Thor: God of Thunder 12

thor 12

Today, Ethan and Drew are discussing Thor: God of Thunder 12, originally released August 28th, 2013.


Ethan
Religion is a funny thing. The effort and complexity inherent to trying to establish a useful way of thinking about where stuff comes from and how we should keep it going forward is difficult to wrap your head around. We humans are bundles of passion and logic, of guilt and pride, of doubt and certainty. Whether you think that’s thanks to some awkward midpoint of evolution, or intrinsic tension between physical and spiritual existence, it’s a heckuva weight to walk around with, and religions (or opposition to them — a kind of religion in itself) is seemingly one of the only ways we’ve got that get our species through each day and each millenium. Rather than a denial of the tension between our daily life and the unthinkable bigness of space and time, religions find ways to incorporate the vast distances that are out there into our miniscule doings. In the issues of Thor, God of Thunder leading up to #12, we’ve mostly focused on the Big, Godly Conflict; this issue takes its time to let us steep in the Small, Human Cares and to explore how those two scales are linked.

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New Avengers 9

Alternating Currents: New Avengers 9, Drew and PatrickToday, Drew and Patrick are discussing New Avengers 9, originally released August 28th, 2013. This issue is part of the Infinity crossover event. Click here for complete Infinity coverage.

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Drew: The US is lucky to have never fought a modern war on its own soil. Wartime always divides our attention between the warfront and the home front. Of course, governing a country can be a handful even in peace, so one of these often gets put on the back-burner. During World War II, it seemed that the emphasis was on the war, with resources being reallocated such that almost every American was consciously aware of the war effort. It was this kind of attitude that made George Orwell see war as an effective means of controlling the populations of Oceania in 1984 — war acts as both an explanation for a shitty situation AND a rousing source of patriotism. More recently, however, it’s been the war front that people push to the back of their minds, at times all but forgetting we’ve been at war for over a decade. That very well could have been the attitude on Earth as the Avengers rode off to face the Builders, an abstract threat that no earthling has ever even seen (hell, it’s likely that the public doesn’t even know about the threat), but they sure start to feel it in New Avengers 9. Continue reading

The Superior Spider-Man 16

superior spider-man 16Today, Spencer and Shelby are discussing The Superior Spider-Man 16, originally released August 21st, 2013.

Spencer: Identities change all the time in comics. Sometimes our Robins grow up into Red Robins or Nightwings; sometimes our Miss Marvels attain the rank of Captain Marvel; sometimes, rarely, Doctor Octopus can even become Spider-Man himself! This week’s issue of Superior Spider-Man again features Phil Urich, the former heroic Green Goblin and the current thief Hobgoblin, as he takes on yet another new identity and begins a new era of his life. What does this mean for Phil, and for that matter, what does it mean for Otto?!

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Thunderbolts 14

thunderbolts14

Today, you and Patrick are discussing Thunderbolts 14, originally released August 21st, 2013. This issue is part of the Infinity crossover event. Click here for complete Infinity coverage.

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Patrick: You might have guessed this from the name, but “Infinity” is a pretty big story. Not just in terms of page count (though, it should be pretty astonishing in that regard), but in terms of scope. It’s already taken two dozen Avengers into deep space for some interstellar warfare, and there’s still the yet-unexplored threat of Thanos invading Earth. Jonathan Hickman was said to have been setting up Infinity in his Avengers and New Avengers series – which he…. sorta did. Most of what those series accomplish — in terms of setting up this event — is that they introduce the relevant superhero teams. Each team battles its own cataclysmic threats, only to be cut short when the main aggressors of Infinity entered the fray. Issue 14 of Thunderbolts is this concept in miniature: complete with team introductions and a mission cut short by alien invaders.

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Daredevil 30

daredevil 30

Today, Drew and Patrick are discussing Daredevil 30, originally released August 21st, 2013. 

“You know, I always wanted to pop you one. Maybe this is my lucky day.”

“You disgust me. I hate you.”

“Are you as turned on as I am?”

“More.”

Sam Malone and Diane Chambers, Cheers

Drew: What is it about unlikely couples that makes us root for them? Antagonism is great fodder for will they/won’t they story lines, but why are audiences so interested in seeing these love-hate relationships? I ask, because while I can’t fully explain it, I’m an absolute sucker for these stories. Of course, that means I’ve been pulling for Kirsten McDuffie since she showed up, guns out, in Daredevil 1. We haven’t seen her since Matt awkwardly interrupted her date in issue 24, but she’s back in all of her fiery glory here, as writer Mark Waid takes full advantage of a one-off team-up to ramp up the will they/won’t they of their relationship. Continue reading

Avengers Assemble 18

avengers assemble 18 infinity

Today, Ethan and Drew are discussing Avengers Assemble 18, originally released August 21st, 2013. This issue is part of the Infinity crossover event. Click here for complete Infinity coverage.

