Author Archives: Drew

Oct 13 2013

ComicConPunch: NYCC Day Three

nycc 3Love them or hate them, conventions have become the industry standard for fan-engagement and giant announcements. Of course, very few fans can make it to any one con. Fortunately, Retcon Punch is there when you can’t be with our exclusive con coverage, ComicConPunch.

Patrick: Okay, okay, okay — let’s get over our second-day con grumpies. We hit up the Artists’ Alley first thing, and this time, with no agenda. I actually stopped to listen to some random pitches — a comic that staged 80s rock songs, a webcomic about moon convention, a series about a noir rhinoceros. There’s a lot of energy and creativity that floats around at this thing that has nothing to do with the big publishers, and when we walk around the con with stars in our eyes, I have a tendency to forget that. Continue reading →

Oct 12 2013

ComicConPunch: NYCC Day Two

nycc 2Love them or hate them, conventions have become the industry standard for fan-engagement and giant announcements. Of course, very few fans can make it to any one con. Fortunately, Retcon Punch is there when you can’t be with our exclusive con coverage, ComicConPunch.

Drew: Day two of the NYCC, and the size of this event is starting to sink in. Patrick and I were both overwhelmed by the size of the Javits Center on Thursday, but Friday was when the fans started showing up in earnest, and it was crowded. There were very suddenly lines for events, lines for autographs, lines to use the bathroom (for girls, anyway), which meant we needed to invest significantly more time waiting to do things. It’s absolutely unavoidable for an event this size, but it made me question the utility of having events this size. Continue reading →

Oct 11 2013

ComicConPunch: NYCC Day One

nycc 1Love them or hate them, conventions have become the industry standard for fan-engagement and giant announcements. Of course, very few fans can make it to any one con. Fortunately, Retcon Punch is there when you can’t be with our exclusive con coverage, ComicConPunch.

Drew: Our coverage got off to a casual start with the Deadpool Signing & Drink-Up at the near(ish)by Landsdowne, where we spoke individually with writers Brian Posehn, Gerry Duggan, and artist Declan Shalvey, all of whom were incredibly gracious. I was particularly excited to talk about the “BAMF SNIKT silence” sequence I raved about in issue 18. Shalvey hadn’t seen a lettered copy of that issue, so actually grabbed our copy and started flipping through it, explaining why he prefers widescreen panels, and expressing excitement that his colorist (and girlfriend) Jordie Bellaire elevated the art in that issue. It was a treat for us to get those insights — Patrick, I believe you called it a “dream come true”?

Patrick and Declan Shalvey

Continue reading →

Oct 10 2013

Deadpool 18

deadpool 18

Today, Drew and Scott are discussing Deadpool 18, originally released October 9th, 2013.

Drew: Color theory has always had an interesting relationship with superhero comics. To make the heroes stand out on the printed page, they were put in bright, primary colors. That practicality had a counterpart in the way the characters were written — with equally clear ideals (think “truth, justice, and the American way”). Those ideals (like the colors) can be mixed in ever more complex ways, covering all of the possible hues, but as any colorist can tell you: hue is only one dimension of color theory. Another is saturation, or the opacity of a color. Deadpool, with its knack for fourth-wall breaking, has long had a lot of play with this kind of figurative saturation, as Wade regularly peels the curtain back to comment on the absurdities of the world he inhabits. Desaturating Wade has always revealed a bright, zany world — even when disembowling presidents, the tone was always incredibly upbeat — but as writers Gerry Duggan and Brian Posehn move further into their “The Good, the Bad, and the Ugly” arc, they’ve revealed an increasing interest in the third dimension of color theory: value, or darkness. The result is a surprisingly rich comic, made up of all of the colors of the real world. Continue reading →

Oct 9 2013

ComicConPunch: NYCC Announcement

comic con punchLove them or hate them, conventions have become the industry standard for fan-engagement and giant announcements. Of course, very few fans can make it to any one con. Fortunately, Retcon Punch is there when you can’t be with our exclusive con coverage, ComicConPunch.

Whether you’ve been distracted by full-page ads or inundated with teaser emails, the buildup to the New York Comic Con has been all but unavoidable. NYCC promises an all-star guest lineup, and panels on everything from the All-New Marvel NOW to an in-depth look at our newest favorite series. Whether you’re interested in potentially earth-shattering announcements or just a quiet conversation with your favorite creators, NYCC has it all. Continue reading →

Oct 8 2013

Lazarus 4

Alternating Currents: Lazarus 4, Drew and Shelby

Today, Drew and Shelby are discussing Lazarus 4, originally released October 2nd, 2013.

