Deadpool Annual 2

Alternating Currents: Deadpool Annual 2, Drew and PatrickToday, Drew and Patrick are discussing Deadpool Annual 2, originally released May 21st, 2014

Drew: Humor — and especially jokes — are defined by our expectations. A set-up literally sets up a framework that the punchline carefully subverts. “Orange you glad I didn’t say banana?” only makes sense if there was ever an expectation that the joke-teller was going to say “banana”. The point is, those expectations are absolutely crucial to the success of a joke, which makes a jokey comic book character like Deadpool a bit of an anomaly. He exists in a world filled with superpowered mutants, aliens, robots, and gods — it’s hard to have a concrete set of expectations when anything is possible, anyway. So, how do you keep Deadpool from disappearing up his own butt? With the Deadpool Annual 2, writer Christopher Hastings chooses to mine the expectations we have for Spider-Man, resulting in a substantive deconstruction of Spidey, but revealing little about Wade himself.

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Chat Cave: Amazing Spider-Man 2

Editor’s Note: Sorry this is coming out so late, gang!

Following only five years after the conclusion of Sam Raimi’s Spider-Man films, the first Amazing Spider-Man struggled to justify its own existence. Amazing Spider-Man 2 suffers from a different proximity effect garnering early comparisons to the similarly overstuffed and tonally inconsistent Spider-Man 3. Are those comparisons fair? You can bet we have thoughts on that. Welcome to the Chat Cave.
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Original Sin 2

original sin 2Today, Shelby and Drew are discussing Original Sin 2, originally released May 21st, 2014.

Shelby: Last issue, we discussed the merits of a superhero murder mystery. Patrick mentioned that the fluidity of the rules of the superhero world make for a much more fast and loose sort of mystery. It raises the question of how such a mystery can even exist; when you’ve got Emma Frost and Doctor Strange running around, how can you possibly know the answer to anything? I suppose that is was the Watcher’s function; despite the number of characters who have the capability of knowing everything, Uatu was the only one who actually did. The entity for whom there was no mystery is now the subject of a murder mystery of epic proportions. That fact is not lost on writer Jason Aaron, who decides to further upend the concept of the murder mystery by telling us who did it in the second chapter.

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Original Sin 1

original sin 1

Today, Patrick and Taylor are discussing Original Sin 1, originally released May 7th, 2014.

Do we… check for a pulse or… did he even have a pulse? Do we know?

Captain America, Original Sin 1

Patrick: Superhero murder mysteries are a trip. In a traditional murder mystery, the audience should all have the same basic understanding of the rules of the game. That way, we’re able to play along as detectives in our own right. Half of the fun in watching a fictional detective solve a crime is feeling like you’re one step behind, just a shade less insightful than hero of our story. But superheroes live in a different universe, with scores of different rules that change and contradict each other throughout the course of history. The abilities and motives of the murder suspects could be…literally anything — you know how many of these characters can alter reality? The first proper issue of Original Sin sets a wildly complicated stage, and while I don’t think I have a chance in hell of reaching the conclusion before our heroes do, I do have a sense of what’s at stake for our lead detective: the original Nick Fury.

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A + X 18

a+x 18Today, Patrick and Drew are discussing A + X 18, originally released March 28th, 2014.

Patrick: There was always going to be something artificial about the A + X conceit. For as much as it feels like they’re all good guys, so they should have no problem teaming up for a little BAM-POW superhero adventuring, there’s just too much baggage to sustain it for very long. As the series comes to close, it appears that A + X was a promise too heavy to be supported by such a fluffy, carefree experience. The final issue seems split on this opinion, simultaneously expressing how similar the two groups are while stubbornly refusing to find common ground between the two.

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The Superior Spider-Man 28

superior spider-man 28Today, Patrick and Drew are discussing The Superior Spider-Man 28, originally released February 26, 2014.

Patrick: There’s a persistent tension inherent to any narrative based on a lie or secret between its characters. Writer Dan Slott has been successful enough at fleshing out who exactly Otto is in the body of Peter Parker, so the issue of “will anyone find out what’s really going on?” often takes a back seat to Otto’s superheroic machinations. And yet, that tension is still there: that’s not Peter Parker, and the truth is going to infuriate people. Secret-based stories basically have two options if they’re to last — 1) reveal the mystery and let the characters deal with the ramifications of that revelation (as in Mad Men or Breaking Bad) or 2) string the mystery out ridiculously straining credibility (as in Dexter). With an end-date to the Superior franchise in sight, Slott breathlessly catapults Otto toward option one. It’s an invigorating thrill ride as all of Otto’s chickens come home to roost.

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The Superior Spider-Man 27

superior spider-man 27Today, Spencer and Drew are discussing The Superior Spider-Man 27, originally released February 12th, 2014.

Spencer: One of the most enjoyable aspects of a writer having a long run on a title is watching elements from earlier issues resurface in surprising ways later on down the line. I think perhaps my favorite example of this is in Jon Rogers’ pre-reboot Blue Beetle run, where Jaime Reyes managed to bring back weapons, plans, and allies from nearly every one of his earlier adventures to use in his epic endgame against the Reach. It brought a nice sense of closure and finality to the proceedings, not to mention made for a thrilling game of “catch-the-reference.” I got a similar feeling from this week’s Superior Spider-Man, where plot points writer Dan Slott has been seeding for the past 27 issues begin coming back en masse, both to Otto’s relief and to his detriment. Continue reading

The Superior Spider-Man 25

superior spider-man 25Today, Spencer and Drew are discussing The Superior Spider-Man 25, originally released January 15th, 2014.

Spencer: SPOILER ALERT: Peter Parker’s coming back.

Of course, anybody who has been keeping up with comic news in even the slightest already knows this. With news of Peter’s upcoming return in mind, it’s hard to look at The Superior Spider-Man 25 without focusing on just how exactly his return will play out and what it will mean for Otto. Fortunately, writer Dan Slott (assisted on this issue by Christos Gage) is ramping up the intrigue as this book nears its end. I have no idea how this series will resolve itself, but I do know one of the things I’m going to miss most about it: the expansive world and cast of supporting characters Slott has built up around Otto. Continue reading

A + X 16

a+x 16

Today, Patrick and Taylor are discussing A + X 16, originally released January 8th, 2014.

Patrick: We quiet, sensitive nerds at Retcon Punch tend to bask in the more intimate, honest moments in our superhero beat-em-ups. It’s not that we don’t also love a good fight or car chase or explosion or whatever, but we savor those moments when the characters stop to catch their breath. Its in those moments where the characters actually distinguish themselves, not in between punches, but after when all their precious training and superpowers can’t assist them. A+X 16 tells two such stories, neither of which have easy answers and both show the real mettle of our heroes.

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Weekly Round-Up: Marvel Comics Released 11/20/13

round upLook, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, Drew and Ethan discuss Thunderbolts 18, A+X 14, Superior Spider-Man Annual 1, Longshot Saves the Marvel Universe 2, Young Avengers 12, Uncanny X-Men 14, X-Men 7, and X-Men: Legacy 20.

slim-banner4Drew: Our Infinity-fatigue is pretty well catalogued at this point, but Charles Soule continues to find a fresh angle in Thunderbolts 18. Where other series are preoccupied with piecing together a monolithic narrative by retracing the same steps, Soule has stayed very street-level, keeping his team focused on the mission at hand, even as New York crumbles around them. They manage to succeed in that mission in spite of each of them being focused on their own problems. Indeed, with a significant portion of the resolution arriving via the coincidental overlap of those problems, this series feels all the world like the superhero version of Seinfeld. Continue reading