Zero 17

zero 17

Today, Patrick and Taylor are discussing Zero 17, originally released June 3rd, 2015.

Make art, not war.

Traditional

Patrick: Perhaps it’s because the above statement is so simple that tracking down a specific origin proves so difficult. A little bit of on-line research will keep pointing back to street artist Shepard Fairey — who did design the now-iconic image that often accompanies the phrase. Even if we assume Fairey’s authority, the artist’s populist message and street-art aesthetic makes it hard to credit him with any particular concept or turn of phrase. “Make art, not war” is also clearly a reference to the anti-Vietnam War slogan “make love, not war,” which itself has an origin that is up for debate. Be it art or be it love, there is a persistent need for something that man can consider the opposite of war, so it’s fitting that these slogans should resist a single point of origin. Like the fungus in Zero, they come from everywhere — in all times and all realities — to mitigate the suffering caused by war. Continue reading

All-New X-Men 41

Alternating Currents: All-New X-Men 41, Drew and Michael

Today, Drew and Michael are discussing All-New X-Men 41, originally released June 3rd, 2015.

…it was a good metaphor for what was happening with the civil rights movement in the country at that time.

Stan Lee on creating the X-Men

Drew: The X-Men’s role as a metaphor for the civil rights movement is as well-known as it is obvious — a group of people, marginalized by a coincidence of birth, struggle to be accepted by a society that fears and hates them. With so many institutions codifying racism with backwards rules, from school boards to lunch counters, it didn’t take much exaggeration to blow up that marginalization to comic book proportions. As those policies fell out of use, though, the X-Men came to stand in for other groups that were institutionally marginalized. As society continues to discard bigoted policies, however, the struggle for civil rights becomes less and less about fighting institutional rules that can be pointed at, and more about combating smaller day-to-day injustices. By their very nature, those smaller conflicts don’t lend themselves as well to superhero action: exaggerate them, and you lose the insight into how they affect people every day; don’t exaggerate them, and you don’t have anyone for your hero to shoot eye-beams at. Brian Michael Bendis and Mahmud Asrar opt for exaggeration in All-New X-Men 41, and may lose their message along the way. Continue reading

The Wicked + The Divine 11

Alternating Currents: The Wicked + The Divine 11, Drew and Spencer

Today, Drew and Spencer are discussing The Wicked + The Divine 11, originally released June 3rd, 2015.

Mr. Ross: Firestorm, that’s a hell of a picture. Remember when they had the helicopter land on top of that car —
Frank Costanza: Hey! I haven’t seen it yet!
Mr. Ross: It has nothing to do with the plot!
Frank Costanza: Still, I like to go in fresh!

Seinfeld, “The Rye”

Drew: I wouldn’t say my girlfriend has a lot in common with Frank Costanza, but she also prefers to “go in fresh” to narratives. For her, any information beyond the barest gist of the genre and mood constitutes a spoiler. Of course, I’ve always been on the opposite end of the spoiler spectrum — because I’m most interested in how the story is told, knowing plot points ahead of time can’t “spoil” the experience. Every so often though, I’ll encounter a twist so shocking that I have to admit I’m glad I didn’t know it was coming. Which is to say, when I say that you should only read on if you’ve already read The Wicked + The Divine 11, I really mean it. Seriously: spoilers after the jump. Continue reading

Justice League 41

justice league 41

Today, Michael and Mark are discussing Justice League 41, originally released June 3rd, 2015.

Michael: My biggest gripe with super hero movies or comic book reboots is that their world isn’t fully-formed; typically we have to wait an hour into the movie before the hero does the hero-ing we came to see. Origins, exposition and plot machinations take up an overwhelming amount of time and space in these situations. “Darkseid War” might be my favorite Justice League story yet because it doesn’t take that commonplace route. While Justice League 41 does have a lot of exposition, we are entering into the fully-formed world of the New Gods of Apokolips. This isn’t the origin story of Mister Miracle; he’s BEEN Mister Miracle for a while now. Continue reading

Secret Wars Round-Up: Issues released 6/3/15

secret wars roundup3Today, Drew, Patrick and Spencer discuss Secret Wars 3, Giant-Sized Little Marvel AvX 1, Future Imperfect 1, Years of Future Past 1, and Secret Wars Battleworld 2.

secret wars div

Drew: There’s nothing like comics continuity — and I mean that quite literally. Virtually no other narratives feature the same kinds of questions about whether something happened, how so and so exists if that didn’t happen, whether or not characters remember events that did happen before they didn’t, or if all of the events we’re reading will somehow be undone in the future. I’ve never been particularly interested in what is and isn’t canon (as far as I’m concerned, the only stories that “count” in comics are the ones that I’ve read), but it’s certainly interesting to see how the Big Two twist themselves up in knots to explain things. Marvel has long touted its continuity as being unbroken (a few retcons notwithstanding), in contrast to DC’s system of periodically “resetting” their universe with a massive crisis, but Secret Wars began with proudly proclaiming the death of the Marvel Universe as we know it. Indeed, this week finds writers not just defending that break, but reveling in it. Continue reading

