Tag Archives: Steve Rogers

Oct 28 2014

She-Hulk 9

So, look. I'm not saying that writing is easy. This is a craft. It requires a certain set of skills, a patience, a level of general competency. And as someone who fancies himself a writer, it's a little painful to see something that reads at such a high level above what I could possibly do. Extrapolating even further past that, She-Hulk is devastating. Excruciating. I want to take sharp objects and whittle away my skin, exposing my tender flesh to the harsh elements so that I may embrace the harsh, tortuous reality of my own limitations. Did I mention that I rather enjoyed She-Hulk 9 by Charles Soule, Javier Pulido and the rest? Because it was something special. In the Marvel comics universe, superheroes are rather common. A dime a dozen, even, and since all but a few of them are headquartered in my own home of New York City, you can pretty much toss a stone and hit someone invulnerable without even trying. It takes little effort to read a comic about a character with super-strength, but, I must say, it's not quite as simple to read about a character in a law firm. In fact, I can really think of only two major comic book characters who are lawyers, and, well, what do you know? In this issue, both feature prominently. It's almost like it was planned that way, who'dka thunkit? Marvel legend Matthew "Daredevil" Murdock goes up against Jennifer "She-Hulk" Walters in court for, near as I can tell, the first time in comics history. This alone is monumental, and having them war over the fate of Captain America can only add to the significance. And as the middle issue of the saga, having the exact details of Captain America's brazen culpability revealed, with his arrogance leading to the death of an innocent, presents something of a moral quandary. How can one defend someone that blatantly pushes an unstable man, to the point of someone else paying the price? And at the same time, how do we condemn arguably the greatest hero in Marvel's history, the leader of the Avengers, somebody who has saved the country, the world, even the universe, countless times? Daredevil sidesteps these issues quite comfortably, presenting the struggle in clear legal terms. Is Captain America in any way responsible for this man's death? Setting aside his famed heroism, the good Captain is human, and can he suffer grave errors in judgement? And in the same vein, She-Hulk attacks Murdock's approach in technical terms, so that the judge may throw out the case before it grows further. Although a strategy plagued by Steve Rogers' own sense of...responsibility? Justice? Guilt? The issue showcases a clear representation of a court of law, with a level of accuracy rarely seen in casual fiction. In fact, few writers in the comics industry could show such a devoted insight to the details of the legal system, discussing case dismissals and mistrials and everything that I don't understand, but Charles Soule clearly does. It's not a surprise, really. Soule has quickly risen to the top of the comics industry for many reasons--his immense skill level, the top-rank books he writes, and the sheer quantity of his workload. And yet, in addition to all of this, he has a day job. A law practice, even. Something that most other people would consider a full-time job, Charles Soule takes on as...more than a hobby, certainly, with the level of devotion he provides. It's admirable, and in his work, it shows. With as much devotion as Soule puts in, though, artist Javier Pulido matches, especially in page layouts. I'm happy to attribute many strengths to Pulido, including a recognition of facial expression matched by few modern artists not named Jamie McKelvie, but there are even less artists on top-tier titles who have such an innate mastery of the craft that Pulido expresses. His layouts with She-Hulk pursuing Daredevil amongst the rooftops of San Francisco capture superheroics so seamlessly, and that's merely a fraction of the issue. The final two panels of the issue, which I won't spoil here, are so casually intertwined, and yet flawlessly challenge any other artist to present two opposing viewpoints with anything resembling the same level of poignance. Even the notable admissions of Steve Rogers in this very issue can't match the message in Pulido's work. He's just that good. The fate of the ongoing She-Hulk title has been somewhat the forefront of comics news as of late, with a not-unexpected but equally not-accepted cancellation that apparently fits with the creative team's plans but not hopes. The quality of this issue presses the unpleasantness of this news, but I'm anxious to see how Charles Soule wraps the many plotlines built in this series and exacerbated by this issue. With the last-page reveal, Drew, how do you suspect Soule may write around what could be a dramatic change to Marvel comics (one that, let's face it, will likely not be allowed in a tertiary title?) Has this historic challenge between Marvel's two most notable lawyers met with your expectations? And, most importantly, what do you think of Kevin Wada's cover for this issue? Because for me, Wada's covers have been probably the best part of a series that has basically zero flaws, and yet I sort of feel like this is his weakest cover on the book yet. It's almost traditional. Come on, Wada. You can do better.Today, Shane and Drew are discussing She-Hulk 9, originally released October 22nd, 2014. 

slim-bannerShane: So, look.  I’m not saying that writing is easy. This is a craft.  It requires a certain set of skills, a patience, a level of general competency. And as someone who fancies himself a writer, it’s a little painful to see something that reads at such a high level above what I could possibly do. Extrapolating even further past that, She-Hulk is devastating. Excruciating. I want to take sharp objects and whittle away my skin, exposing my tender flesh to the harsh elements so that I may embrace the harsh, tortuous reality of my own limitations.

Did I mention that I rather enjoyed She-Hulk 9 by Charles Soule, Javier Pulido and the rest? Because it was something special. Continue reading →

Jun 10 2014

Original Sin 3

original sin 3

Today, Drew and Shelby are discussing Original Sin 3, originally released June 4th, 2014.

Someone shot and killed…a planet. I’m gonna need a minute to process that.

