Teenage Mutant Ninja Turtles 42

tmnt 42

Today, Taylor and Drew are discussing Teenage Mutant Ninja Turtles 42, originally released January 21st, 2015.

Taylor: Politics are a funny thing. Essentially, those who enter the forum are knowingly entering a profession where they will lie and be lied to basically every day of their professional lives. I don’t mean this to condemn — political strategy dictates that one must look out for their own interests at all costs, often times even at the expense of any sort of code of honor. In this way politics mirrors the natural world, for in both cases it’s truly a survival of the fittest endeavor. Given its beastly leanings, it therefore should be no surprise to any of us that Teenage Mutant Ninja Turtles would eventually try its hand at a political thriller. Sure, the players in this case are mutants, ninjas, and alien brains, but let there be no mistake: issue 42 is a political thriller of the highest order. Continue reading

Weekly Round-Up: Comics Released 1/14/15

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Look, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, Drew, Spencer and Patrick discuss Astro City 19, Batman Eternal 41, Justice League United 8, Superman Wonder Woman 15, Spider-Verse 2, Avengers 34.2, S.H.I.E.L.D. 2, Silver Surfer 8, and All New Captain America 3.

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Drew: The deeper psychology of superheroes has been de rigueur in comics for the past three decades, but few writers do it as well as Kurt Busiek. Astro City 19 follows the life and times of Quarrel, tracking her sense of duty and loyalty back to her absent father. The daddy issues get freudian as Busiek also track’s Quarrel’s volatile romance with Crackerjack, revealing both the positive and negative sides of their relationship. As the second chapter of a four-part story, we don’t get a conclusion here, but Busiek plants enough seeds to get the psychology good and messy before pulling back out to allow time to heal at least some of the wounds. I’m looking forward to seeing where this goes. Continue reading

Avengers 40

Alternating Currents: Avengers 40, Drew and Mark

Today, Drew and Mark are discussing Avengers 40, originally released January 14th, 2015. 

The more I love humanity in general, the less I love man in particular

Fyodor Dostoyevsky, The Brothers Karamazov

Drew: I think it would be fair to say that Dostoevsky’s polyphonic style — one built upon the perspectives of an array of characters — is antithetical to the notion of the hero’s journey. Indeed, Dostoyevsky’s philosophies (as articulated in the quote above) suggest that there’s an active tension between caring about an individual and caring about humanity at large. I’ve always been partial to the depth of understanding achieved by sticking with one protagonist — especially when it comes to comics — which has made me wary of the kind of expansive, Dostoyevskian scope of Jonathan Hickman’s Avengers. In my mind, a tight focus on a single character more accurately reflects how we experience the world, but with Avengers 40, Hickman makes a compelling case for how his dense interconnectedness reflects how the world actually is. Continue reading

Jupiter’s Legacy 5

Alternating Currents: Jupiters Legacy 5, Ryan and Drew

Today, Ryan and Drew are discussing Jupiter’s Legacy 5, originally released January 14th, 2015.

Ryan: When George Lucas was writing a little thing called Star Wars, he visited one Dr. Joseph Campbell for mentorship and guidance. Campbell, author of The Hero with a Thousand Faces, developed a monomythical model on the Hero’s Journey taken from many of history’s prototypical protagonists. With this in mind, Lucas crafted perhaps the most iconic modern heroes in Luke Skywalker. In Jupiter’s Legacy, Mark Millar continues to ask big questions about what it means to be a hero. Continue reading

Deadpool 40

deadpool 40

Today, Taylor and Patrick are discussing Deadpool 40, originally released January 14th, 2015.

Taylor: The old saying goes “art imitates life.” we here at Retcon Punch believe comics to be art, so that means these funny little picture-books imitate life the same as your Van Goghs and Shakespeares of the world. Being things that are published every month, comics are perhaps better suited than other art forms at reflecting life since they can comment on real life situations almost as soon as they happen. Given this, we shouldn’t be at all surprised that a title like Deadpool would find time to comment on life, especially considering it’s unique ability to break the fourth wall and speak directly to readers. But who would have ever guessed that the comic would tackle such a loaded topic as environmental policy? Always surprising, Deadpool once again takes a unique approach to story telling in issue 40 and in so doing, enters a major environmental debate. Continue reading

Lazarus 14

lazarus 14

Today, Spencer and Drew are discussing Lazarus 14, originally released January 14th, 2015.

