Justice League 13

Alternating Currents: Justice League 13, Drew and PatrickToday, Drew and Patrick are discussing Justice League 12, originally released October 17th, 2012.

Drew: We’ve talked a lot about the five year rule here at Retcon Punch, and while we certainly have our gripes with how it affects continuity, I think we all understand why they did it. Giving every character some past allows them to maintain certain aspects of their pre-relaunch history, but does so without committing to anything specific. This gives writers a great deal of flexibility, without shutting the door for any future writes. Having a mysterious past also allows writers to pull out unknown details to add emotional weight to the proceedings. Doing this runs the risk of coming off as clumsy or cheap, but in Justice League 13, Geoff Johns provides an excellent case study in how to pull it off. Continue reading

Chat Cave: The Amethyst Controversy

Zero month saw the launch of several new titles, including the fantasy-infused Sword of Sorcery. As soon as the issue was released, the return of Amethyst: Princess of Gemworld was overshadowed by controversy surrounding a scene of an attempted rape. Reactions ranged from outrage and disappointment to outrage and disappointment over said outrage and disappointment. The only thing that could really be said about the reactions is that everybody had one. Not to be left out of the dialogue, the Retcon Punchers have their own thoughts on the issue. Welcome to the Chat Cave.

Drew: The charge against this issue is largely lead by Chris Sims of Comic Alliance. Sims’ objection basically boils down to two key points: 1) that rape as an overused trope writers use to darken comics needlessly, and 2) that it’s particularly inappropriate in a kid-friendly title.  This blogger does a pretty good job of rebutting Sims first point, so I’ll just add that while rape can be misused as a narrative bludgeon — as can death, love, war, hate, or pretty much anything else that makes stories compelling — it doesn’t mean it should be off-limits. Whether or not it was used inappropriately should be determined on a case-by-case basis, so its perceived overuse shouldn’t enter into the conversation at all. Continue reading

Frankenstein: Agent of S.H.A.D.E 13

Today, Shelby and Scott are discussing Frankenstein: Agent of S.H.A.D.E 13, originally released October 10th, 2012. This issue is part of the RotWorld crossover event. Click here for complete RotWorld coverage. 

Shelby: I liked the zero issue of Frankenstein. I already know the original Frankenstein story, so I just enjoyed this comic book take on it. Sure, I didn’t know anything about S.H.A.D.E., including what the acronym stands for, but it didn’t get in my way of appreciating the story being told. Knowing that we’d be covering the title at least through Rotworld, I foolishly thought I didn’t need to know anymore, that I’d be able to pick up issue 13 just fine. Apparently, I forgot how comic books work; even with the familiar faces of the Red and the Rot to guide the story, I have almost no idea what is going on here, so bear with me.

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Green Lantern Corps 13

Today, Patrick and Drew are discussing the Green Lantern Corps 13, originally released October 10th, 2012. This issue is part of the Rise of the Third Army crossover event. Click here for complete Third Army coverage. 

Patrick: For months, Green Lantern fans have been asking themselves “what are those rascally Guardians up to this time?” Their track record with regard to all the life in the universe has ranged from casually negligent to downright evil. In the Guardians’ defense, there is usually some amount of misinformation or good intentions that sets off the worst of their actions. Their latest endeavor employs an army of body-snatchers to replace the Green Lanterns (along with all the other colors of lanterns corps). Where it goes from there is still sorta anyone’s guess — I don’t recall where, but I think it’s been suggested that they will go on to DESTROY ALL LIFE IN THE UNIVERSE. And that’s evil as shit, no doubt, but it’s their effort to psychologically ruin Guy Gardner that intrigues me the most. Yeah, yeah, yeah, wiping out life in the universe can wait, we’ve got an ego to dismantle. Continue reading

Batman and Robin 13

Today, Drew and Shelby are discussing Batman and Robin 12, originally released October 10th 2012.

Drew: Peter Tomasi has a pretty thankless job. Titles like Batman and Robin and Green Lantern Corps often take a back seat to their flagship counterparts — both in popularity, and narrative. Those kind of supporting titles are often bound to crossover events, requiring their writers to absorb, implement, and embrace plot developments they didn’t come up with themselves, and which may be disruptive to their own plans. In the collaborative, editor-driven world of comics, following such dicta is par for the course, but Tomasi has found himself particularly bound by crossovers, as Death of the Family kicks off the third he’s been involved in since the relaunch. It’s a testament to Tomasi’s skill, then, that he’s able to incorporate details of Death of the Family so elegantly into this issue, while still finding the emotional through-line that has made is work on Batman and Robin so enjoyable. Continue reading

Phantom Stranger 1

Alternating Currents: Phantom Stranger 1, Taylor and Patrick

Today, Taylor and Patrick are discussing The Phantom Stranger 1, originally released October 10th, 2012.

