Category Marvel

Mar 24 2014

Ms. Marvel 2

ms marvel 2Today, (guest writer) Suzanne and Spencer are discussing Ms. Marvel 2, originally released March 19th, 2014. 

slim-banner“If everyone were cast in the same mold, there would be no such thing as beauty.”

Charles Darwin

Suzanne: For all of the rhetoric about body image and positivity, it’s easy to forget how confusing and filled with insecurity the teenage years can be. I can remember those years of acne breakouts, bad haircuts and trying to fit in with the “cool kids” at school. Being a teenager is hard enough when you look, talk and dress exactly like everyone else. Did you wear the same North Face jacket or UGG shoes as five of your friends? Did you want to be ten pounds thinner because all of your friends were slim and “beautiful”? Now imagine being from a different ethnicity, culture or religion than most of your peers and struggling with your identity. It’s easy to see how insecurity can morph into internalized racism or self-hate. Skin-lightening creams are a multi-billion dollar industry worldwide and sold over 200 tons in India alone last year. So how does the new Ms. Marvel, Kamala Khan, respond to the pressure of society’s expectations? Continue reading →

Mar 21 2014

Daredevil 1

daredevil 1Today, Spencer and Shelby are discussing Daredevil 1, originally released March 19th, 2014. 

Spencer: While we often refer to the articles we write here at Retcon Punch as “reviews”, that isn’t necessarily the most accurate term for them. We aren’t here just to tell you whether an issue is good or bad, or to rate it from one to ten; we like to talk about the book itself, about themes and characterization and the craft that goes into making a book great (or bad, for that matter). In fact, as Patrick recently mentioned, we usually try to avoid broad statements of quality about the books we write. Why am I bringing this up? Well, I wanted to give you guys this context so that you’d realize how significant the following statement actually is: Daredevil 1 may just be a perfect comic book. Or, if it’s not, then it’s certainly a perfect first issue. Continue reading →

Mar 20 2014

Winter Soldier: The Bitter March 2

winter soldier 2Today, Patrick and Drew are discussing Winter Soldier: The Bitter March 2, originally released March 19th, 2014.

Patrick: Enigmatic super-soldier spies are tough to characterize. How can you reveal someone’s true nature when they’ve been trained to be a tool of their government, forsaking all personal interests? Rick Remender’s new Winter Soldier mini-series attempts to paint a picture of a man by presenting his surroundings in as much detail as possible. Even when we get a flashback to Bucky’s more formative years, it’s his mentor’s perspective we see stated directly, and not Bucky’s. It’s addition by subtraction, and the sum is a tantalizing character sketch, made all the more compelling by a faithfully realized period thriller.

Continue reading →

Mar 18 2014

Captain Marvel 1

captain marvel 1Today, Drew and guest writer Suzanne are discussing Captain Marvel 1, originally released March 12th, 2013.

All art is autobiographical; the pearl is the oyster’s autobiography.

Federico Fellini

Drew: The notion that art reveals something about the artist is a popular one, and I think is at least part of the reason artists are such alluring figures in our society — who wouldn’t want to be closer to the mind that whose autobiography is the sistine chapel or the brandenburg concerti? What a work of art says about its creator is a fascinating line of inquiry, but I’ve personally always been more interested in what a work of art says about its audience. It’s this other autobiography that is often ignored when discussing (and dare I say creating) a work of art, but I personally think it’s much more important its success. Could I relate to this work? Could I empathize with its characters? Could I understand their sorrows and joys? As a woman holding her own in a male-dominated field, it’s easy to see Kelly Sue DeConnick’s autobiography in Captain Marvel 1, but as ever, this series is really about the fans. Continue reading →

Mar 18 2014

Fantastic Four 2

fantastic four 2Today, Patrick and Drew are discussing Fantastic Four 2, originally released March 12th, 2014.

Patrick: I don’t like the way James Robinson writes dialogue. Don’t like it. He invents unnecessarily awkward contractions; his characters use cliché superhero rhetoric; there are frequent problems with subject-verb agreement; and he’ll mix up countable and uncountable objects (using words like “fewer” and “less” incorrectly). I can accept some of these “mistakes” as affectations of Robinson’s characters: lord knows Ben Grimm and Johnny Storm aren’t going to edit the words that come out of their mouths. But dialogue is like 5% of a comic, right? As long as the art and incident are compelling, a few glaringly stupid sentences shouldn’t bother me, right? RIGHT!? Continue reading →

Mar 17 2014

Black Widow 4

black Widow 4Today, Shelby and Spencer are discussing Black Widow 4, originally released March 12th, 2014. 

slim-bannerShelby: I have a friend who’s having a frustrating time at work. Her department and position is currently transitioning to something different, so until everything is finalized she’s working two different positions. I can see how, from a management perspective, that would be the perceived best way to transition someone into a new job. For her, though, it just means she’s two jobs to do instead of one, and instead of focusing on one or the other she has to half-ass both. I think one of the toughest things about managing a company is avoiding situations like my friend’s. You have to be able to manage your people in such a way that they are able to do their tasks to the best of their abilities. It’s important to diversify and grow the skills of your employees, but not at the cost of prohibiting them from doing their actual job, especially if that job is being one of the world’s greatest spies.

