Monthly Archives: August 2017

Aug 28 2017

Archie 23: Discussion

by Spencer Irwin and Ryan Mogge

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Spencer: One of the few consistencies throughout all iterations of Archie is that Archie Andrews, as a character, catches a lot of flak, not just from his friends, but from readers and viewers especially. Whether it’s his inability to choose between Betty and Veronica in classic stories or his almost complete cluelessnes/uselessness in Riverdale, there’s a lot to rag on the poor kid about. Why does he continue to endure and work as a lead character, then? Mark Waid and Audrey Mok pinpoint the reason in Archie 23: whatever his faults, Archie loves his friends with all his heart. Continue reading →

Aug 28 2017

Collaboration Must Be Fun in Doctor Strange 24

by Taylor Anderson

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

To be a comic book writer you have to have a certain amount of trust in people. I say this because unless you’re one of those uber-talented and driven writers who can do it all, you have to depend on another person to put your words and directions into pictures. Aside from the loss of creative control this may represent to an author, there are also logistical worries involved in this process. When an artist is penciling Doctor Strange, for example, they are going to need pretty clear directions from the author given that a lot of what they draw has to be things that don’t exist in real life. How exactly do you tell someone to draw all those bizarre magical beasties Stephen has to fight? Continue reading →

Aug 28 2017

Unknown history sits at the heart of Batgirl 14

by Drew Baumgartner

Batgirl 14

This article contains SPOILERS. If you haven’t read the issue yet, read on at your own risk!

I’ve never been a huge fan of dramatic irony — I can appreciate how giving us more information than the characters have can produce tension (or humor), but that information kind of gets in the way of relating to the characters. Still, I have a heck of a lot more patience for dramatic irony than I do its exact opposite, where characters are privy to information that is deliberately withheld from the audience. Not only does the tension it create feel cheaper (amounting to little more than a narrative chant of “I know something you don’t know”), it makes the characters even harder to relate to, as we’re necessarily left in the dark about what they might be thinking or feeling. All of which kept me from truly enjoying Batgirl 14. Continue reading →

Aug 25 2017

Secret Empire 9: Discussion

by Michael DeLaney and Patrick Ehlers 

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

“All good things must come to an end”

Geoffrey Chaucer, Troilus and Criseyde 

Michael: Secret Empire is racing towards its conclusion: previously trapped heroes have been freed, once broken spirits have been re-emboldened, and the bad guys themselves are starting to realize that the odds might not be in their favor. After all, all “good” things come to an end — especially evil empires. Unfortunately, that repurposed Chaucer maxim can also apply to the quality of an ongoing Marvel event, as Secret Empire 9 loses a little bit of the title’s oomph. Continue reading →

Aug 25 2017

The Flash 29 Is An Issue Divided

by Spencer Irwin

This article will contain SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

The bi-weekly shipping schedule DC’s implemented for some of its top books has been a benefit to the speed of the narrative, but it’s been more problematic when it comes to the artwork. While some titles have found elegant solutions to this problem, others have worked their way through fill-in artists almost haphazardly. The Flash, unfortunately, is one of the latter, and issue 29 is especially egregious in that regard. Continue reading →

Aug 24 2017

Discussion: Generations: The Unworthy Thor and the Mighty Thor 1

by Taylor Anderson and Drew Baumgartner

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Taylor: I never have high hopes for crossover issues simply because, more than anything else, they tend to be really goofy. Goofy can be a good thing, but the kind of goofy I’m talking about here isn’t. Going into this issue, I was prepared to be underwhelmed simply because the the idea of pre-Mjolnir Thor teaming up with the current Thor felt, well, goofy in a bad way. However, I am delighted by this issue because it knows exactly what it is. Writer Jason Aaron is firing on all cylinders in an issue that is at once funny, brazenly over the top, full of great character moments. Continue reading →

Aug 24 2017

Driving Toward the Single Arresting Moment in Hal Jordan and the Green Lantern Corps 27

by Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Y’know that scene in Raging Bull  where Jake LoMatta (DeNiro) is in the ring and takes that slow-motion jab right to the nose? Sure you do — even if you haven’t seen the movie, it’s one of those moments that’s been parodied and emulated hundreds of times in the four decades since the film’s release. The punch slowly ripples across Jake’s face, breaking his nose and forcing a geyser of blood to erupt from his head. Its a explosive moment of physical horror which comes after nearly two whole hours of slowly unspooling emotional horror — effectively, it is thematic material of self-destruction made literal and permanent. There’s something about the violence of that choice that shakes the audience awake, casting everything that happened before it, however gradually, in to sharp, sudden relief. In Hal Jordan and the Green Lantern Corps 27, writer Robert Venditti and artist Rafa Sandoval drive towards a similarly gross moment, and while they steer into the silliness of it, the inherent gore in cutting out Orion’s heart serves the shake the reader awake. Continue reading →

Aug 24 2017

Black Krrsantan’s Past Is Finally Revealed in Star Wars: Doctor Aphra Annual 1

by Mark Mitchell

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Doctor Aphra is a book built around taking familiar characters from the Star Wars universe and remixing them by removing their moral compasses. Chelli Aphra is the Han Solo who would have taken his reward at the end of A New Hope and never looked back as the Rebels attacked the Death Star. Her robot compatriots, BeeTee and Triple-Zero, are the lovable C-3PO and R2D2, but also they’re always looking for opportunities to murder. And Black Krrsantan? He’s always been a bit of a mystery, but Doctor Aphra Annual 1 revels in finally letting the audience in on his past. Continue reading →

Aug 23 2017

Thor Morality Explored in Mighty Thor 22

by Taylor Anderson

This article contains SPOILERS! If you haven’t read the issue, proceed at your own risk.

War is all-consuming, even if the war itself is just. If you doubt the logic of this statement, just ask Volstagg what he thinks about the subject. After witnessing the deaths of innocent Dwarven children at the hands of fiery Muspelheim marauders, Volstagg has become the War Thor. In this role, he will do all he can to exact revenge on the Queen of Cinders, who ordered the strike on the Dwarves — even, it would seem, commit the same crime he’s avenging. But one has to ask: is killing children the act of a Thor? Continue reading →

Aug 23 2017

Love, Survival, and Loss in Cloudia and Rex 2

by Mark Mitchell 

This article contains SPOILERS. If you haven’t read the issue yet, read on at your own risk!

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In our discussion of Cloudia and Rex 1, I praised creators Ulises Farinas, Erick Freitas, and Daniel Irizarri for their honest portrayal of a grieving family in extraordinary circumstances, and their work continues to sing in this second act. I’m especially taken with their ability to deftly inject humor into the darker moments of the issue, like when Death sends Cloudia a text message posing as a boy she likes that reads, “Hello, would you mind engaging in a phone speak?” The fine line they walk between making Cloudia an honest-sounding selfish, reluctant teenager, but still relatable and likable is, frankly, remarkable. Continue reading →