Green Lantern: The Lost Army 1

 

green lantern lost army 1Today, Spencer and Mark are discussing Green Lantern: The Lost Army 1, originally released June 24th, 2015.

Spencer: I’ve always thought that Johns’ version of the emotional spectrum was a little limited. There’s no color that represents happiness or joy? Nothing for sadness? I realize that the reasoning behind choosing those seven emotions probably came down to which ones could most easily be turned into superpowers, but with stories like Blackest Night boiling every aspect of human emotion down to these seven colors, I still find myself frustrated at times. Questions about the spectrum kept popping into my head as I read Cullen Bunn and Jesus Saiz’s Green Lantern: The Lost Army 1 — the issue focuses on the emotions of will and rage, and specifically seems to be interested in the intersection of the two. Is this Bunn’s attempt to expand and clarify the emotional spectrum? Do will and rage combined make aggression, a quality which John Stewart spends much of the issue ruminating over? I suppose only time will tell, but if nothing else, this debut issue has got me interested in finding out. Continue reading

Daredevil 16

daredevil 16Today, Patrick and Spencer are discussing Daredevil 16, originally released June 24th, 2015. 

Patrick: One of the base assumptions that I usually have to check when discussing a work of genre fiction is the assumption that the villain acts as an analogue to the creative forces behind the story. Heroes — be they superheroes or brave knights or swashbuckling adventurers — seldom get to trade in particularly complex or nuanced ideas. But villains! Villains get to have a much more human relationship to morality, often holding conflicting ideas in their heads. What’s more is that both the villains and the creators have the same job: make the hero suffer. This relationship gets even trickier when the characters are on-loan from elsewhere, as is so often the case with comic books. Mark Waid and Chris Samnee have made their mark on Daredevil, but the character does not belong to them in the strictest sense. Issue 16 sees the creators trying to reconcile their relationship to the titular hero, and in so doing, welcome a host of villains into their drama. Continue reading

Material 2

material 2

Today, Ryan and Michael are discussing Material 2, originally released June 24th, 2015.

Ryan: Have you ever sat down and read the entirety of James Joyce’s notoriously difficult Ulysses? As a pretentious, young undergraduate studying English, I snickered into my coffee when a friend asked me whether I would attempt to tackle the classically obtuse text with a reader’s companion or not. Having recently curbstomped arm-loads of 18th Century British Lit. and avant-garde contemporary poetry, I thought, “How hard could it be? It’s only words. Making them make sense is what I do.” Ulysses quickly humbled me with the wall of metaphors, symbols, ambiguities, and overtones which allow it to remain one of the most critically-scrutinized novels of all time. While nowhere near the same “run away from the book right now” level as the aforementioned modernist masterpiece, Ales Kot and Will Tempest’s Material 2 struck me in a similar way – one which a comic book has never inspired in me. With the feeling that everything I read seemed fresh, dense, and that I barely scratched the surface on the first go-through, I recommended the two issues of the series thus far to a friend whose opinion I trust greatly, who simply thought that Material “had its head up its own ass.” So, which one of us is right? Continue reading

Batgirl 41

batgirl 41

Today, Spencer and Drew are discussing Batgirl 41, originally released June 24th, 2015.

Spencer: One of the defining moments of my childhood was watching the Batman: The Animated Series episode “Over the Edge” in its initial broadcast. For any of you who aren’t familiar with the episode, it the one that ends its first act with Batgirl falling from a building to her death, proceeds to Jim Gordon, who feels betrayed that Batman never told him that Batgirl was his daughter Barbara, raiding the Batcave and capturing Alfred, and only gets more insane (and more violent — I never saw the episode reran) from there. The sheer spectacle of the episode captured my young heart, but it also garnered its fair share of detractors for its ending: the whole story was a nightmare of Barbara’s after being gassed by the Scarecrow.

The “it’s all a dream” ending never bothered me because, as exhilarating as the action was, the true heart of the story was Barbara’s fear of what would happen if she never told her father she was Batgirl. The conflict over Babs’ identity and Jim’s reaction to it is one I’ve seen rehashed in the comics numerous times since, but with diminishing returns. With Jim Gordon now taking the mantle of Batman, it seems inevitable that Batgirl 41 would again focus on this aspect of Jim and Barbara’s relationship, but I feel like I’ve seen this story a few too many times at this point. Continue reading

Trees 10

trees 10

Today, Patrick and Ryan are discussing Trees 10, originally released June 17th, 2015.

Patrick: There’s a problem with most disaster narratives: there’s seldom an obvious antagonist. For as much as “Man vs. Nature” is one of those fundamental conflicts, it’s just harder for an audience to emotionally commit to a series of atrocities committed by a force or phenomenon with no willpower of its own. Think about every zombie movie you’ve ever seen – who are the real bad guys? The zombies? Nah: people pushed to desperate measures are far more dangerous. Twister, Titanic, Alien – all of these movies feature the deadly forces of nature, but there’s no sense of antagonism until we meet rival storm chasers, or understand how big of a dick Rose’ boyfriend is, or until Bishop reveals Weyland Yutani’s coroprate greed. Trees has done something similar in previous issues – focusing on the cultures of corruption, control, and ambition around the trees, ultimately casting man as his own worst enemy. Issue 10, however, reminds us just how terrifying the trees themselves actually are.

