All-New X-Men 6

all new x-men 6

Today, Drew and guest writer Ethan Andyshack are discussing All-New X-Men 6, originally released January 16th, 2013.

Drew: Like the characters in All-New X-Men, comics have a complicated relationship with their own histories. Some fans love the richness imparted by a long, cohesive history, while others are put off by the notion of needing to know every little detail for a story to make any sense. Obviously, the situation with All-New X-Men is made even more complicated by the notion of time travel (what narrative isn’t?), but that complexity might just allow it to comment directly on comics history. That wasn’t a revelation I was expecting out of this series, but it’s one that comes through with piercing clarity in All-New X-Men 6. Continue reading

Saga 9

Alternating Currents: Saga 9, Drew and Shelby

Today, Drew and Shelby are discussing Saga 9, originally released January 16th, 2013.

Drew: My trumpet teacher used to talk about the “Ascending Spiral Groove Thang,” the notion that you can gain a lot from an idea by returning to it after you have different experiences to relate it to. He was using it as a (valid) justification for retreading the same lessons for his advanced players that he gave to his beginners, but I often think about it in terms of appreciating narratives. Many stories that I enjoyed well enough as a kid became significantly more meaningful once I had my own experiences with loss, heartbreak, or leaving home. Of course, I’m a far cry from having seen it all, and nothing reminds me of that more than parenting stories. Whether they feature uptight professionals (or lazy slobs) whose lives are turned upside down by an adorable street urchin, or a good old-fashioned “we’re having a baby!” story, the moral is always the same: having a kid changes everything. I suspect these stories keep being told because artists keep experiencing it — a kind of “no, seriously: HAVING A KID CHANGES EVERYTHING” — and because the stories themselves can never really do the experience justice, all of which leaves me feeling like I’m probably missing something all parents just get. Fortunately, that ignorance doesn’t prevent me from enjoying said narratives, as Saga 9 so ably demonstrates. Continue reading

Superboy 16

superboy 16 HelToday, Patrick and Drew are discussing Superboy 16, originally released January 16th, 2013. This issue is part of the H’el on Earth crossover event. Click here for complete H’el on Earth coverage.

Patrick: Drew had to fight pretty hard to find some meaning in last month’s issue of Superboy. I’m not saying his assertions are wrong, but they certainly meet Tom DeFalco more than half-way. Shelby was not so kind. This issue, by comparison, brings some strong characterization of Superboy, non-stop action and an interesting theme (with clever call-backs). This issue isn’t going to start any Superboy-revolution, but it is a tonally consistent, exciting story. Maybe I’m setting the Superbar pretty low at this point…

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Indestructible Hulk 1-3

hulk 1-3

Today, Shelby and Patrick are discussing Indestructible Hulk 1-3, originally released November 21st, 2012, December 19th, 2012, and January 16, 2013.

Shelby: The Hulk is not a complex character. He exists as rage incarnate, smashing his way through everything in his path, and basically unstoppable once he gets started. There’s no ulterior motive, no hidden agenda, no personality, just smashsmashsmash. He makes for some sweet action sequences, but that’s about it. The Hulk gets interesting when you consider his relationship with Bruce Banner. Because Banner can basically turn into a nuclear bomb at any moment, he doesn’t exactly get invited to a lot of backyard barbecues; his life has been spent in isolation, desperately seeking a cure for his chronic Hulk-itis. Mark Waid has decided enough is enough for sad science Banner, and is pointing both Banner and the Hulk in a whole new direction.
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Daredevil 22

Alternating Current: Daredevil 22, Drew and MikyzpltkToday, Drew and Mikyzptlk are discussing Daredevil 22, originally released January  16th, 2013.

