The Superior Foes of Spider-Man 3

Alternating Currents: Superior Foes of Spider-Man 3, Taylor and Patrick

Today, Taylor and Patrick are discussing The Superior Foes of Spider-Man 3, originally released September 4th, 2013.

Taylor: We all know the origin story of Spider-Man. Peter Parker gets bitten by a radioactive spider and gains the sensational powers of a spider. At first, he doesn’t use his powers for good, instead choosing to indulge himself in a world of personal gain and selfishness. An indirect consequence of the path he chooses is that his Uncle Ben is murdered by a thug he previously had failed to apprehend. Because of this, Peter comes to fully understand his uncle’s saying: “with great power comes great responsibility,” which leads him on the path to superherodom. But what if your path is different from Peter’s? What if instead of choosing to be a hero, you choose to be a villain? What creed or mantra would you follow then? What expectations would you have of yourself and those you call your allies? In a surprising change of tone, Superior Foes of Spider-Man 3 explores this question and the result is a deepening of Boomerang’s character that, while unexpected, is a welcome addition to the series.

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The Superior Spider-Man 17

superior spider-man 17

Today, Spencer and Drew are discussing The Superior Spider-Man 17, originally released September 4th, 2013.

Spencer: So how many of you noticed the name of the mall in Back to the Future? At the beginning of the movie it’s “Twin Pines Mall”, but then Marty travels back in time, runs over one of the former owner’s beloved pine trees, and when he returns to the present it’s now called “Lone Pine Mall.” It’s a clever joke, and part of why I love it is because it’s never pointed out or explained in the movie; it’s up to the viewer to catch it and put 2 and 2 together. Dan Slott takes a similar route in this week’s Superior Spider-Man, using time travel to tell the story of the Stone family, but allowing us to piece together the clues and figure out the story for ourselves. It brings some fun to an issue that could otherwise be viewed as a lot of set-up; the rest of the fun comes from the hints of things to come.

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All-New X-Men 16

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Today,  Shelby and Ethan are discussing All-New X-Men 16 originally released September 4th, 2013. This issue is part of the Battle of the Atom event. Click here for our complete coverage of Battle of the Atom.

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Shelby: 

“I think that you X-Men are so used to the space and time and life and death craziness in your lives that you don’t even notice how crazy it is anymore.”

-Triage, All-New X-Men 16

“And which of our numerous, terrible mistakes are you referring to?”

-Wolverine, All-New X-Men 16

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Infinity 2

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Today, Ethan and Patrick are discussing Infinity 2, originally released September 4th, 2013. This issue is part of the Infinity crossover event. Click here for complete Infinity coverage.

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Ethan: Space operas tend to share a few common traits. The first is that they usually happen in space (surprise!). Next, they make some assumptions about technology, concerning themselves with the adventures that take place between the stars rather than the history of how their characters came to be able to travel across the galaxy. Some involve enormous space battles, and many feature a tightly knit band or bands of characters fighting back against monolithic forces of evil. I’m still trying to decide if the Infinity arc fits the bill of a space opera rather than just a standard sci-fi story, but Infinity #2 certainly provides a lot more evidence towards the former than the previous issue did. The heroic attempt by the galactic alliance of good-guys to halt the Builder onslaught didn’t pan out so well, so now they’re licking their wounds and trying to find a new way to survive.

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X-Men: Battle of the Atom 1

x-men battle of atom 1 atom

Today,  Patrick and Taylor are discussing X-Men: Battle of the Atom 1 originally released September 4th, 2013. This issue is part of the Battle of the Atom event. Click here for our complete coverage of Battle of the Atom.

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Patrick: Hey, is it just me, or does it seem like comic book movies are growing more courageous in what they’re willing to put on the screen. I blame Thor for laying some of the sillier cards on that table and daring the audience to object. Subsequent superhero movies have followed suit: the Krypton sequence in Man of Steel is long and unapologetically alien, Avengers featured the fucking Chitauri, and the upcoming X-Men movie will feature the bonkers time travel insanity of Days of Future Past. Battle of the Atom feels like a challenge to those emboldened film franchises: as if to say: “You don’t know what crazy is. Brother, this is Marvel Comics, we’ve got three versions of Beast interacting with each other – we know crazy.”

