Batgirl 8

Today, Drew and Patrick are discussing Batgirl 8, originally released April 11th 2012.

Check out Shelby’s exclusive Gail Simone interview here!

Drew: “Closure” is a word we hear with increasing frequency in modern narratives. Characters reunite with long lost lovers or otherwise return to their pasts in order to move on to the future. This can be a compelling motivation, but it often reduces those characters down to some defining moment or relationship, keeping them rather one-dimensional. Real life problems are much more complicated, forcing us to settle for smaller comforts over the kind of profound sense of closure promised in movies. Batgirl 8 illustrates that point beautifully, providing a return to The Killing Joke that only addresses some of Barbara’s baggage. Continue reading

Batwoman 8

Today, Patrick and Drew are discussing Batwoman 8, originally released April 11th 2012.

Patrick: Every time I pick up an issue from this arc of Batwoman, I have to retrain my brain on how to read this thing. The defining characteristic of this story has been a fractured chronology that essentially demands to be re-read over and over again until the pieces fit. Whenever I assemble the pieces and take a step back, more connections become apparent and the complexity of the narrative grows.
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Batman and Robin 8

Today, Peter and Patrick are discussing Batman and Robin 8, originally released April 11th 2012.

Peter: I recently went back and re-read the first sixteen issues of Grant Morrison’s run of Batman and Robin. This picks up right after the conclusion of Battle for the Cowl, with Dick taking over as Batman and Damian first appearance as Robin. Go read it right now, because it contributed to personal re-revaluation of Damian’s character. Combined with what we have seen so far in Tomasi’s run with Batman and Robin, Damian is proving to be an incredibly compelling and dynamic character. Baseline verdict: confused 10 year old ninja.

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Chat Cave: Monthlies vs. Trades

In May, DC will begin releasing the first (and in some cases, only) arcs of each of the New 52 titles compiled as graphic novels. Trade paperback collections have a short but venerable history, and often act as gateways for curious newcomers. Monthlies have a much longer and equally venerable history, and the cost of entry is in most cases only $2.99. Fans have their own (occasionally adamant) opinions on the “Monthlies vs. Trades” debate, but how do the Retcon Punchers feel? Welcome to the Chat Cave.

Drew: I must admit, part of what got me thinking about this was a recent piece I read by the AV Club’s Todd VanDerWerff decrying the habit of watching entire seasons of TV in marathon viewing sessions. His main argument centers on allowing yourself time to savor episodes on their own, a philosophy that is easily  applied to this topic. This idea has been resonating with me, as I’ve burned through Brian K Vaughan’s Y: the Last Man at a clip of about two trades a week. That series is particularly good at ending with teasing cliffhangers, which makes demonstrating self-control particularly difficult. Continue reading

The Vault – Flash and Green Lantern Prints

The Retcon Punchers spend an awful lot of time looking for ways to celebrate our nerdy obsessions. This means a lot of time sunk into scouring Etsy, Deviant Art, Think Geek or whatever. Sometimes we see things so great we just have to share them… and then clutch them fiercely to our collective chest. Throw it in The Vault.

Website: Etsy

Who Would Love This: Green Lantern fans, Flash fans, cuteness fans, all human life

Price: $10.00

One of my favorite artistic choices of the re-launch has been Francis Manapul’s take on The Flash. There’s something about a vaguely cartoonish depiction of Barry Allen that really works for me. These 8.5 x 8.5 prints take that concept to their logical extreme and deliver the cutest possible versions of Hal and Barry. Or Wally… it’s hard to tell who exactly is under that mask… Plus, squares are awesome – you could mount these things on the wall anyway you want: vertically, horizontally… I guess those are really the only two ways.

Batwing 8


Today, Patrick and Drew are discussing Batwing 8, originally released April 4th, 2012.

Patrick: At its outset, Batwing was something incredibly new for the DC Universe. David Zavimbe is the first to open a Batman Inc. franchise and his is the first series to take place in Africa. The early issues explored dark dark dark themes, toeing the line of exploitation, but this gave these early issues a relevant, almost dangerous feel to them. With two whole issues in Gotham and in the presence of Batman, Nightwing, Robin and Batgirl, Batwing loses its identity, becoming a bland, by-the-numbers comic book adventure. Continue reading

Animal Man 8


Today, Shelby and Patrick are discussing Animal Man 8, originally released April 4th, 2012.

Shelby:  There is a certain aesthetic that I find really appealing, I like to call it “scary pretty.” I love Mexican sugar skulls, Tim Burton movies, and photographing abandoned factories. There’s can be such beauty in twisted, frightening, ugly things. Obviously, Animal Man falls completely into the scary pretty category, both story-wise and art-wise. Lemire, Foreman, and Pugh have crafted something twisted and scary and beautiful and I cannot get enough of it. Continue reading

Swamp Thing 8

Today, Drew and Patrick are discussing Swamp Thing 8, originally released April 4th, 2012.

Drew: Swamp Thing is all about details. Plot-wise, this issue may be even lighter than the previous one — Swamp Thing brings the fight to Sethe’s doorstep, prompting Sethe to play his ace in the whole: a Rot-ified Abby Arcane — but the creative team continues to emphasize and elucidate themes in ways that are both exciting and rewarding. Both the narration and the art are packed with subtle detail that amplify, refract, and subvert the story in surprising ways. Continue reading

Chat Cave: Back-Ups

As the DCnU continues to develop, many series will feature regular back-up stories that tie into — and act as supplemental material to — the main action. Does this effect the value of these titles? Is the DC Universe richer or simply more cluttered for it? What do back-ups give the audience that can’t be achieved otherwise? Welcome to the Chat Cave.

Peter: I want to get right in front of this; I am excited about back-up stories. I’ve been reading All-Star Western – which has had back-ups since issue 1 – and I love those stories just as much as the main storyline. It has allowed Jimmy Palmotti and Justin Gray to introduce new characters, (Barbury Ghost) and old characters (El Diablo) for future use, as well as tell back stories of current characters (Nighthawk and Cinnamon) without detracting from their main story. Hell, sometimes I read the back-up story first.

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Green Lantern: New Guardians 7


Today, Patrick and Drew are discussing Green Lantern: New Guardians 7, originally released March 28, 2012.

Patrick: There are an awful lot of impossibly powerful creatures in the DC Universe. When you take the game out into the depths of space, that number rises exponentially. That’s when you start to encounter beings that refer to themselves as gods and angels. Thus the question is frequently posed: “How do you stop an unstoppable force?” Invariably, the answer is “together” – the combined strength of our heroes will save the day. But New Guardians 7 takes that “together” answer literally, making the group’s unity their ultimate weapon.
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