The Flash 32

flash 32Today, Spencer and Drew are discussing The Flash 32, originally released June 25th, 2014.

Spencer: Speedsters aren’t generally known for their patience. Before the reboot, one of Wally West’s best known qualities was his impatience, and Impulse was the ADHD poster-child; over at Marvel, Quicksilver’s attitude problem canonically comes from the frustration he deals with daily when he’s forced to interact with people who move so much slower than him. My point is, Barry Allen’s methodical, patient lifestyle is the complete antithesis to most speedsters — to use a comparison this issue makes itself, Wally is a basketball fan while Barry’s a baseball fan. The more I read this issue, the more I realize that Barry is the kind of guy who genuinely enjoys slowing down because it means he gets to spend time with the people he loves. It’s what grants him more patience than other speedsters, but it’s also aggravating his greatest flaw; Barry cares so much that he’s trying to be everywhere at once, help everybody at once. It’s an impossible task even for the fastest man alive, and in the process Barry may just be driving away the people who make it worthwhile to slow down in the first place.

Oh, and he may also be tearing apart the space-time continuum. Oops. Continue reading

Guardians of the Galaxy 16

guardians of the galaxy 16

Today, Patrick and Shelby are discussing Guardians of the Galaxy 16, originally released June 25th, 2014.

Patrick: I very vividly remember being first introduced to Star Wars: Knights of the Old Republic – it was late in the summer of 2003, and I was visiting my buddy Scott at his parents’ house between our Freshman and Sophomore years of college. Scottie had been playing the game on a borrowed console and the whole thing felt like a kind of wish fulfillment: suddenly there was a whole galaxy of Star Wars characters, stories and locations to explore, and all without leaving the confines of a single video game. There’s a promise inherent in KotOR’s premise – the depths of your imagination are already on display here, you only need look hard enough. This immediately becomes overwhelming. Even when alien races and spaceship designs look the way you remember them, you realize that any emotional connection you make with the material must be generated in-game. Without my core band of plucky rebels to get my automatic-love, I was left without a rudder, and instead of sailing the high seas of Star Wars adventures, I was mired in meaningless ephemera. This is often how I feel about the cosmic corner of the Marvel Universe. I may be able to recognize Broods and Spartax and Skrulls and Grand Inquisitors, but without someone to actually care about at the heart of it? Not a lot to hang a story on. Brian Michael Bendis addresses this issue head-on by spreading the Guardians of the Galaxy out among the cosmos. Suddenly, even the muddiest mythology has emotional resonance.

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Batman 32

batman 32

Today, Shelby and Spencer are discussing Batman 32, originally released June 25th, 2014.

Shelby: I prefer playing games where everyone knows the rules. Sure, there are some PC games out there where you’re just dumped in the game universe and have to figure out what to do and how to do it (Myst, I’m looking at you), but that’s different. That’s more me trying to solve a puzzle than not knowing the rules. If I’m going to play a game with other people, I want everyone to know the rules; what’s the fun in beating someone at a game they don’t know how to play? In Zero Year, Scott Snyder has had a very young Batman pitted against the Riddler in a game our hero has consistently lost. Personally, I think there are two big reasons Batman has been losing this fight: he assumes he knows the rules of the game, and he assumes the bad guy will actually abide by them.

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C.O.W.L. 2

cowl 2

Today, Drew and Shelby are discussing C.O.W.L. 2, originally released June 25th, 2014.

Drew: When we first started this site, I don’t think I had ever considered how serialization changes the philosophy of a work of fiction. Movies, plays, and short stories have vastly less storytelling space than comics, television shows, even novels, which leaves them with less room for exploring truly complex themes. When I was more familiar with those shorter forms, I came to the conclusion that all stories are about those simple, easy-to-relate to themes that make the best movies so compelling — things like love, loss, fear, loyalty, or ambition. Obviously, there are short form stories that tackle more complex themes, but you really need five seasons to truly understand the systemic failures of “the system” in The Wire, or 25+ seasons to intimately know all of the denizens of Springfield on The Simpsons. Part of that is that individual episodes or chapters can focus on those more straightforward themes, which can be stacked to build to something much more complex. Of course, that means that the work will ultimately be quite varied over the course of its telling, shifting its themes, moods, and focus. That’s exactly what’s at work in C.O.W.L. 2, as things get both more political and more personal.

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Batman Eternal 12

batman eternal 12Today, Spencer leads a discussion on Batman Eternal 12, originally released June 25th, 2014.

Spencer: Batman Eternal is a loaded title. In our world, Batman is already 75 years old, and it’s easy to see this character, with his endless reinterpretations, existing on in perpetuity. Yet, within the narrative, Batman is very much fallible, and has already died once, with Dick Grayson taking up the mantle in his absence. Bruce Wayne may not be eternal, but the legacy he leaves behind will be, be it the good he does for the city or the crimefighters he raises, trains, and/or inspires. Of course, Batman’s not the only one in this title with a legacy.

