Tag Archives: Jonathan Hickman

Feb 9 2015

East of West 17

east of west 17

Today, Drew and Taylor are discussing East of West 17, originally released February 4th, 2015.

A long time ago in a galaxy far, far away…

Star Wars

Drew: Myths are almost all told from a third person omniscient perspective in the past tense; not only do we get a glimpse into the separate actions of both the Tortoise and the Hare, we understand that this race already happened. That second part is natural to storytelling in general — everything from personal anecdotes to the high-flyingest science fiction is told as if the events already happened. Curiously, both tense and narrative mode tend to disappear when working in a visual medium — the illusion that these actions are actually playing out in front of us is strong enough to override any confusion about who is telling this story, and when. To give visual storytelling a mythic quality requires making the past tense nature and omniscient narrator explicit, perhaps with a framing device a la The Princess Bride, or perhaps just with that innocuous introduction I included above. East of West 17 finds writer Jonathan Hickman slipping his narrator in, lending the proceedings the mythic qualities they rightly deserve. Continue reading →

Jan 21 2015

Avengers 40

Alternating Currents: Avengers 40, Drew and Mark

Today, Drew and Mark are discussing Avengers 40, originally released January 14th, 2015. 

The more I love humanity in general, the less I love man in particular

Fyodor Dostoyevsky, The Brothers Karamazov

Drew: I think it would be fair to say that Dostoevsky’s polyphonic style — one built upon the perspectives of an array of characters — is antithetical to the notion of the hero’s journey. Indeed, Dostoyevsky’s philosophies (as articulated in the quote above) suggest that there’s an active tension between caring about an individual and caring about humanity at large. I’ve always been partial to the depth of understanding achieved by sticking with one protagonist — especially when it comes to comics — which has made me wary of the kind of expansive, Dostoyevskian scope of Jonathan Hickman’s Avengers. In my mind, a tight focus on a single character more accurately reflects how we experience the world, but with Avengers 40, Hickman makes a compelling case for how his dense interconnectedness reflects how the world actually is. Continue reading →

Jan 6 2015

Best of 2014: Best Series Part 1

Best of 2014: Best TitleWe all love a good one-off or anthology, but it’s the thrill of a series that keeps us coming back to our comic shop week-in, week-out. Whether it’s a decades-spanning ongoing or a short-run miniseries, serialized storytelling allows for bigger casts, bigger worlds, and bigger adventures. Indeed, we’re so enamored of serialization that we decided to split our favorite series list into two installments. Here’s part 1 our top 14 series of 2014 (check back here for part 2 tomorrow).
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Jan 6 2015

East of West 16

east of west 16Today, Patrick and Drew are discussing East of West 16, originally released December 31st, 2014.

It only ends once. Everything else that happens is just progress.

Jacob, LOST “The Incident”

Patrick: What’s so appealing about the concept of the End of the World? There have been a couple of studies and polls conducted that collect this information, but around 45% of American adults believe that we are living in the end times. There’s something comforting about that idea — if the world ends, then we end together, and existence need never be without me. The much more likely truth is that the world is not ending and humanity will persevere for countless centuries. This has always been at the heart of East of West, apocalypse be damned. Issue 16 launches “The Apocalypse: Year Two,” and any ending seems achingly far away. That’s where the real horror sets in: the realization that this nightmarescape isn’t the end of the world, it’s just progress. Continue reading →

Jan 5 2015

Best of 2014: Best Writer

Best of 2014: Best WriterIn such a collaborative medium as comics, it can be difficult to say where a writer’s influence on the story ends, but there’s no question on where it begins: words on the page. Whether they thrill, elate, chill, or deflate, the best writers create characters, settings, and situations we want to return to, again and again. These are our top 14 writers of 2014. Continue reading →

Dec 16 2014

Avengers 39

avengers 39Today, Spencer and Mark are discussing Avengers 39, originally released December 10th, 2014. 