Star Wars Round-Up: Star Wars 6, Princess Leia 4 and Darth Vader 6

star wars roundup 1

Today, Patrick, Michael and Taylor discuss Star Wars 6, Princess Leia 4 and Darth Vader 6.
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Patrick: This week’s crop of Star Wars comics is unique in that it’s the first time we’re seeing multiple Marvel Star Wars comics released all on one day. All three find our characters struggling to understand and assert their place in the universe. Sometimes that struggle is literal, as in Darth Vader’s duel to claim his right as Palpatine’s protege. Sometimes the struggle is more abstract, as in Leia’s coming to terms with what it means to be the princess of a planet that no longer exists. And sometimes, it’s just blasters and lightsabers! So, let’s gather ’round and dig in to some stories from A Long Time Ago.

Continue reading

The Unbeatable Squirrel Girl 6

squirrel girl 6

Today, Drew and Taylor are discussing The Unbeatable Squirrel Girl 6, originally released June 3rd, 2015.

Drew: Hero punches bad guy. Bad guy goes to jail. Hero winks at the camera. It’s an ending we’ve seen a million times, but after 6 issues, its clear that Unbeatable Squirrel Girl will never be quite so rote. That’s not to say that Doreen isn’t perfectly capable of punching bad guys (or winking at the camera), just that she may be more open to alternative solutions to her problems. It’s an approach that is surprisingly rare in the world of superhero comics, but makes perfect sense when you look at her character sheet: talking is one of her superpowers. Sure, the remarkable part of that power may be that she can talk to squirrels, but honestly, conversation powers are rare enough when it comes to superheroes to forgive the generalization. This issue reminds us of why that power is so key to who Doreen is, then pushes beyond it to show us what else makes her so special. Continue reading

The Amazing Spider-Man: Renew Your Vows 1

ASM Renew Yor Vows 1 header

Today, Spencer and Patrick are discussing The Amazing Spider-Man: Renew Your Vows 1, originally released June 3rd, 2015. This issue is a Secret Wars tie-in. For more Secret Wars coverage from the week, check back tomorrow for our Secret Wars Round-Up!

secret wars div

Spencer: Becoming a parent requires a serious reshuffling of priorities. Unlike what a lot of movies will try to convince you, it doesn’t mean that a new parent has to drop every activity they ever loved, but it does mean that those activities — and literally everything else in the world — takes a back seat to the duty they have to raise and protect their new child. It’s a staggering responsibility, even to someone like Peter Parker, who, as Spider-Man, has devoted most of his life to shouldering great responsibility. What happens when Peter puts his family before his duties as Spider-Man? That’s the question at the heart of The Amazing Spider-Man: Renew Your Vows 1, and the answer is rather startling. Continue reading

Weekly Round-Up: Comics Released 5/27/15

round up

Look, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, Drew, Patrick, and Spencer discuss The Chilling Adventures of Sabrina 3, Infinite Loop 2, Effigy 5, Providence 1, Nova 31, S.H.I.E.L.D. 6, Sons of the Devil 1 and Outcast 9.

slim-banner4

Drew: Expectations are a funny thing. They can predispose us to liking or disliking an undeserving work of art, but they can also be exploited by a savvy artist. Exploiting our own expectations to surprise us is one of the most common tricks in genre fiction, but also one of the most satisfying. For evidence, we need look no further than the comics out this week, which play with our expectations in fun, sometimes even shocking ways. Continue reading

All-New Hawkeye 3

all new hawkeye 3

Today, Spencer and Taylor are discussing All-New Hawkeye 3, originally released May 27th, 2015.

Spencer: Matt Fraction’s run on Hawkeye got a lot of mileage out of a deceptively simple mission statement: “Clint Barton, a.k.a. Hawkeye, became the greatest sharpshooter known to man. He then joined the Avengers. This is what he does when he’s not being an Avenger.” What Clint does when not being an Avenger is an insanely broad concept, but in Fraction’s run it quickly narrowed into a focus on how Clint handled loss. When tasked with the duty of following up on a run as iconic as Fraction’s, it’s no surprise that Jeff Lemire flipped everything on its head, changing the mission statement to “This is what [Clint Barton and Kate Bishop] do when they do what they do best.” Lemire’s concept of focusing on Clint as a super-hero is even broader than Fraction’s, and as I’ve pored over the last few issues of All-New Hawkeye, I’ve been waiting for his story to similarly build some kind of deeper overarching theme. This month’s issue in particular is almost screaming that it has some sort of deeper meaning or underlying message, yet I’m struggling to come up with one. I’m starting to think that I’ve been approaching this title all wrong. If this is a book about what Clint and Kate do when they do what they do best, then maybe what’s most important are the actual details of what they’re doing. Fortunately, those details are pretty charming. Continue reading