Taylor: A long time ago I was talking to a friend about how we enjoy the use of biblical imagery and myth in our media. Neither of us is particularly religious but we both had to admit that there is something really engaging about the use of stories and symbols that have been a primary pillar of western civilization for over 2000 years. When an author is able to integrate religious themes into his or her work without bludgeoning you over the head with theology, the result is often highly entertaining, as fans of John Constantine will attest. However, it can never be stated enough that the author must have a clear vision in mind when alluding to religious imagery. While borrowing from a story here or a symbol there is fine, the most important thing is that it all hangs together with a clear vision held by the author. Phantom Stranger teeters on the edge of this abyss and in the proper first issue of the series the reader has to wonder on which side it will fall.

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Before Watchmen – Dr. Manhattan 2

Today, Patrick and Michael Capristo are discussing Dr. Manhattan 2, originally released October 10, 2012. Dr. Manhattan is part of DC’s Before Watchmen prequel series. Click here for complete Before Watchmen coverage (including release dates).

Patrick: The first issue of Dr. Manhattan has sort of become Retcon Punch’s go-to example of something about which we can neither agree nor be civil. At its best, the issue was clever homage, setting up a daunting narrative structure with dazzling artwork. At its worst, the issue was reductive, inaccurate and repetitive. The centerpiece of our contention: Schrodinger’s cat. The thought experiment posits that an unobserved cat in a box is simultaneously dead and alive, and only when the cat is observed do the realities collapse into a single universe. Schrodinger came up with this puzzle partially to illustrate how silly the field of quantum mechanics is. Which isn’t to say that he didn’t buy into it, just that you live in a profoundly weird universe if a fact can be simultaneously true and not true. I’ve been thinking about it all evening, and “profoundly weird” is exactly how I want to describe Dr. Manhattan 2.
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Team 7 1

 

Today, Mike Logsdon and Shelby are discussing Team 7 1, originally released October 10th, 2012.

Mik: Hey all, Mikyzptlk here, but you can call me Mik (with a long “I”) if, you know, you’re into the whole brevity thing. With that out of the way, let’s get cracking. Going into Team 7, I know next to nothing about this team. I know that it was originally a Wildstorm book but that’s about it. Except for The Authority, I tended to stay away from most of what Wildstorm had to offer. That being the case, I normally wouldn’t be interested in this book but DC has done a few clever things to get me interested. First off, they’ve added a few familiar faces from the DCU into the mix and, more importantly, they’ve set the book in the early (and mostly shrouded) years of the The New 52. ZERO Month did a good job of filling in some of the details of the first 5 years of the new DCU but there are still A LOT of gaps to close. 
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Batman 13

Today, Drew and Patrick are discussing Batman 13 originally released October 10th, 2012. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

Drew: Bruce Wayne knows those closest to him can be taken away. It’s an idea that was violently embedded in his mind as a child, and has driven every waking moment of his life since. A person driven to such lengths obviously values the closeness of others, yet it’s one of the bitterest ironies of Batman that his goal of stopping violence actually puts the people around him in greater danger. Bruce has been reminded of this all too often, as Jason was killed and Barbara paralyzed, but he can’t help but rely on others; as Batman Incorporated  recently pointed out, Alfred was there from the start. That reliance is often one of Bruce’s greatest assets — he could not have defeated the Court of Owls without them — but it’s also one of his greatest liabilities. Fortunately, very few criminals have the express goal of harming Batman emotionally, but of course, the Joker isn’t just any criminal. Continue reading

Dial H 5

Alternating Currents: Dial H 5, Taylor and Drew

Today, Taylor and Drew are discussing Dial H 5, originally released October 3rd, 2012.

Taylor: Here’s the thing: metaphysical thought is messy, very messy. Thinking about where man came from, what he is made of, and where he is going yields no solid answers and often times leaves the thinker more confused than when he or she first began to ponder those ideas in the first place. When you add the outside world (and universe) to this equation things are obviously going to get even muddier. What is this something we see? What is this nothing we don’t see? If there’s nothing, doesn’t that mean there has to be a something to validate the nothing’s nothingness? It’s not easy to discuss these confounding and complex ideas in an artistic way given that you can’t ever really speak about them in a straight forward manner. To do that would feel somewhat dishonest and wouldn’t accurately reflect the feelings that come with this philosophical territory. In Dial-H 5 the reader is presented with some of these questions, but rather than falling back on stale mythologies or old tropes, the issue embraces the chaos of messy questions and does so with stylish story telling and complimentary artwork. Continue reading