Spencer: When you read enough comics, you start to see certain repeated themes and styles emerge among various writers. Brian Michael Bendis is known for dialogue-heavy, somewhat decompressed comics. Kieron Gillen makes no attempt to hide his musical influences and knack for clever dialogue. Geoff Johns loves to rehabilitate long-forgotten or mishandled characters and concepts (and is also a bit infamous for cutting off his characters’ arms). Jonathan Hickman, meanwhile, is probably best known for his cerebral, somewhat detached style of writing that can spend years setting things up before finally letting all the dominos fall into place. With this week’s Avengers 39 we’re getting closer and closer to the end of Hickman’s Avengers epic, but the most interesting part of the issue is the commentary Hickman seems to be making on his own writing style. Continue reading →

Dec 1 2014

New Avengers 27

Alternating Currents: New Avengers 27, Drew and MarkToday, Drew and Mark are discussing New Avengers 27, originally released November 26th, 2014. 

slim-bannerDrew: I suppose it’s no surprise that the phrase Deus ex machina is ancient in origin, but I was surprised to learn that it originally described an actual machine used to levitate actors playing gods in ancient tragedies. Of course, it’s more popular meaning as a totally lazy plot device are also ancient in origin — Aristotle took Euripides to task for using a dragon-drawn chariot to whisk suddenly Medea to safety — which speaks to just how long people have been hating it. I dislike unlikely reversals of fortune or sudden interventions by benevolent higher powers as much as the next guy, but the thing that really annoys me about the thought of meeting the man behind the curtain is the expectation that it will be in any way satisfying. I’ve had enough experience to know that the more interesting a question is, the less interesting its answer will inevitably feel, which makes the presence of a being with all the answers extremely unappealing to me. Jonathan Hickman manages to avoid this a bit in New Avengers 27 by answering some of the less interesting questions, though that unfortunately also doesn’t yield particularly satisfying answers. Continue reading →

Nov 21 2014

Avengers 38

avengers 38Today, Spencer and Drew are discussing Avengers 38, originally released November 19th, 2014. 

You can’t tell the players without a program!

Traditional

Spencer: I actually bought a program at a ballgame once, and while it made a nice souvenir, I can’t say it helped me follow the game any better — if anything, it was a bit of a distraction. I didn’t need to be able to tell the players to follow the action on the field, but the same isn’t true for Jonathan Hickman’s Avengers epic; thankfully, Avengers 38 provides us with a pretty snazzy program of its own, free of charge!

Program

While only the characters in color actually appear in this issue, almost all of them play some sort of role in its story, making me increasingly grateful for this handy run-down. Actually, in its own way all of Avengers 38 is a program; the issue sets up the players in the upcoming conflict between the various Avengers teams as well as their motivations, allegiances, and weapons, and I have a feeling we’re going to be referencing this issue for quite a while to come. It’s place-setting, but place-setting is rarely this entertaining. Continue reading →

Oct 15 2014

The Manhattan Projects 24

manhattan 24Today, Drew and Patrick are discussing The Manhattan Projects 24, originally released October 8th, 2014.

“How did they build those pyramids?” They just threw human death and suffering at them until they were finished. “How did we traverse the nation with a railroad so quickly?” We just threw Chinese people in caves and blew ’em up and didn’t give a shit what happened to them. There’s no end to what you can do when you don’t give a fuck about particular people. You can do anything. That’s where human greatness comes from: that we’re shitty people and we fuck others over.

Louis CK

Drew: Has the phrase “you can’t make an omelet without breaking a few eggs” ever been used for anything other than falsely justifying horrific acts? It’s so strongly associated with evil advisors, it’s a wonder that it could ever persuade a unsure advisee, but it also has the unfortunate quality of being true to our experience of the world. Few, it seems, ever reach the top without the boost of standing on someone else’s neck. It’s easy to become bitter about people being used as pawns, but it’s also the stuff of great dramas — to what lengths are people willing to go in order to attain power? Manhattan Projects obviously has more in common with those heightened fictions than reality, but issue 24 never minimizes the monstrosities its protagonists commit in order to hold on to power, focusing on one of the more traumatizing events in US History. Continue reading →

Oct 10 2014

Avengers 36

avengers 36Today, Spencer and Drew are discussing Avengers 36, originally released October 8th, 2014. 

Spencer: Jonathan Hickman’s Avengers hasn’t exactly been a character-driven book; that’s not to say Hickman doesn’t have an excellent grasp on the various voices of his cast, but to say that this title is very much driven by the plot, with the characters often feeling like cogs in his Avengers machine. Starting with Avengers 35, though, the title skipped eight months into the future; catching us up to the activities of the various Avengers in this new setting has given Hickman a chance to refocus on his characters, as well as on some of the many plot points that have fallen to the wayside in the last nine months or so. Avengers can sometimes be a hard book to love, but issue 36 continues the return of the kind of storytelling that made me pick up this book in the first place.

Continue reading →