Drew: Ah, feudalism. Its simple, incestuous power dynamics make for some fascinating drama. Sure, there can be warring families, but the real dangers are those from within, as family members pit their love for one another against their thirst for power. It completely upends our notions of who we can trust, leaving each member of the ruling class open to betrayal and manipulation. As an effectively immortal killing-machine, Forever Carlyle was always above that kind of base power-grubbing, but Lazarus 4 finds her pulled into the fray with an anonymous tip about her family. Continue reading →

Oct 3 2013

Trillium 3

Alternating Currents: Trillium 3, Drew and Scott Today, Drew and Scott are discussing Trillium 3, originally released October 2nd, 2013. Drew: I like to think that most people want to know how magic tricks are done, but every so often, I’ll encounter someone who swears they don’t — they don’t want to ruin the illusion. But let’s be honest: we all know there’s a trick — it’s not like anyone is under the impression that the coin actually disappeared, or that the lady was actually sawn in half — we can fully appreciate the effect, but we know that there’s some secret to how it was achieved. It’s only natural to want to know a secret you know you don’t know. I get a similar thrill out of thinking about how illusions in art are created, from film editing techniques to harmonic analysis to pacing and form. Those last two have been a centerpiece of Jeff Lemire’s Trillium from the start, and issue 3 offers a beautiful study of their effects. Continue reading →

Oct 2 2013

Wolverine and the X-Men 36

Alternating Currents: Wolverine and the X-Men 36, Drew and TaylorToday,  Drew and Taylor are discussing Wolverine and the X-Men 36 originally released September 25th, 2013. This issue is part of the Battle of the Atom event. Click here for our complete coverage of Battle of the Atom.

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Isn’t it worth a few bruised children to save the entire future?

Xavier

Drew: Sacrifice is a funny thing. If helping others requires harming yourself, people will hail you as a hero, but if it requires someone else being hurt — even with the same net result — people hem and haw about ends justifying means. Obviously, the sticking point is free will; it’s perfectly okay to willingly do something yourself, but each of us must be free to make that choice. Of course, that can become a bit of a sticking point in time travel narratives, where there’s a sense that certain things have to happen — Sarah Connor has to survive to give birth John, Marty McFly’s parents have to kiss at the enchantment under the sea dance — in order for the story to even be possible. We tend to focus on the potential paradoxes there, often forgetting that the affected characters have effectively had their free will’s sacrificed by whatever time-travelers happen to be meddling with their pasts. The morality of that act is under scrutiny in Wolverine and the X-Men 36, as Jason Aaron adds new players to both sides of the debate. Continue reading →

Sep 30 2013

Nova 8

Alternating Currents: Nova 8, Drew and Shelby

Today, Drew and Shelby are discussing Nova 8, originally released September 25th, 2013. This issue is part of the Infinity crossover event. Click here for complete Infinity coverage.

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Drew: Teenage superheroes are tricky. Part of what makes them appealing is their adult-like agency, but if you give them too much, they cease to resemble actual teens — writers must maintain a careful balance between escapism and realism. One of the most common tools used by writers to keep their teen heroes grounded is to surround them with other teen superheroes, and maybe even have them fight teen villains. This effectively scales their world back, giving them a comfortable niche between regular, mortal adolescence, and full-on adult superheroics. In Nova 8, writer Zeb Wells starts building that teen cast, giving Sam a stake in the events of Infinity that are fully unique. Continue reading →

Sep 30 2013

Justice League of America 7.4: Black Adam

Alternating Currents: Justice League of America 7.4: Black Adam, Drew and Mikyzptlk

Today, Drew and Mikyzptlk are discussing Justice League of America 7.4: Black Adam, originally released September 25th, 2013. This issue is part of the Villain’s Month event. Click here for our Villains Month coverage.

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Oh, you mean…Black Debbie

Whoa whoa whoa whoa, why is she “Black” Debbie?

No, not in a BAAAD way. It’s just to tell them apart because she’s…black!

Stormy and Sparks, “No Names (Black Debbie)”

Drew: A child, orphaned by crime, vows to strike fear in the hearts of criminals. The last survivor of a race of superpowered aliens is raised in small town Kansas. A regular guy is given super-speed when he is struck by lightening and doused with chemicals. Our favorite superheroes have simple, iconic origins, which make them easy to introduce in film or television, and easy to reintroduce when relaunching an entire comics line. That simplicity is a big selling point for a lot of these characters, but what of those whose history is a bit more complicated? Black Adam has always been a dark reflection of Shazam, but exactly how dark has varied widely over the years, and has offered a great deal more interest than its simple villain-turned-antihero scaffold might suggest. Unfortunately, the New 52 steamrolled all of that history, turning Black Adam back into a straightforward villain. With Justice League of America 7.4: Black Adam, writers Geoff Johns and Sterling Gates work to re-complicate Adam’s story — making him more than just “Black Shazam” — but may go for too much, too soon. Continue reading →