Drew: Last month, I marveled at the reveal of Otto Octavius’s Spider-Man at the end of Daredevil 21. I thought the choice of Kirsten for that first encounter was a brilliant one, since while we expect our heroes to be in the know, we’re used to civilian friends to be kind of clueless (coughJimmyOlsoncough). Of course, Marvel is playing a much longer game with Otto in the Spidey suit, so it’s a necessity that Matt not figure things out right away, either. I’m generally wary of dramatic irony that keeps the hero in the dark — it’s too often played with an obviousness that makes the heroes come off as dumb — but Mark Waid manages to find a logical, thematically resonant reason for Matt to overlook Spider-Man’s odd behavior by tying it back to his personal life. Continue reading

Captain America 1-3

captain america 1-3

Today, Patrick and Shelby are discussing Captain America 1-3, originally released November 21th, December 19th, 2012 and January 16th, 2013.

Patrick: Captain America is a character defined by his time. Other characters may be products of the time during which their creators were writing them – Superman, Wolverine, Deadpool, Hal Jordan – all of these guys bear the stamps of the decades they were introduced. But that Captain America concept is frozen in time, locked in place by a character-defining opportunity to kick Nazi-ass. So how does one update the intentionally old-fashioned? It’s not even like you can just drop Steve Rogers into a modern American military conflict and watch the action play out: we’re not exactly storming beaches anymore. So where’s an old soldier supposed to feel at home? Why, a dangerous, barren wasteland that ignores the laws of physics, of course!

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Frankenstein Agent of S.H.A.D.E 16 (Final Issue)

frankenstein 16

Today, Shelby and Scott are discussing Frankenstein Agent of S.H.A.D.E., originally released January 16, 2013.

Shelby: I’m going to be honest: I just finished the last issue of Frankenstein, and I have no idea what just happened. I’m not sure what I was expecting; the last issue wrapped up so conveniently with the formation of the nigh-unstoppable undead army we’ve seen in Animal Man. Even though this issue isn’t a part of Rotworld, and even though it is the last issue of the title, I guess I thought there would be some sort of connectivity between issues 15 and 16, that we would see some kind of closure for these characters we’ve come to (briefly) know. Instead of having Frank go out in a blaze of glory, Rotworld style, or having Frank and Nina live happily ever after, Matt Kindt has returned these two to “same old, same old” and the effect is…rather hollow.
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Batgirl 16

Alternating Currents: Batgirl 16, Drew and PatrickToday, Drew and Patrick are discussing Batgirl 16 originally released January 16th, 2013. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

Drew: Themes are tricky. As a semi-abstracted element of storytelling, they require an attention to detail that simply isn’t always there, but our perennial favorites never seem to struggle. Gail Simone has proven herself particularly adept at weaving notions of fear and independence into Batgirl, creating individual issues that satisfy emotionally even when the narrative doesn’t conclude. Leave it to the Joker to throw a wrench in those gears, thwarting any sense of thematic unity — essentially generating a meta-theme of chaos. It’s a brilliant and unexpected choice that manages to make the reading experience subtly unsettling beyond the issue’s own gruesome imagery. Continue reading

Threshold 1

threshold 1

Today, Mikyzptlk and Patrick are discussing Threshold 1, originally released January 16th, 2013.

Mikyzptlk: When I first learned I’d be writing about Threshold, I was intrigued because I’m always excited to try out new comics. Unfortunately, Green Lantern: New Guardians Annual 1 happened and I suddenly began dreading this write-up. The GL:NG Annual was essentially the prologue of the main feature in Threshold, and even though I kept an open mind when reading it, I couldn’t help but remember the disappointment and frustration I felt just a short week ago. Those things are easy to remember as this series continues to have the same problem that the Annual had in that it’s WAY too wordy. Worst of all, the issue begins by committing the cardinal story telling sin of telling instead of showing.

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Batman 16

Alternating Currents: Batman 16, Drew and ShelbyToday, Drew and Shelby are discussing Batman 16 originally released January 16th, 2013. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

Drew: One of the most thrilling things about Christopher Nolan’s The Dark Knight was the surprisingly strong case it made for Joker’s way of thinking. Obviously, we aren’t meant to agree with his murderous methods, but any time he’s given a chance to explain his worldview, he actually makes a pretty compelling argument. The effect was a surprisingly nuanced take on the nature of freedom, drawing our attention to just how untenable Batman’s outlook is, as well. Scott Snyder manages a similar trick in Batman 16, making Joker’s argument alluring, even as his methods are utterly horrifying. Continue reading