Spencer: It takes more than blood to make a family. I have great aunts and uncles I barely know, a few cousins I’ve never even met — they may be my relatives, but as far as I’m concerned, they’re not my family. No, family is forged in many different ways, but almost all of them involve either large quantities of time spent together or a unique shared understanding of life. Forever has never received either of these things from the rest of the Carlyles, which makes it all the more strange that her first real familial connection amongst them is made with Jonah, the brother who tried to kill her. Yet, that’s exactly what happens in Greg Rucka and Michael Lark’s Lazarus 14, and the consequences of their newfound connection looks like it will only make Forever’s life even tougher in the future. Continue reading

Batgirl 38

batgirl 38

Today, Michael and Patrick are discussing Batgirl 38, originally released January 14th, 2015.

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Michael: Sometimes you just get sick of being yourself. What I mean by that is we all have a point where we say “Why me?” “Why do I have to suffer?” “Can’t things just be easy for once?” If life is a story, then we might not always like the role that we’re cast in. Being a “supporting character” gets old; everyone wants to be the star eventually. Batgirl 38 finds the creative team and Barbara herself asking these types of questions of identity. Can’t a Batgirl just fight crime and enjoy herself in the process? Not quite, it would seem. Continue reading

Captain Marvel 11

captain marvel 11

Today, Drew and Suzanne are discussing Captain Marvel 11, originally released January 14th, 2015.

Drew: It’s no secret that I don’t have a lot of patience for tropes. Predictable situations, reactions, or patterns are crutches for serialized storytellers, which is only made more apparent by those writers who manage to avoid them. Still, I do understand that certain tropes can be comforting — and perhaps even important to the identity of the work of art in question. I’m willing to forgive The Twilight Zone having the most obvious twist endings, because that’s kind of the point. That willingness to forgive certain tropes varies from person to person, as can be seen in the varied reactions to Christmas movies, albums, and episodes. Are they cheap cash-grabs? Charming acknowledgements of the season? Unfortunate acquiescences to the Christo-normativity of America? Christmas stories aren’t my favorite (I swear, if I see another reimagining of A Christmas Carol, I’m going to lose it), but I’ve seen enough pulled off well that I’m willing to at least have an open mind. Unless, of course, I’m consuming that story three weeks after Christmas, in which case, my patience for Christmas tropes dwindles right back down to zero. Continue reading

Grayson 6

grayson 6
Today, Patrick and Spencer are discussing Grayson 6, originally released January 14th, 2015.

Your nifty hypnos tech trick may make it so I can’t see Spyral agents’ faces, but I’d know that ass anywhere. Grayson.

Midnighter, Grayson 6

Patrick: Do you have any idea how many times Sherlock Holmes has been adapted? From George C. Scott to Benedict Cumberbatch, from VeggieTales to The Great Mouse Detective, there’s virtually no end to the twists and variations writers, actors and filmmakers can apply to this character. But no matter how the story is dressed up, the personality of Holmes himself always shines through. Dick Grayson, as it turns out, is very much the same way; whatever the genre, whatever the story, whatever the supertechnology trying to disguise him, we’re always going to recognize Grayson. Continue reading

Star Wars 1

Alternating Currents: Star Wars 1, Drew and Taylor

Today, Drew and Taylor are discussing Star Wars 1, originally released January 14th, 2015.

Drew: I was eight years old when Michael Crichton’s The Lost World was published. I hadn’t read Jurassic Park (reminder: I was eight), but I LOVED the movie. Nothing, not even my reading level, could stop me from consuming this new tale of genetically resurrected dinos, so I convinced my parents to get me the book on tape. When the film adaptation came out in 1997, it was my first experience seeing a movie based on a text I was already familiar with. There were substantial changes to the plot, but I didn’t care — the draw for me was dinosaurs, and the movie definitely delivered. I was similarly undaunted by the streamlining of the plot in Peter Jackson’s Lord of the Rings adaptations — the draw here was a heroes journey set in a lushly detailed fantasy world.

It wasn’t until Zack Snyder’s Watchmen that I was first apprehensive about a film adaptation — the draw for me was no longer the plot or specific characters, but the medium of the story itself. A film couldn’t hope to capture the formal elements specific to comics that makes Watchmen such an achievement. I find myself confronted with these questions as I think about Marvel’s new Star Wars series (my first foray into any non-film explorations of the universe) — what is the draw for Star Wars? Is it the space operatics? The characters? The actors that play them? The thrilling John Williams score? It turns out, my answer may be “all of the above,” but that doesn’t stop this issue from being a largely successful translation of the Star Wars universe onto the page. Continue reading