This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
A good villain pulls a particular thread of a hero’s core fabric; a great villain can challenge a hero on multiple levels — as Wilson Fisk so often has for Matt Murdock over the years. The Kingpin’s inclusion in the current DD arc, “Supreme,” struck me as a solid idea when it was dangled as last issue’s final reveal, but this issue shows that this great villain brings with him a multi-pronged approach to opposing Murdock which helps to progress this story on many levels. Continue reading →
This article will contain SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Recovering from a traumatic incident is a process that never quite ends. One can’t expect to ever be the exact same person again that they once were before the incident; instead, they have to learn to move forward and live with their new status quo. That seems to be the point Jen Walters has reached in Mariko Tamaki and Georges Duarte’s Hulk 7 — having come to terms with the fact that her life has changed, Jen’s now looking to figure out what, exactly, these changes mean and how they’ll fit into her life going forward. Continue reading →
Today, Drew and Patrick are discussing Secret Empire 3, originally released May 31st, 2017. As always, this article contains SPOILERS.
Drew: That Secret Empire is about big ideas goes without saying. As with any tentpole summer event, it promises to change the Marvel universe as we know it (at least temporarily), but the bigger story is the way the event (and the stories leading to it) have reflected the real-world political climate, often in uncanny — and uncomfortable — ways. But issue 3 reveals that, underneath it all, writer Nick Spencer may have been building to an even bigger (albeit, perhaps less controversial) question about the very nature of the superhero genre in the present day: does it still have room for moral absolutes? Continue reading →
Today, Spencer and Ryan M. are discussing Hulk 5, originally released April 26th, 2017. As always, this article contains SPOILERS.
Spencer: A defining trait of She-Hulk has always been control — becoming She-Hulk gave Jennifer Walters confidence, and she could fully control that form to the point where she remained Hulked-Out 24/7. Much of the tragedy of Mariko Tamaki and Nico Leon’s Hulk has been watching Jen lose that control as a result of the trauma she underwent in Civil War II, but Hulk 5 shows that Jen’s situation is actually far more circular and complicated; she didn’t just lose control because of her trauma, but her trauma hit her so hard because she lost control in the first place. Continue reading →
Today, Drew and Taylor are discussing The Unbeatable Squirrel Girl 16, originally released January 11th, 2017. As always, this article contains SPOILERS.
Drew: Part of Marvel’s brand is using vague, subjectively defined adjectives in the titles of their comics. Words like “Amazing,” “Astonishing,” or “Totally Awesome” don’t hold any absolute value, so ultimately don’t really mean anything. “Unbeatable” is different. “Unbeatable” is absolute. What’s “Totally Awesome” today may not be tomorrow (and vice versa), but whether a thing can or cannot be beaten is timeless in its objectivity. In this way, Squirrel Girl’s defining quality stretches across time, meaning we’ll always be able to recognize her, whether we’re looking into the past or the future. That idea is at the heart of Unbeatable Squirrel Girl 16, an anniversary issue that reminds us that, whatever life throws at Doreen Green, she can always beat it. Continue reading →
Today, Spencer and Ryan M. are discussing Hulk 1, originally released December 28th, 2016. As always, this article contains SPOILERS.
Spencer: Despite the name, She-Hulk has never settled for just being a distaff counterpart. Jen’s occupation, abilities, and especially the confidence and control they’ve granted her have always set her far apart from Bruce Banner, allowing Jen to carve her own niche within the Marvel Universe. Mariko Tamaki and Nico Leon’s Hulk 1 finds many of the aforementioned qualities that have always defined She-Hulk violently ripped away from her, yet even then, Jen manages to cling to her individuality. While Banner’s Hulk was a creature born of anger, Jen’s Hulk is born of fear, anxiety, and trauma. Continue reading →
Today, Patrick and Taylor are discussing Ghost Rider 1, originally released November 30th, 2016. As always, this article containers SPOILERS!
Patrick: I’m not great with first impressions. I’ve got so many nerdy and niche interests, and I never want to unload all of that alienating garbage on someone when we first meet. That usually leads me to under-share, but on the odd occasion I give myself green lights, things get weird fast. Striking the balance between being withholding and being an emotional exhibitionist is hard, but it’s exactly what’s required of a good first impression. Felipe Smith and Danilo S. Beyruth give themselves all green lights with Ghost Rider 1, and while the result reveals an awful lot about what this series is going to be, it is frustratingly unfocused, bursting from overstuffed plots from the very first issue. Continue reading →
Today, Ryan and Patrick are discussing Secret Wars 1, originally released May 6th, 2015.
“Oh, best war ever…”
-General Nick Fury, Secret Wars 1
Ryan: Secret Wars grabs the baton from Jon Hickman’s Avengers/New Avengers beloved/despised/confusing “Time Runs Out” saga chronicling the futile struggle of Earth-616 against the collapse of the multiverse. Hickman dives in by tipping his hat to the concluding plot thread of Doom vs. The Beyonders, the significance of which — aside from helping to shrink the amount of surviving universes down to a baker’s dozen minus a bunch — is still a bit lost on me. The narration of the issue is provided by Reed Richards, and the first installment of this event belongs to him.
Marvel’s flagship film franchise landed its second installment this weekend, assembling the Avengers to take on Ultron. Secrets were revealed! Tears were shed! Scenery was chewed! Spoilers for sure after the break: welcome to the Chat Cave.Continue reading →
Today, Patrick and Drew are discussing Avengers 42, originally released March 4th, 2015.
“We don’t view our history as being broken or something that we need to fix. If anything we think we are building upon that history and we are taking the best and biggest pieces of it and seeing how easily they coexist with one another. We don’t expect all our moves to make everyone happy, but we think it will make for a really fascinating read through ‘Secret Wars’ and beyond.”
-Axel Alonso, Secret Wars Press Event
Patrick: The grander hyper-textual implications of Jonathan Hickman’s Avengers and New Avengers have been apparent for some time, but the importance and meaning of the meta-textual reasons have been something of a mystery. By Alonso’s own admission, Marvel doesn’t really need a Crisis-style reboot, but Secret Wars and Battleworld seem to bear all the multiversal signatures of one of DC Comics’ rebooting events. The problem with Crises (and it’s a problem that I think both DC and Marvel are starting to experience) is that the real world drama trumps the in-narrative drama. We’re more interested in answering the question “What’s going to happen to Batman?” than “What’s going to happen to Batman?” — and that means that we are necessarily less interested in the stories themselves than the companies telling those stories. Avengers 42 tries to reclaim some of that drama for itself, representing what appear to be conflicting editorial voices as characters within the Marvel Universe. Continue reading →