Category Ethan Andyshak

Dec 10 2013

Velvet 2

velvet 2

Today, Shelby and Ethan are discussing Velvet 2, originally released December 4th, 2013.

Shelby: I do so enjoy a good spy thriller. There’s something about the James Bonds, the Jason Bournes, the Ethan Hunts that is just impossibly cool. They’ve got the neatest gadgets and the most impressive skills. The life of a spy is built on lies, no one can really be trusted. The story is intrigue layered on mysteries, usually layered on top of betrayal. That’s why I think the mole-hunt/double agent story is my favorite kind of spy thriller; it transforms the necessity of the secrets and lies into a liability. Who better to hide from spies than another spy? Who could take down a secret agency other than one of its own? How is an agency supposed to find a mole when all its own tricks are being used against it? Ed Brubaker and Steve Epting take on these questions in their spy thriller Velvet, and it is exactly as fun as you would think.
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Dec 4 2013

FF 14

FF 14

Today, Patrick and Ethan are discussing FF 14, originally released December 2nd, 2013.

Patrick: “The eve of battle” is an experience most of us will never literally experience – simply by virtue of the fact that so few of us will ever experience “battle.” The phenomenon, however, is immediately recognizable. People get introspective and honest and fearless the night before Something Big happens. That’s why people hook up the last day of camp, that’s why you stay up too late the night before finals watching Lord of the Rings with your friends. There’s something about the Bigness of the next day that makes every flight of fancy seem relevant. As the FF find themselves staring down the barrel of a battle royale with Doctor Doom, the Allreds chase down every impulse and curiosity, revealing a beautiful mosaic as quirky and particular as the team itself. Continue reading →

Nov 29 2013

Infinity 6

infinity 6-INFINITY

Today, Ethan and Spencer are discussing Infinity 6, originally released November 27th, 2013. This issue is part of the Infinity crossover event. Click here for complete Infinity coverage.

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Ethan: When I was starting college, I knew – objectively – that I would at some point no longer be a student; I’d graduate, get a job, do the adulthood thing. But at the time, steeped in the day-to-day evasion of and frantic return to schoolwork, hanging out with friends, sleeping as little as possible, the thought if college actually ending rarely crossed my mind. And then BAM it was time to get up to go to the early-morning rehearsal for the graduation ceremony. College was finished, I was moving into a new apartmen and starting a new job. That sense of disconnect – when something long awaited feels as though it happens and is shoved into the past before we have the chance to actually experience – is the same feeling I’ve gotten during most of the turning points in the Infinity event, and the same is true of its finale. Continue reading →

Nov 27 2013

Weekly Round-Up: Marvel Comics Released 11/20/13

round upLook, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, Drew and Ethan discuss Thunderbolts 18, A+X 14, Superior Spider-Man Annual 1, Longshot Saves the Marvel Universe 2, Young Avengers 12, Uncanny X-Men 14, X-Men 7, and X-Men: Legacy 20.

slim-banner4Drew: Our Infinity-fatigue is pretty well catalogued at this point, but Charles Soule continues to find a fresh angle in Thunderbolts 18. Where other series are preoccupied with piecing together a monolithic narrative by retracing the same steps, Soule has stayed very street-level, keeping his team focused on the mission at hand, even as New York crumbles around them. They manage to succeed in that mission in spite of each of them being focused on their own problems. Indeed, with a significant portion of the resolution arriving via the coincidental overlap of those problems, this series feels all the world like the superhero version of Seinfeld. Continue reading →

Nov 22 2013

Avengers 23

avengers 23 infinityToday, Spencer and Ethan are discussing Avengers 23, originally released November 20th, 2013. This issue is part of the Infinity crossover event. Click here for complete Infinity coverage.

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Spencer: Guys, I’m just gonna be frank with you; I’m getting kind of tired of Infinity.  I thought it started out great, with immense threats, exciting action, a fun war-story vibe and a colorful cast of alien supporting characters who were fleshed out just enough so that the scenes featuring them weren’t boring, but Infinity never really broke away from or added any depth to that formula, and after over ten issues of it, I’m thoroughly tired of this interstellar war-story. Maybe writer Jonathan Hickman is too; it would explain why this issue of Avengers feels so pointless. Or maybe he just thinks that the infiltration of the Peak is important enough to devote two whole issues to; unfortunately for us, it’s not. Continue reading →

Nov 19 2013

All-New X-Men 18

Today,  Ethan and Taylor are discussing All-New X-Men 18, originally released November 13th, 2013.

