Tag Archives: Joker

Jan 4 2016

Batman: Europa 3

Batman europa 3

Today, Drew and Michael are discussing Batman: Europa 3 originally released December 30th, 2015.

Joel: There is another character that was just as important as the two of us: New York City.
Karen: So New York City is like another character?
Molly: Yeah.

They Came Together

Drew: Everyone has heard the old “setting as a character” cliche from some exhausted press tour interview, but filmmakers rarely acknowledge that cities aren’t fully fictional. That is, calling Chicago a character in The Fugitive is a bit like calling John F. Kennedy a character in Forrest Gump — these are real things (albeit fictionalized versions of them) that our fictional characters just happen to be interacting with. Moreover, if we accept the “setting as a character” cliche, it only ever reveals the setting to be a supremely boring character, undergoing no change over the course of the story. Indeed, because stories that tend to feature “settings as a character” tend to stay in just one city (I’m looking at you, New York), it’s impossible to separate the “character” of the setting from the general tone and mood of the narrative. Batman: Europa sets out to do the opposite, a kind of city character study — or perhaps “travel guide” is more accurate — by way of a superhero adventure. Continue reading →

Dec 14 2015

Batman 47

batman 47

Today, Drew and Mark are discussing Batman 47 originally released December 9th, 2015.

Drew: I’ve complained before about the prescriptive nature of Chekhov’s Gun — that our awareness of Chekhov’s “rule” necessarily gives away elements of the ending. A great example of this is the first season of The Killing — I enjoyed it quite a bit, but Chekhov’s gun dictated that something must tie the mayoral campaign that features so heavily to the titular crime. The specifics can still surprise us, but we know we’re not being shown that stuff just for fun. Of course, the predictability of Chekhov’s rule loses its stranglehold on narratives that aren’t driven by plotting — say, a character study or a situational comedy. In those cases, we might actually be shown things just for fun (or nuance, or detail, etc). We tend to think of superhero comics as plot-driven narratives, but B-stories can often take on less plotty structures, as we learn more about a character, or are amused by their situation. It can be difficult, then, to know if a given element of a B-story represents a gun that will eventually go off, or just a portrait of someone who has a gun. These are the questions in my mind as Bruce grapples with his own obscured history in Batman 47. Continue reading →

Jan 29 2015

Batman 38

Alternating Currents: Batman 38, Drew and Patrick

Today, Drew and Patrick are discussing Batman 38 originally released on January 28th, 2015.

Drew: Fiction has a complex relationship with expectations. We want fiction to meet some expectations — that it should feature the conflicts and conceits pitched on the back cover, that it meets whatever network of expectations that might make it “believable” — but we also want it to defy others. The story of a farm girl suffering a concussion during a tornado may be believable, but it doesn’t capture our imaginations in the same way as the adventures she has when she thinks she’s whisked off to the magical land over the rainbow. Exactly how a story balances meeting and subverting our expectations varies from genre to genre, writer to writer, even moment to moment, but most stories seem to get the most mileage out of meeting our expectations just long enough to really surprise us when the unexpected hits. After three epic arcs of defying expectations, Scott Snyder and Greg Capullo’s Batman has an even more complex relationship with the expected, creating a situation where the surprises may very well be the expected norm to be subverted. Continue reading →

Dec 22 2014

Batman 37

Alternating Currents: Batman 37, Drew and RyanToday, Drew and Ryan are discussing Batman 36 originally released on December 17th, 2014.

Second verse, same as the first! A little bit louder and a little bit worse!

Traditional

Drew: Repetition is everywhere in art, from the themes of symphonies to the expectation that the hero will prevail, but do you ever wonder why we like repetition so much? Doesn’t it also make art tired and predictable? I suppose some material is more conducive to repetition than others — star-crossed lovers is a more versatile premise than, say, a hot tub time machine — but I would argue that everything can overstay its welcome. Comics are particularly prone to repetition (who will Superman save the day from this week?), but Scott Snyder and Greg Capullo have taken that repetition a step further, regularly weaving recreations of iconic Batman moments into their run (even as recently as last issue). Their love and respect for Batman’s mythology is beyond reproach, but that very emphasis they give every moment may have hit the point of diminishing returns in Batman 36, as Snyder struggles to make Joker even worse than he was the last time he showed up. Continue reading →

Nov 13 2014

Batman 36

batman 36Today, Patrick and Drew are discussing Batman 36 originally released on November 12, 2014.