Moon Knight

Drew: The last time we talked about this series, I couldn’t get over how over-the-top comic book-y it is. And I mean that quite specifically: it’s not just epic or violent (as so many summer crossover events tend to be), it’s also whole-heartedly absurd, embracing all of the silliness that makes comics so much fun in the first place. Or, at least I thought that’s what this series was. Immediately after building to the line highlighted in the epigraph, this issue takes a sudden turn into the gory. The abruptness of the shift in tone makes it utterly shocking, but it may also rob this series of the frivolity that distinguished it from the likes of DC’s joyless gore-fests. Continue reading →

May 28 2014

The Amazing Spider-Man 2

spider-man 2Today, Spencer and Taylor are discussing The Amazing Spider-Man 2, originally released May 21st, 2014.

Spencer: I’m a pretty big fan of Doctor Who, and one of my favorite aspects of the show is that its premise has infinite possibilities; the writers can literally take the Doctor to any location or time-period they can imagine. The only problem is that the network created a rule that every episode has to feature a monster of some sort. This isn’t a huge deal — monsters are an essential part of the Doctor Who mythos — but it becomes rather frustrating when there’s an episode that doesn’t need a monster, but has one shoehorned in anyway; at its best it’s distracting, but at its worst it can derail episodes completely. Dan Slott and Humberto Ramos’ The Amazing Spider-Man 2 suffers from a similar problem; while the scenes about Peter are quite enjoyable, everything about Electro’s inclusion feels shoehorned, and it threatens to derail the entire issue. Continue reading →

May 22 2014

Original Sin 2

original sin 2Today, Shelby and Drew are discussing Original Sin 2, originally released May 21st, 2014.

Shelby: Last issue, we discussed the merits of a superhero murder mystery. Patrick mentioned that the fluidity of the rules of the superhero world make for a much more fast and loose sort of mystery. It raises the question of how such a mystery can even exist; when you’ve got Emma Frost and Doctor Strange running around, how can you possibly know the answer to anything? I suppose that is was the Watcher’s function; despite the number of characters who have the capability of knowing everything, Uatu was the only one who actually did. The entity for whom there was no mystery is now the subject of a murder mystery of epic proportions. That fact is not lost on writer Jason Aaron, who decides to further upend the concept of the murder mystery by telling us who did it in the second chapter.

Continue reading →

Apr 9 2014

Chat Cave: Captain America: The Winter Soldier

Marvel continues to grow its movie universe with its second installment of our favorite super soldier in Captain America: Winter Soldier. Naturally, we all want to talk about it. Probable spoilers after the break: welcome to the Chat Cave.
Continue reading →

Feb 3 2014

Inhumanity 2

inhumanity 2 INH

Today, Shelby and Ethan are discussing Inhumanity 2, originally released January 29th, 2013.

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Shelby:

Death is lighter than a feather. Duty, heavier than a mountain.

Shienaran proverb, The Wheel of Time

With great power, comes great responsibility.

Ben Parker, Spider-Man 

Continue reading →

Dec 27 2013

Avengers 24

Avengers 24Today, Spencer and Drew are discussing Avengers 24, originally released December 24th, 2013. 

Spencer: Writer Jonathan Hickman has been playing with the metaphor of the Avengers being a machine throughout his entire run on Avengers. In theory it seems like a perfect idea, and Infinity has proven its efficiency in-universe, but there’s one little problem; it turns the various Avengers themselves, each an unique individual with their own skills and personalities, into little more than parts that can be moved around within the machine as needed. Hickman’s writing has often followed suit, using the Avengers to further his own grandiose mythology, but the most enjoyable part of Avengers 24 is the few pages where the machine grinds to a halt and the Avengers are allowed to just be themselves. Continue reading →

Dec 17 2013

A + X 15

a+x 15

Today, Ethan and Scott are discussing A + X 15, originally released December 11th, 2013.

Ethan: A + X revels in the chance to turn big name team-ups into superpowered Laurel & Hardy shorts, and A + X 15 follows suit. Along the way, we get a rehash on an age old question of metaphysics, a bio of a famous president, and the alien invasions of our fast-food franchises.

Continue reading →

Dec 11 2013

Avengers Annual 2013

Aternating Currents: Avengers Annual 1, Drew and DanToday, Drew and guest writer Dan Jones are discussing Avengers Annual 2013, originally released December 4th, 2013. 

slim-bannerDrew: Superheroes are a lonely bunch. They’re generally unlucky-in-love. Many of them are orphans (or had other close loved ones die). They also have isolating responsibilities and power-sets that can make them difficult to relate to. Unless, of course, they’re trying to relate to other superheroes. Characters like Iron Man and Captain America seem peerless when surrounded by everyday schmucks, but they act as serviceable peers to one another. That emotional support can be lost in stories that attempt to justify their team-ups with ever-bigger baddies to punch (coughInfinitycough), but can be a goldmine for savvy writers. Kathryn Immonen goes a step further in the Avengers Annual 2013, making the subtext of superhero loneliness the text, and giving the Avengers a reason to team up besides a giant bad-guy. Continue reading →

Nov 29 2013

Infinity 6

infinity 6-INFINITY

Today, Ethan and Spencer are discussing Infinity 6, originally released November 27th, 2013. This issue is part of the Infinity crossover event. Click here for complete Infinity coverage.

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Ethan: When I was starting college, I knew – objectively – that I would at some point no longer be a student; I’d graduate, get a job, do the adulthood thing. But at the time, steeped in the day-to-day evasion of and frantic return to schoolwork, hanging out with friends, sleeping as little as possible, the thought if college actually ending rarely crossed my mind. And then BAM it was time to get up to go to the early-morning rehearsal for the graduation ceremony. College was finished, I was moving into a new apartmen and starting a new job. That sense of disconnect – when something long awaited feels as though it happens and is shoved into the past before we have the chance to actually experience – is the same feeling I’ve gotten during most of the turning points in the Infinity event, and the same is true of its finale. Continue reading →