Continue reading

The Infinite Loop 3

infinite loop 3

Today, Patrick and Michael are discussing The Infinite Loop 3, originally released June 17th, 2015.

Patrick: I like to think that these Alternating Currents are fearless. We make whatever observations we want and to hell with the consequences! Sometimes that means getting pushback from creators that used to retweet our pieces, sometimes it means getting into an argument in the comments section or on twitter. But the audience for one of these pieces is highly self-selected – anyone reading this specific piece (for example) is going to have read all the way through Infinite Loop 3 and wants to read more about it. That’s a fraction of a fraction of a fraction of a fraction of people, likely lumped together by a shared set of values, enthusiasms and ways of thinking about and consuming culture. So when I make some dumb statement about the Teenage Mutant Ninja Turtles perfecting action on the static page, I am, almost by definition, preaching to the choir. There’s no grander cultural risk involved – the writer and the reader are trapped in the same loop of perspective. Infinite Loop 3 makes a bold attempt to break itself out of its cultural loops by ratcheting both its science fiction elements and its lesbian erotica elements to insanely high levels, and the result is decidedly fearless. Continue reading

Ms. Marvel 16

ms marvel 16 swToday, Spencer and Taylor are discussing Ms. Marvel 16, originally released June 17th, 2015. This issue is a Secret Wars tie-in. For more Secret Wars coverage from the week, click here.

secret wars div

Spencer: Being a teenager comes with a skewed sense of priorities. Every setback you face feels like the end of the world, even something as simple as failing a test or embarrassing yourself in front of your crush. As the superheroic Ms. Marvel, Kamala Kahn’s problems are often much more severe than the typical teenager’s, but even she sometimes needs a lesson in priorities — it’s just a shame that Kamala’s reminder takes the shape of the literal end of the world. If that sounds depressing, don’t worry — despite the heavier subject matter, G. Willow Wilson and Adrian Alphona never let Ms. Marvel 16 feel gloomy or depressing, instead focusing on the same mix of humor, heart, and adventure that’s made this title such a delight from the very start. Continue reading

Lazarus 17

Alternating Currents: Lazarus 17, Drew and Spencer

Today, Drew and Spencer are discussing Lazarus 17, originally released June 17th, 2015.

Narrative art must be clear, but it must also be mysterious. Something should remain unsaid, something just beyond our understanding, a secret. If it’s only clear, it’s kitsch; if it’s only mysterious (a much easier path), it’s condescending and pretentious and soon monotonous.

Stephen Sondheim

Drew: I’m fascinated by the relationship Lazarus has with clarity. It’s actually one of the most clear comics I’ve ever read — I’ve often remarked upon both Greg Rucka’s deceptively organic exposition and Michael Lark’s ability to keep track of every character in a scene — but it also leaves a great deal unsaid. The most obvious piece is the world-building — our focus has remained relatively tight on a small handful of characters, but every detail implies a much larger, more complex world beyond the edge of the page — but I’m much more interested in the things literally left unsaid; the subtle glances and body language that permeate the artwork, leaving the audience to interpret how characters are feeling. This all but forces us to project our own feelings onto the characters, drawing us further into the narrative. Issue 17 opens with what amounts to reversal of this trick, forcing the characters’ subjectivity onto us, and it is incredibly effective. Continue reading

Black Canary 1

black canary 1

Today, Mark and Drew are discussing Black Canary 1, originally released June 17th, 2015.

Mark: It’s well-worn wisdom that you can’t run away from your past. Humans are an accumulation of their past experiences, no matter how much we wish it weren’t so. And if that’s true for real-life humans, you know it’s doubly true for fictional characters. Any character setting out to start a new life will invariably have their past catch up with them.

Now using the alias D.D., Dinah Lance is on the road with the fortuitously named band Black Canary as their lead singer. But whether it’s the sins of the past coming back to haunt her, or if trouble just has a way of finding her, Black Canary can’t seem to make it through a show without D.D. taking out some baddies. Continue reading

Justice League of America 1

jla 1

Today, Michael and Spencer are discussing Justice League of America 1, originally released June 17th, 2015.

Michael: I’m having a difficult time managing my expectations with this new direction that DC is putting out. Curiously, I’m being overly optimistic that these new books will be excellent and do away with the New 52ishness of recent memory. Basically, I’m falling for DC’s sales pitch hook, line, and sinker. While Bryan Hitch’s Justice League of America 1 has some trappings of the New 52, I think he’s trying to blaze his own trail with DC’s trademark team. Continue reading