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Ethan: Ever since the birth of the film industry, it’s been a race for the technology and craft to keep suspending our disbelief as we become desensitized to each decade’s best special effects. Every once in a while, a filmmaker pulls off an innovation that jumps way ahead of our expectations, and the medium feels special again. And even while fancy visuals can surprise us, if the movie forgets that it’s supposed to have a plot and just chucks those visuals at our eyeballs for two hours without going anywhere, it feels like a waste. We talked about the long build-up to the Infinity arc, and then the first issue felt like a much more violent version of the grand finale at a fireworks show. With so many pyrotechnics and most of the characters strapped in to acceleration harnesses, it would have been easy to become distracted by the spaceships and forget the people inside of them. To balance out our view of that battle, Avengers Assemble 18 rewinds all the way back to the pre-launch scene and tells the story all over again from the perspective of one character: Jessica Drew, Spider-Woman.

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Indestructible Hulk 12

hulk 12

Today, Shelby and Ethan are discussing Indestructible Hulk 12, originally released August 21st, 2013.

Shelby: “Whatever happened, happened.”

“Save the clocktower!”

“Dust. Wind. Dude.”

Time travel in stories can be heavy, paradox-laden stuff. When I first saw the episode of LOST with the [SPOILER ALERT] photo of Jack and Hurley on the island in the seventies, my brain imploded; the “it happened this way because it always happened this way” approach to time travel is somehow both the easiest and hardest explanation to understand. You can also go back in time to change the future, though as a real-world solution it is far too dangerous. Who knows the web of effects your actions will have? Just ask anyone in the Marvel universe, they’ll tell you. Or, time travel can be utterly meaningless: no paradox, no consequences, just “we traveled in time and it was neat!” Mark Waid’s Indestructible Hulk takes a slightly different approach; Hulk and Banner-bot have gone back in time to save the present, but not from things that did happen in history, from things that didn’t happen in history. And when the time stream is as broken as it is, a little more time travel can’t really make things any worse.
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Avengers 18

avengers 18 infinityToday, Spencer and Drew are discussing Avengers 18, originally released August 21st, 2013. This issue is part of the Infinity crossover event. Click here for complete Infinity coverage.

infinity divider

Spencer: I’m not a huge fan of the genre, so this might be a complete oversimplification, but in my mind most war stories seem to be divided into two categories: the stories that are about glory, honor, and the beauty of warfare (which I’m not fond of), and the stories about the people who sacrifice themselves to protect others (which I appreciate more). Avengers 18, an Infinity tie-in, takes the form of a war story as the team joins a massive Anti-Builder Armada, and while it largely falls into that second category, a few early scenes even manage to make aspects of the first compelling to me.

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Uncanny X-Men 10

uncanny x-men 10Today, Ethan and Drew are discussing Uncanny X-Men 10, originally released August 14th, 2013.

Ethan: When moderately intelligent villains start going about business of realizing their aims, one of the early practical considerations is that of personnel. If you want to take over the world, or bend its orbit into the sun, or just make a whole lot of money, you’re gonna need some other people to help you get there. You can solve this problem in a few different ways: one common one is to just shell out the cash, but you tend to get an army of dim thugs that way. Another way is to come up with an idea that has the twin benefits of both supporting your own aims while striking a chord in the hearts and minds of your potential followers/muscle. In Uncanny X-Men #10, we start to receive signals that Scott is in danger of following in the footsteps of the bad guys he used to square off against, and I don’t even think he knows he’s doing it. Continue reading

Thor: God of Thunder 11

thor 11

Today, Shelby and (guest writer) Christopher are discussing Thor: God of Thunder 11, originally released August 14th, 2013.


Shelby: Despite what Neverending Story would have you believe, all stories do, in fact come to some sort of conclusion. Comic book conclusions tend to be more vague than most, since the end of one arc merely marks the beginning of the next. Conclusions are especially fluid when the story features a bomb made of time, with the ability to rip through all of time, and your heroes are three versions of one character at different points in his life. This is where Jason Aaron leaves us with his conclusion to the Godbomb arc: if Young Thor will grow to be Thor the Avenger who will eventually become King Thor, is this story every really over?

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