Robin 19, originally released April 10th, 2013.

Mikyzptlk: Some of the things we enjoy discussing here on Retcon Punch are the various themes that come up in the comics that we read. Sometimes those themes are buried deep within the surface of the story while other times they are a bit more telegraphed. With the latest issue of Batman and Rob –sorry– Batman and Red Robin, Peter Tomasi has chosen the latter option as he’s begun to take Bruce Wayne on a journey through the 5 stages of grief due to the loss of his son. There is no doubt that this issue is all about denial to the extent that it’s the actual title of the issue, but if Bruce is going through denial Tomasi is going to make sure he doesn’t do it alone. The obvious guest-star of this issue is Red Robin, but Tomasi has another surprise for you up his sleeve. Continue reading →

Apr 10 2013

Deadpool 7

Today, Scott and Patrick are discussing Deadpool 7, originally released April 3rd, 2013.

Scott: The first 6 issues of Deadpool adhered to a very specific and bizarre tone. The oddball humor likely turned away nearly as many readers as it won over, but you have to admire Brian Posehn and Gerry Duggan for boldly seeing their outlandish resurrected-Presidents arc through. It was an ambitiously weird way to kick off a series, and I found their marriage of subject and tone to be a success. Count me firmly on the side of the “won-overs.” Deadpool 6 established a new arc to occupy the series, but Posehn and Duggan decide to put that on hold for an issue. Because of their tight production schedule, you see, they’ve been forced to release an inventory issue — a print-ready issue that’s been filed away in case of such an emergency — but rather than an issue from this Deadpool run, they’ve dusted off an inventory issue from the late 70s/early ’80s. It’s of course a guise, and Posehn and Duggan are at the helm of these retro-looking pages. While they pass it off as a time-saver, Deadpool 7 must’ve required much more effort from the creative team than a typical issue, and the result is a perfect Bronze Age satire.
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Apr 10 2013

Indestructible Hulk 6

Today, Patrick and Drew are discussing Indestructible Hulk 6, originally released April 3rd, 2013.

Patrick: Last month, Drew asked the question of whether Indestructible Hulk scribe Mark Waid was attempting to satirize DC’s recent Aquaman-centric Throne of Atlantis event with his own silly Atlantis story. This issue finds Bruce Banner away from one set of otherworldly adventures and embracing another. But as the worlds change beneath his feet, the questions of the issue are “who?” rather than “where?” Continue reading →

Apr 9 2013

The Superior Spider-Man 7

Today, Shelby and guest writer Gino Killiko are discussing Superior Spider-Man 7, originally released April 3rd, 2013.

Shelby: What exactly does it mean to be “good?” Does it it mean always following the rules to the letter, or is there some leeway when it comes to breaking rules in order to do good unto others? That raises the question of how one determines if the good they are doing is worth the rules they are breaking; stealing food is bad, but what about stealing food to feed hungry children? What if you’re stealing from someone who has so much food they’ll never even notice it’s gone? Technically, you’re breaking the law, but so much good is accomplished from your actions, where do you draw the line? We’ve been dancing around this ethical morass ever since Otto took over as Spider-Man, and this issue Dan Slott decides to address it head on. Continue reading →

Apr 8 2013

Dial H 11

Today, Ethan and Taylor are discussing Dial H 11, originally released April 3rd, 2013.

Ethan: China Mieville has a gift with world-building. Whether you’re following quirks and characters of the world of Perdido Street Station or reading Dial H, he takes you somewhere original. Like with his novels, it’s so fun to immerse yourself in Dial H because of the terrific pacing as he gradually develops both the people and the universe. Every time he drops some new, fantastical aspect of the world onto his reader, there’s an equal portion of insight into the characters moving around in it. Dial H 11 is no exception: just as the growing partnership between Nelson and Roxie is coming to a head, it’s all taking place, not only in a world of dials and Operators, but also a more familiar world of DC heroes. This time around, Mieville matches a dramatic incorporation of known parts of the DC universe with new hints about the dial to keep this already engaging series pulling you to the edge of your seat. Continue reading →

Apr 8 2013

All-New X-Men 10

Today, Drew and Shelby. are discussing All-New X-Men 10, originally released April 3rd, 2013.