Ethan: The best part of being in a relationship is that you get to spend so much time with the one you love. The worst part of being in a relationship is that you get to spend so much time with the one you love. For the X-Men, isolated from the world by that tricky little accident of being born with the X-gene, their ties to each other are incredibly strong. It’s no surprise that they so often find passionate love and lifelong friendship inside their circle. Just like any family or couple, though, they often drive each other completely crazy. Breathing room is hard to find when you’re all stuck in the same space, whether it’s a mansion or a mountain bunker, and All-New X-Men #18 explores how they fight, how they cope, and how they move forward.

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Nov 18 2013

The Rocketeer & The Spirit: Pulp Friction 3

rocketeer 3

Today, Drew and Ethan are discussing The Rocketeer & The Spirit: Pulp Friction 3, originally released November 13th, 2013.

“It’s the moment, when the movie … becomes an entirely different movie.”

DJ McCarthey

Drew: I’ve said it before (and I’m sure I’ll say it again): I love thinking about form. It’s one of the most fundamental elements of storytelling, and I believe that studying a narrative’s form informs us more about our own experience reading it than even the best plot or character analyses. I’m always looking for new perspectives on form, and was happy to see John Roger’s post on 3-Point Plotting on Mark Waid’s own Thrillbent. It’s a fairly straightforward introduction to the standard three act structure, but I had never seen it broken down so succinctly into “disruption, reversal, and conclusion.” I was particularly intrigued by Roger’s discussion on the reversal — which he defines using that McCarthey quote — as it explains the all-too familiar experience of a narrative changing direction abruptly after I’m already invested in what was going to happen. What happens when you liked what a story was more than the story it becomes? Continue reading →

Nov 11 2013

Longshot Saves the Marvel Universe 1

longshot 1

Today, Patrick and Ethan are discussing Longshot Saves the Marvel Universe 1, originally released November 6th, 2013.

Patrick: This summer at E3, two of the biggest brands in video gaming had to pitch their new systems at an audience that hadn’t had to think about new consoles in years. It’s an absurd proposition when you think about it: spend $400 dollars on one of these boxes so you can play games (oh by the way, you can keep playing games on the boxes you already own). Technologically, the boxes are nearly identical, but something has to separate Sony from Microsoft, so the small differences suddenly became the biggest. In one of the biggest dick-moves I’ve ever seen come out of the conference, Sony specifically pointed to all of those tiny flaws in Microsoft’s XBox One, and said “yeah, we’re not making those mistakes.” There’s something refreshingly honest about Sony embracing the ‘us vs. them’ mentality that the fans have been espousing forever. Especially in light of DC’s reboot and their current editorial woes, Marvel is well-poised to make few quiet assertions about what they’re proud to be… and a few things they’re proud not to be. Continue reading →

Nov 8 2013

Amazing X-Men 1

Today, Taylor and Ethan are discussing Amazing X-Men 1, originally released November 6th, 2013.

Heaven is a place where nothing ever happens.

– “Heaven” by The Talking Heads

Taylor: So sings David Byrne in describing his vision of paradise. Whatever your beliefs or disbeliefs of heaven may be, there’s no denying the power of the imagery the word or thought evokes. For some, it may be a rosy paradise full of angels strumming on harps. For others it may be a state of mind that represents tranquility. And for others still it may mean a bed full of Doritos being fed to you while Arnold Schwarzenegger movies play endlessly on repeat (or is that hell?). But what would heaven look like to a member of the X-Men? A danger room set to beyond-lethal difficulty? A utopia where humans and mutants get along? A place free of the burden of having augmented powers? In Amazing X-Men 1, we get our answer and fans are reintroduced to a member of the X-Men who they have surely been missing.

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Nov 1 2013

X-Men: Battle of the Atom 2

battle of the atom 2 ATOM

Today, Patrick and Ethan are discussing X-Men: Battle of the Atom 2, originally released October 30th, 2013. This issue is part of the Battle of the Atom event. Click here for our complete coverage of Battle of the Atom.

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‘But,’ said Sam, and tears started in his eyes, “I thought you were going to enjoy the Shire, too, for years and years, after all you have done.’

‘So I thought too, once. But I have been too deeply hurt, Sam. I tried to save the Shire, and it has been saved, but not for me. It must often be so, Sam, when things are in danger: some one has to give them up, lose them, so that others may keep them.’

-Lord of the Rings, The Return of the King

Patrick: There’s a timbre to endings — a quiet cadence that mixes melancholy with hope. It’s an absurdly powerful tool in the writer’s box of tricks, and when it works, its hits the reader’s heart like a sock full of pennies. It’s the payout on the contract struck between the author and the audience, and it’s important for those moments to land. Battle of the Atom 2 executes so many muted goodbyes that it necessitates four epilogues, and aching sincerity occupying about half the issue. None of these moments reach the poetic heights of our buddy Tolkien up there, but the issue does manage its own form of bitter-sweet closure. It’s just the kind of closure that promises that we’re going to keep right on trucking on to the next adventure… and inevitably, to the next reality-warping event. Continue reading →