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A + X 11

a+x 11

Today, Patrick and Taylor are discussing A + X 11, originally released August 28th, 2013.

Patrick: A+X prides itself of being a pick-up and read series – a zero-cost entry point for anyone looking to have some fun with the Marvel characters. As such, there’s no nonsense that’s too out of line for these stories – you want Beast and Spider-Man to travel to a post-apocalyptic future? No problem! The carefree nature of these stories is compounded by the fact that there are two in every issue – it’s not just a one-off story, it’s a two-off (or half-off… I guess I’m not totally sure how you’d articulate that). A+X 11 bucks this trend, nestling both of it’s stories between the events of current series. It’s a bold, oddly alienating decision for a series that boasts such inclusiveness.

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Uncanny X-Men 11

Alternating Currents: Uncanny X-Men 11, Drew and PatrickToday, Drew and Patrick are discussing Uncanny X-Men 11, originally released August 28th, 2013.

Drew: Does bravery matter in war? Society has long honored the soldiers most willing to ride out and face their enemies, but modern technology renders that way of thinking almost obsolete. Why risk your life in hand-to-hand combat when you can shoot your enemy from a quarter mile away? Or drop a bomb on him? Or better yet, have a drone drop a bomb on him while you sit comfortably in a control room on the other side of the planet? The danger for yourself stops being physical, and starts being spiritual — under what circumstances is it moral to kill someone who poses no immediate threat to you? America has become a bit desensitized to these drone strikes, but in Uncanny X-Men 11, Brian Michael Bendis examines how would-be-victims react to murder-by-proxy. Continue reading

Young Avengers 9

young avengers 9

Today, Shelby and Spencer are discussing Young Avengers 9, originally released August 28th , 2013. 

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Shelby: There is nothing more fraught with drama, angst, and confusion than teen-aged relationships. The same goes for adult relationships, but when you’re a teen, pumped full of hormones and generally lacking life-experience, everything is amplified to outstanding proportions. It’s really no surprise, then, that if you’re a teen-aged all-powerful superhero, everything is amplified even further. Instead of focusing on the actual events surrounding the Young Avengers, Kieron Gillen hones in on the evolving relationships of these kids; for them, negotiating their feelings towards each other is proving to be more fraught with danger (and embarrassment) than any quest they could embark on.
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Deadpool 15

Alternating Currents: Deadpool 15, Drew and Scott

Today, Drew and Scott are discussing Deadpool 15, originally released August 28th, 2013.

Just like Pagliacci did
I try to keep my sadness hid
Smiling in the public eye
But in my lonely room
I cry the tears of a clown
When there’s no one around

Smokey Robinson, Tears of  a Clown

Drew: The tragic clown is a surprisingly persistent archetype. It’s no coincidence that Smokey Robinson could name-check Pagliacci in his own song about sad clowns, but there are just as many modern examples, from the claustrophobic depression of Louie to the exaggerated kvetching of Krusty the Clown. There’s something about the smile as a mask that speaks to the little things we grin and bear throughout the day. Of course, there’s also something very true about the idea — comedians are famously unhappy people — suggesting that humor is most often honed by those that use it to cope. The reveal of deep sadness behind the jokes is always a bit of a shocker, subverting our expectations something fierce, and recasting every subsequent joke in a tragic light. In Deadpool 15, Gerry Duggan and Brian Posehn start to hint at what’s behind Wade’s mask, revealing a past that may be as ugly as the man himself.

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FF 11

FF 11

Today, Patrick and Shelby are discussing FF 11, originally released August 28th, 2013.

Patrick: I don’t care how many times we say it around here — it bears repeating: comics are weird. Every time I think I get a handle on the time travel, or space travel, or clones, or moloids or whatever, I discover that the well of weird is deeper than I could ever imagine. Enter: The Impossible Man. Who’s The Impossible Man? Just a shapeshifting alien with nearly unlimited power and a comprehensive knowledge of (and fascination with) Earth popular culture. I did a little rudimentary research, just to familiarize myself with the character, and my favorite piece of trivia about The Impossible Man is that he once talked Galactus out of eating Earth, and then celebrated by going to the Marvel offices and demanding that Stan Lee give him is own solo series. It is in that spirit that FF 11 introduces his son.

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