Drew: They say that history is written by the victors. Generally, we mean that in a societal sense: the winners of wars paint their cause in a favorable light, which is why successful overthrows of the government are called “revolutions,” while failures are called “civil wars.” But what if we applied the phrase personally? Our lives are made up of decisions and compromises, which we tell ourselves were the right ones. This is easy enough to do, since we can always paint the opposing choice as naiveté or ignorance — sure, being a fireman seemed like a cool idea when I was six, but I realized it really wasn’t what I was interested in as I grew older — but does that mean it’s always right? This is hard to know because of the one-sided relationship we have with the past — we may know the mindsets of our past selves, but those past selves can’t know the circumstances that lead to where we are now. All-New X-Men has reveled in the idea of a dialogue with the past, forcing its characters to defend their actions in ways that they never would otherwise. Issue 10 brings this dialogue to a head, as Old, Evil Scott (as we’ve taken to calling him here) provides a measured response to Young Scott’s impassioned “how could you?”

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Apr 5 2013

Green Arrow 19

Today, Shelby and Drew are discussing Green Arrow 19, originally released April 3rd, 2013.

Shelby: You may not know this, but I studied art in college. My focus was photography, specifically black and white, silver gelatin prints; as much as I love taking photos, processing film and developing prints, my world exploded when I discovered some of the great photographers of history. There’s something about the process of reducing the world to shades of gray that is magical to me; it adds this richness, this luxe texture and depth to the image. It’s something I find very inspirational, so it’s really no surprise I like this title (especially the art) as much as I do.

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Apr 5 2013

Age of Ultron 4

Today, Patrick and Ethan are discussing Age of Ultron 4, originally released April 3rd, 2013. This issue is part of the Age of Ultron crossover event. Click here for complete AU coverage.

Patrick: One of the things I’ve absolutely loved about picking up monthly comics is that I’ve had the opportunity to get know the work of a ton of great writers and artists. It pains me a little to think of how few people will ever read a funny exchange written by Jeff Lemire, and how few people will never see Adam Hughes masterful acting simply because they don’t read comics. Drew, Shelby and myself have been at this for over a year — I like to think we’re in the club now — and I have this brand new skill of identifying someone by their work. Brian Michael Bendis, the writer behind Age of Ultron is notorious for his massively decompressed stories, and between this series, Guardians of the Galaxy, and his X-Men books, I feel like I can spot his handiwork a mile away. But Age of Ultron is a special case, and its glacial pace allows almost every issue to be a Bryan Hitch vanity project. This makes it kind of tough to discuss in the same way we discuss other comics, but it’s clear now that this is the series’ identity – the problematic obsessions with character development and plot and theme are mine and not Ultron’s. Retcon Punch needs a new way to talk about comics. Alright, let’s see what we got. Continue reading →

Apr 4 2013

Swamp Thing 19

Today, Drew and Patrick are discussing Swamp Thing 19 originally released April 3rd, 2013.

Drew: Taking over a title from a much-loved creative team must be an intimidating task — especially after an epic story arc like Rotworld. First issues necessarily inspire less awe than story conclusions, which means the most salient points of comparison can only be unflattering. Mercifully (or perhaps diabolically), Snyder and Paquette had a bit of a fire-sale with characters, effectively setting the series back to zero in terms of interpersonal relationships. Those changes hinted at a very different status quo for Swamp Thing moving forward, one that new creative team Charles Soule and Kano not only pick up on, but assert with a strong sense of purpose. Continue reading →

Apr 4 2013

Animal Man 19

Today, Mikyzptlk and Scott are discussing Animal man 19, originally released April 3rd, 2013.

Mikyzptlk: In the modern world of superhero comics, it’s become the norm to inject “real world” elements into the story to make the fantastic characters more relatable to readers by bringing them down to earth. Most superheroes have a secret identity or some kind of life outside of the never-ending battle that keeps them grounded, but Buddy Baker has always had an entire family to help keep him in check. As much as he’s been the Animal Man, he’s also been the family man as writers have often chosen to focus not just on Buddy, but his wife and children as well. In the aftermath of Rotworld, Jeff Lemire explores what happens when the fantastic elements of the life of our hero ends up taking away everything else. Continue reading →

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