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The Amazing Spider-Man 3

amazing spider-man 3Today, Patrick and Drew are discussing The Amazing Spider-Man 3, originally released June 25th, 2014.

Patrick: If you go back and read our discussions on Superior Spider-Manyou’ll notice that one thing keeps popping up over and over again: what it means to be a hero. The concept of Otto’s identity, and how it melded with the concept of Spider-Man, was something that we brought up on a bi-monthly basis. I mean, if you look at our very first discussion of the series, Drew starts with the line “What does it mean to be good?” Writer Dan Slott was so good at putting Otto in situations that challenged both his heroism and his villainy, and it changed who Spider-Man is and how Spider-Man operates. With Peter Parker back in the driver’s seat, it’s becoming clear that some of those changes don’t wash away with a quick mind re-swap. Issue 3 finds Spider-Man — and everyone else — dealing with this latest discrepancy, and not everyone’s so happy with the restored status quo. Continue reading

Saga 20

saga 20Today, Shelby and Patrick are discussing Saga 20, originally released June 25th, 2014.

Shelby: I have a friend who always flips to last page of a comic book first before he reads it. I know, I can hear your millions of voices crying out in terror at the thought, but he says knowing the ending means he looks forward to it while he’s reading. I’ll always give him shit for it, but in a way I can see where he’s coming from. There’s a certain appeal to the anticipation that comes from knowing where the story will end up. Brian K. Vaughan gave us that in last month’s issue of Saga, and now we’re stuck with this building anticipation for an ending we don’t actually want. In case you were hoping last month’s, “This is the story about how my parents split up,” was a mean trick on Vaughan’s part (Suzanne, I think you might have been hoping that), this issue will definitely crush that hope, and I mean that in the best way I possibly can.

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Superman 32

Alternating Currents: Superman 32, Drew and ScottToday, Drew and Scott are discussing Superman 32, originally released June 25th, 2014.

Drew: When I was five years old, I told my then four-year-old cousin that he was adopted. Nobody had told me that he was, and certainly nobody told me that I wasn’t supposed to tell him, but he was immediately distraught, running to his mother to assure him I was lying. A young kid’s relationship to his parents is his whole world, and the thought that there might be something unusual about it is understandably upsetting. Totally unintentionally, I put my aunt in an incredibly awkward position, forcing her to confront a truth outside of her terms, when her son was already distressed by the idea. Complicating the issue was that his brother is not adopted, which only creates more potential for feelings of alienation. Superman has long been the poster child for adoption, but what if his adopted home had its own “last son” that seemed to be every bit as “super” as he is? Might Clark grow a chip on his shoulder about being “the adopted one”? These are exactly the questions Geoff Johns and John Romita Jr. set up in Superman 32, stopping just shy of showing us the answers. Continue reading

The Wicked + The Divine 1

wicked and divine 1Today, Spencer and Patrick are discussing The Wicked + The Divine 1, originally released June 18th, 2014.

Spencer: There’s a reason they call pop stars “idols.” I’ve been to concerts that were essentially religious experiences to many in the crowd; whether it’s their larger than life style or the way they can connect with their listeners, pop stars (as well as many other musicians and celebrities) have, unintentionally or not, set themselves up as a new pantheon of modern-day deities. Kieron Gillen and Jamie McKelvie have hit plot beats similar to this before with Phonogram — where music is magic — but in The Wicked + The Divine 1, they literally turn gods into pop stars, complete with concerts-as-masses and a snazzy 1-2-3-4 whenever they display their gifts. It seems to be a pretty apt look into modern-day spirituality. Continue reading

Batman and Ra’s al Ghul 32

batman ras al ghul 32

Today, Patrick and Spencer are discussing Batman and Ra’s al Ghul 32, originally released June 18th, 2014.

Patrick: No one’s got a deeper bench than Batman. A lot has been made of the integrity of his relationships lately — it’s almost the most important piece of Batman’s mythology in the New 52. Check it out: Batman Eternal is all about Batman struggling with his relationship with the city, and even pulls Gordon out of rotation. This comes on the heels of The Death of the Family and the Leviathan killing Damian, which all just compounds the stress put upon those relationships. Nightwing, Batgirl, Red Robin, Red Hood, they all have reason to distrust the man who’s a superhero first, and a human being second. But Batman’s not just the biggest superhero in Gotham, he’s the biggest superhero in the DC Universe, so there’s no end to the relationships we can explore to learn something just a little bit more about Bruce Wayne. Continue reading