Continue reading →

Mar 17 2014

Deadpool 25

deadpool 25

Today, Patrick and Greg are discussing Deadpool 25, originally released March 12th, 2014

Patrick: In high school, I did theatre. Like a lot. Acting, directing, writing, set building, lighting, sound, Vice President of the Drama Club — I was a damned theatre rat. It was great, I loved it and built my whole life and identity around it. But I was also kind of a jerk in high school. At the height of my jerkishness, the director of our theatre program told me that she used to think I was funny, until she realized I was just mean. Which is a harsh thing for a teacher to say to a child, but I’m sure I was asking for it. I was socially destructive, and alienated all of my friends in that world. It was the nuclear option: I had hurt too many people to stay in that circle. So I bailed — on my hometown, on theatre, on all of those people that used to be my friends. Was I acting out of self-preservation or was I protecting my friends from further exposure to my toxic attitude? Deadpool 25.NOW shows Wade’s world melting down around him in the most predictable way, as the Merc with the Mouth is unable to find peace in resolution. He too bails, and whether its a selfless or selfish act is heartbreakingly ambiguous. Continue reading →

Mar 14 2014

Hawkeye 17

hawkeye 17Today, Spencer and Patrick are discussing Hawkeye 17, originally released March 12th, 2014.

Spencer: Hawkeye is consistently one of the most daring comic books on the shelf. That doesn’t necessarily mean it’s always making the biggest, most shocking moves, but it does mean that anything’s fair game when it comes to this book. An issue told from the point of view of the dog? Sure! Killing off a beloved supporting character then spending months and months revisiting the event from every conceivable angle? Why not?! Separating the main characters then dividing up the narrative between them? Seems do-able! Matt Fraction doesn’t shy away from taking risks with Hawkeye, no matter how strange or mundane, and Hawkeye 17 is one of the strangest of all. Fortunately, it’s charming as all get out. Maybe that’s the true legacy of Hawkeye: the risks always pay off. Continue reading →

Mar 14 2014

All-New X-Men 24

Alternating Currents: All-New X-Men 24, Drew and ShelbyToday,  Drew and Shelby are discussing All-New X-Men 24, originally released March 12th, 2014. This issue is part of the Trial of Jean Grey event.

jean gray divDrew: As much as I can understand the appeal of seeing your favorite superheroes fight, the strained justifications for why they were fighting in the first place always got in the way of it being any fun. Shouldn’t Superman have heard of Batman? Shouldn’t they know they’re on the same side? These problems are exacerbated in cohesive publishing universes where you can confirm that, yeah, every hero should basically have heard of every other hero by now. Brian Michael Bendis discovered a creative end-run around this problem in All-New X-Men — the time-displaced original X-Men ultimately missed a LOT of introductions to Earth’s superheroes — which finds its logical conclusion issue 24 as they face off against the Shi’ar Imperial Guard. I mean, honestly, how would they know they were on the same side? Continue reading →

Mar 11 2014

Wolverine and the X-Men 1

wolverine x-men 1Today, Patrick and Taylor are discussing Wolverine and the X-Men 1, originally released March 5th, 2014.

“Those who can, do. Those who can’t, teach.”

Patrick: I have a number of teacher-friends, my colleague and responder on this article, Taylor among them. The idiom above is largely bullshit, but it stings enough that I’ve seen links posted on facebook to articles decrying the attitude that it represents. The argument always follows that teaching presents its own specific challenges, distinct from the discipline being taught. (The follow-up argument, naturally, being that teachers are under-valued in our society, but like whatever: we’re all undervalued.) For my money, the hardest thing about teaching has got to be the shifting of priorities, from the betterment of yourself to the betterment of others. When I fail myself — write a bad article, perform as crummy scene, log something incorrectly in QuickBooks — I’m mostly just hurting myself. But when a teacher blows off their duties, there are a bunch of people, children even, that pay the price. Wolverine and the X-Men renumbers itself and zeros in on this burden of responsibility, just who can deal with it and who’s struggling. Continue reading →