Thor: God of Thunder 8

Thor 8

Today, Patrick and Shelby are discussing Thor: God of Thunder 8, originally released May 8th, 2013.

Patrick: I’ve got a story I like to tell about the end of my tequilla renaissance. Shelby and Taylor were there, they can tell you that I made some bad decisions that evening where booze was concerned. I’ll spare you all the theatricality of it, but highlights include: leading my friends in an incoherent late-night jam of Mario Bros. music in our apartment building; crying naked in the bathroom; and vomiting in the bed. What can I say – I’m a classy guy. If only I’d been accompanied by two more-experienced versions of myself-from-the-future, maybe I could have made less impulsive decisions that night. Maybe. Let’s see how that same line of thinking applies to Thor. Continue reading

Justice League of America 3

JLA 3

Today, Mikyzptlk and Patrick are discussing Justice League of America 3, originally released May 8th, 2013.

Mikyzptlk: Justice League of America is a series starring the “world’s most dangerous” superheroes. However, since the start of this title, these dangerous heroes have mostly been sitting around, talking to one another. Some, like myself, didn’t mind this all too much, while others didn’t exactly feel the same way. Regardless, the last issue promised us some good old fashioned fisticuffs. This issue delivers on that promise, but it spends the rest of the issue in a virtual standstill as far as the overall plot goes. There have been some developments as far as the team itself is concerned, but is that enough to excuse the lack of significant plot progression? Continue reading

Batwing 19-20

batwing 19-20

Today, Patrick and Drew are discussing Batwing 19 and 20, originally released April 3rd and May 1st, 2013.

Patrick: We’ve seen a lot of creatives shifts in the DC line-up in the last couple of months — and there are a few more up-coming — but none have been quite so bold as Batwing to explicitly toss out the old version of the character for a new one. Not only does the Batwing costume change, but the man behind the costume changes, and there’s nothing to connect one Batwing to the next. And that’s the real problem: the concept of Batwing is one that require justification and understanding. Through this transition, new series writers Jimmy Palmiotti and Justin Gray do nothing to explore that for either the venerable David Zavimbe or the newbie Luke Fox. Continue reading

Chat Cave: Iron Man 3

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Marvel Studio’s follow-up to the uber-successful Avengers movie, Iron Man 3, came out this weekend to mixed reactions from critics and fans, but it cleaned up at the box office, certifying the longevity of the whole Avengers’ stable of films. The movie also serves a double roll — concluding the Iron Man series while kicking off Marvel’s Phase II. How well did it succeed in any of these capacities? Welcome to the Chat Cave.

Patrick: I had the pleasure of seeing this movie with my little brother, Jack — who until recently, had been writing about a title-a-week with us. He’s the fascinating case of someone who had never seen any of the Iron Man movies and also has not seen The Avengers. As a self-contained adventure, this worked amazingly well for her. I don’t know how the Marvel Studios guys do it, but they manage to make relatively faithful superhero movies that aren’t steeped in dense mythology. Walking out of that movie, Jack concluded that Tony’s superpower was “data management,” which sounds like it should be boring. But there are enough ultra-fast-talkin’ sequences and super-computer-assisting-crime-solving sequences to dramatize this super-collation of data in engaging and funny ways. Continue reading

Iron Man 9

iron man 9

Today, Patrick and (guest writer) Pete Pfarr are discussing Iron Man 9, originally released May 1st, 2013.

Patrick: Expectations are a bitch. Sometimes we perceive quality based solely on the similarity a work of art has to what qualities we were expecting it to have. Expectations make us say things like “Fantastic Four is supposed to be fun!” or “Evil Dead is supposed to be campy!” Thanks to the cinematic juggernaut that is the Iron Man film series, there are an awful lot of “supposed to”s for Tony Stark. As Kieron Gillen starts a new story arc for Iron Man, he lays all our precious expectations out on the table and then shakes his finger sternly. Whatever we’re getting here, it ain’t what we expect. Continue reading

Swamp Thing 20

swamp thing 20

Today, Patrick and Scott are discussing Swamp Thing 20 originally released May 1st, 2013.