Patrick: Joker is one of those characters that resists definition. In fact, we often use that lack of definition as a defining trait. I’m going to do a disservice to whoever made this observation — because I can’t remember where I first encountered it — but the most terrifying thing about Joker is that you never know whether he’s going to murder a child or throw a pie in Batman’s face. Arguably, the only thing that motivates the character is the desire to be a good Batman villain. Scott Snyder and Greg Capullo have played with this idea before — the Death of the Family even had Joker buying into the importance of their “relationship” — but this latest arc in Batman seems poised to establish Joker as something else entirely. He’s not a instrument of random, but intriguing, chaos, and he’s not in love with Batman. No: he’s Batman’s nemesis, and that means that he’s a sort of anti-detective, setting up mysteries that Batman cannot solve, corrupting superheroes and putting everyone’s lives in danger in the process. Continue reading →

Oct 14 2014

Batman 35

batman 35Today, Suzanne and Taylor are discussing Batman 35 originally released on October 8, 2014.

Suzanne: As a reader, I’m constantly shifting my understanding of “realism” in comics. I try to be mindful of my relationship with suspension of disbelief, although the line between credible and ridiculous is a subjective thing. Some people look for flaws and inconsistencies in storytelling while others are just looking to be entertained. Superboy Prime’s punch through reality not withstanding, I usually am able to fully transport myself into the world of fantasy. This isn’t necessarily easy in a universe where a man can harness a ring of willpower and befriend a talking alien chipmunk in the same panel. Continue reading →

Oct 7 2013

Batman Black & White 2

batman black & white 2

Today, Greg and Patrick are discussing Batman Black & White 2, originally released October 2nd, 2013

“Does it have a happy ending?”

Greg’s Dad, traditional

Greg: Whenever I recommend a movie to my dad, or tell him I’m working on a new project, this is his first question. He’s a high school assistant principal and deals with a lot of heavy stuff. At family dinners, when my mom would ask him how his day was, he would often just sigh. He wants his entertainment to provide respite and closure he doesn’t often get in real life. He’s a man who, at the end of Inception, stood up in his seat and yelled at the screen, “What?!”

I’d like to think I’m more open to the darker stuff than him. Yet while reading this black and white anthology series, I felt my gut stiffen and sour. I felt like I was being shown evil things for evil things’ sake. I wanted to stand up in my seat and yell at my comic book, “What?!”

Continue reading →

Jun 19 2013

Batgirl 21

batgirl 21Today, Patrick and Shelby are discussing Batgirl 18, originally released March 13th, 2013.

Patrick: I used to live in an apartment in Uptown Chicago with Taylor and our friend Andrew. This is right out of college and none of us really knew what we were doing in that town – just that we had some friends in the area and where else were we going to find jobs? The later part of that equation proved more taxing that we had originally expected (hooray for economic downturns!), and living there eventually became an endurance match against the city. You’d spend the morning sleeping, the afternoon looking for jobs, the evenings trying to figure out what the fuck you’re doing with your life, and the nights drinking. It’s a vicious little cycle, and every phone call to your folks to ask for a couple bucks so you could cover rent, every email from faraway friends, piled up into this feeling of helplessness – like you were stuck in a make-believe life that bore to similarities to the life you knew before. Oddly, it was getting jobs that we all hated that grounded us – provided structure to our lives. It’s just when Batgirl feels that her old life has totally slipped away from her that regains her structure the old fashioned way: doing her job and punching a villain in the face. Continue reading →

Mar 15 2013

Batgirl 18

batgirl 18

Today, Patrick and Shelby are discussing Batgirl 18, originally released March 13th, 2013.

Patrick: You know how NBC does a week of environmentally themed shows for the week of Earth Day? (Maybe they even call it Earth Week, who knows?) It’s a network-wide mandate and there’s a persistent green peacock in the lower right corner of the screen to remind us of this fact. How individual shows deal with this mandate is sorta flexible — The Office will relegate their green message to the cold open, and 30 Rock will have Al Gore on again. Everybody tows the line because to not do it would be monstrous. You don’t want to be the only sitcom that doesn’t care about global warming, right? Batgirl 18 finds itself in a similar predicament: how to participate in this REQUIEM without derailing the series’ forward momentum. Ray Fawkes eschews convention by trading in themes rather than plot points. The results are mixed.   Continue reading →

Feb 21 2013

Nightwing 17

Alternating Currents: Nightwing 17, Drew and ScottToday, Drew and Scott are discussing Nightwing 17, originally released February 20th 2013.

Drew: Our discussions of Nightwing often find us exploring Dick’s identity. As a former-sidekick turned full-fledged superhero turned replacement-for-hero-he-sidekicked-for turned his own superhero again, it’s understandable that he might have some identity issues to work out, but what is identity in the first place? Is it fixed or dynamic? Does it stem from the person in question, or is it a series of expectations held in the world around them? In Nightwing 17, Kyle Higgins takes up these questions, yielding some rather unexpected results. Continue reading →