Patrick: What’s your greatest fear? It’s something that could happen to you, right? Your worst fear isn’t that you’re living the life you’re living right now. But that’s the case for Alec Holland – everything he had to lose, he lost. Can you imagine what a bummer it’d be to realize your worst fear was that you’d live your life as you had? Christ, that’s depressing. It’s regret at its most primal level, and it’s exactly what we’re dealing with in Swamp Thing 20. Continue reading

Age of Ultron 7

Alternating Currents: Age of Ultron 7, Drew and Patrick

Today, Drew and Patrick are discussing Age of Ultron 7, originally released May 1st 2013. This issue is part of the Age of Ultron crossover event. Click here for complete AU coverage.

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Drew: I wanted to start this writeup with the clip from Back to the Future part II where Doc explains the notion of “alternate 1985” — the idea that changing something while time traveling to the past can create a timeline different from the one you know. It’s a common notion (and plot device) in most time-travel stories, but Doc explains it quite clearly in a simple chalkboard diagram. When I went hunting for that clip, however, I was bemused to discover that most of the discussion of that scene hinges on how the rest of the movie doesn’t really adhere to its rules (how does Biff of 2015 return to the “original” timeline — which needs to happen in order for Marty and Doc to use the delorean to return to 1985 — if he is coming back from creating the “alternate” timeline?) which illustrates the larger problem of time-travel stories: they can’t ever make any sense. Continue reading

Young Avengers 4

young avengers 4

Today, Spencer and Patrick are discussing Young Avengers 4, originally released April 24th, 2013. 

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Spencer: Tricksters are a common archetype in most works. They spread chaos, disregard authority, and cheat, con, and lie in whatever ways they can to get what they want. We all feel like we know better than to trust them, and so do our protagonists, but the best tricksters find a way to get past our defenses and bend us to their whims anyway. Kieron Gillen knows exactly how to write an effective trickster, and his Loki — one of the oldest and greatest — somehow manages to keep surprising both the Young Avengers and the readers; he might just be proving himself a greater threat than even that pesky interdimensional parasite.

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Invincible 102

Alternating Currents: Invincible 102, Drew and PatrickToday, Drew and Patrick are discussing Invincible 101, originally released April 24th, 2013.

Drew: Big reveals can be a lot of fun, but they often have the effect of retroactively making everything leading up to them seem patently absurd. The very notion of “spoilers” bears this out — sure, knowing Bruce Willis was dead all along removes the impact of the reveal, but the more lasting effect of knowing is that it draws your attention to how hard the movie works to never explicitly show that he’s alive, ruining what would have otherwise seemed totally innocuous. Once you know he’s dead, he can’t credibly be seen as not dead, which makes the whole movie kind of dumb. As a newcomer to Invincible, the big reveal in issue 102 feels a lot like that spoiler, shifting our perspective on a character so drastically that I find it hard to believe we could have ever thought anything else. Continue reading

Uncanny X-Men 5

uncanny x-men 5

Today, Ethan and Patrick are discussing Uncanny X-Men 5, originally released April 24th 2013.

Ethan: Each of us has at least two definitions of self – the one we show to the world, and the one we identify as our true self. The external definition — the mask — is usually a tool we use to fit in. Perhaps your mask is funnier than you believe the “real” you truly is, or more confident, or more flippant, or more compassionate. Some of us may present a version of ourselves that is not too different than the one we believe to be true; others of us may show a face that’s more dramatically different than our internal, hidden one. Whatever the distance between the public and private self, whatever qualities you infuse into this living theater of personality, you — and only you — can fully plumb the difference. That is of course, assuming that you know who the “true” you is. In Uncanny X-Men #5, Brian Michael Bendis begins to peel back the figurative and literal masks worn by Magik, reminding us of her past and exploring the present condition of the rebel mutants.

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