Category Patrick Ehlers

Patrick Ehlers, Co-Editor-In-Chief
patrick@retcon-punch.com

Location: Los Angeles

History With Comics: Patrick came late to the comics game. After enjoying adaptations of Batman, Superman and the Justice League, he was finally tricked into picking up a set of graphic novels after seeing Robert Rodriguez’ Sin City. Naturally, this lead to further exploration of Frank Miller’s work, specifically with Batman. But it was not until an unexplainable desire to read Blackest Night that Patrick began purchasing the trades of Geoff Johns’ run Green Lantern. With a convenient new entry point and a handful of friends to follow him into the madness, Patrick began reading monthlies with the New 52’s Justice League #1.

New 52 Favorites: The Flash, Swamp Thing, Batwoman

Other Favorite Comics: Usagi Yojimbo, Teenage Mutant Ninja Turtles, Saga

Mar 14 2013

Batman and Robin 18

Alternating Currents: Batman and Robin 18, Drew and Patrick

Today, Drew and Patrick are discussing Batman and Robin 18, originally released March 13th 2013.

Drew: I could have told you that summarizing and analyzing a dialogue-free comic would be hard — pictures are worth a thousand words, but the words in comics direct our attention, and provide context for those images. Strictly speaking, sequential art doesn’t require words, but they’re so common (especially in superhero comics) that to eschew them altogether feels downright radical. This isn’t meant as a value judgement — I’ve read many great dialogue-free comics — just to say that it’s a little outside my wheelhouse. By all rights Batman and Robin 18 should be hard to talk about because of it’s lack of dialogue, but instead, it’s hard to talk about because it’s so fucking sad. Continue reading →

Mar 13 2013

The Superior Spider-Man 5

superior spider-man 5

Today, Shelby and Patrick are discussing Superior Spider-Man 5, originally released March 6th, 2013.

Shelby: For a super-villain, murder is often the most efficient way to do business. Unless you need hostages or information, civilians are at best in your way, and at worst witnesses to your nefarious deeds. Also, there’s no more efficient way to be feared and considered dangerous than by ganking a few innocent bystanders. It’s why so many heroes have pretty strict “no kill” rules; not only does it make the hero the diametric opposite of the villain, there are also times when not killing is the harder choice. Doing the hard thing (like saving the life of a cold-blooded murderer) because it’s the right thing is a core tenet of hero-ness. When faced with a choice between what’s right and what’s efficient, I think we all know which option Otto will choose.  Continue reading →

Mar 12 2013

Before Watchmen – Rorschach 4

rorschach 4 B4W

Today, Patrick and Drew are discussing Rorschach 4, originally released March 6th, 2013. Rorschach is part of DC’s Before Watchmen prequel series. Click here for complete Before Watchmen coverage (including release dates).

Patrick: You can’t understand Rorschach. Sorry, it’s true. The character is designed to defy your analysis and your close reading. So why attempt to explore the character’s past in Before Watchmen? What do we stand to gain from exploring the abyss? Brian Azzarello and Lee Barmejo bring the Rorschach mini-series to a close without answering these questions, leaving us to ponder what we expected of this whole experience.

Continue reading →

Mar 12 2013

Green Arrow 18

green arrow 18

Today, Patrick and Drew are discussing Green Arrow 18, originally released March 6th, 2013.

Patrick: I love a good narrative twist. I think we all get a thrill of adrenaline when the facts, as we knew them, are turned on their heads, and we’re forced to re-examine our characters, our priorities. There’s also that split second where you, as a reader or audience member, need to decide whether you’re on-board with the changes that are presented in the twist — can you accept this new reality? Continue reading →

Mar 7 2013

Age of Ultron 1

age of ultron 1AU

Today, Patrick and Drew are discussing Age of Ultron 1, originally released March 6th, 2013. This issue is part of the Age of Ultron crossover event. Click here for complete AU coverage.

ultron-div

Patrick: Y’all remember Battlestar Galactica? Until the show’s premise became too complicated to be expressed in a few simple sentence fragments, each episode would begin with the following titles projected across the screen:

The Cylons were created by man. They evolved. They rebelled. There are many copies. And they have a plan.

It’s exactly enough information to tease the world of the series. Yeah, there’s a lot more to it than that — this description makes no mention of the last scraps of humanity drifting through space in outdated battleships, or God or gods or Starbuck or Frak. It doesn’t have to: the purity of the threat represented by Cylons is so elemental and to render the rest beautiful, beautiful set-dressing to this central conflict. Battlestar would go on to tell a hundred compelling stories based of that clean slug-line, replete with rich themes and psychologically complex characters. Brian Michael Bendis’ Age of Ultron looks like it will have a great deal in common with BSG, the first such indication is a straightforward and agonizingly clean premise: “Hank Pym of the Avengers created an artificial intelligence known as Ultron. It hates humanity… and it has returned.” Game on.

Continue reading →

Mar 7 2013

Green Lantern 18

green lantern 18 wrath

Today, Mikyzptlk and Patrick are discussing Green Lantern 18, originally released March 6th, 2013. This issue is part of the Wrath of the First Lantern crossover event. Click here for our First Lantern coverage. 

Mikyzptlk: One of my favorite movies of all time is The Shawshank Redeption where Andy Dufresne is convicted of murders he did not commit. He spends twenty years in prison suffering one horrible thing after another until he decides he’s had enough. He no longer wants to suffer but knows that the only way to escape said suffering is to endure even more of it. He ends up crawling through the sewage pipe to escape, but on the other side finds freedom and a new life. I couldn’t help but think about Andy while reading the conclusion to Green Lantern 18 as Hal finds himself in similar situation. While Hal may not have to crawl through a river of shit to escape, his path to freedom may be even worse.

Continue reading →

Mar 5 2013

FF 4

ff 4

Today, Ethan and Patrick are discussing FF 4, originally released February 27, 2013.

Ethan: Growth is hard. Everyone’s familiar with the usual childhood “growing up” process, with all of its difficult changes, naïve missteps, puppy love, and idealism. Then there’s the second adolescence — of the mind rather than the body — that we deal with as we explore what it means to be an adult. The changes are more situational and relational than hormonal; the missteps become less laughably naïve but often have much larger consequences; idealism fades to pragmatism, and puppy love — well, love doesn’t really change that much. Alongside these more mundane types of development, life occasionally confronts us with something truly awful and growth stops being something we do as a matter of course and starts being something we do just to survive. In the hands of writer Matt Fraction and artist Michael Allred, FF #4 continues to show us a world in which the varieties of growth faced by children, adults, and survivors collide. Continue reading →

Mar 4 2013

Secret History of the Foot Clan 3

secret history of the foot clan 3

Today, Taylor and Patrick are discussing Secret History of the Foot Clan 3, originally released February 27th, 2013.

Taylor: It’s weird to consider the effect that our legacies have on us. Who are family is and was, where we have lived and what we have done all impact us greatly when it comes to crafting our current identity. For some, a legacy is a source of strength and pride, while for others it may be the cause of embarrassment and pain.  But speaking in the context of just a single lifetime, a person’s legacy can greatly influence their future actions. For a fun example, let’s take George Lucas. The man who created a classic and beloved franchise was so enamored with his legacy that he refused to listen to others when it came time to create his ill-fated prequels. Perhaps he was enamored with his own legacy as a genius myth-maker or perhaps he simply let pride get in the way. Nonetheless, his past influenced his actions, the resulting in a set of films that many felt betrayed his previous endeavors. It’s interesting to consider the role of legacies at play in the Secret History of the Foot Clan both — narratively and creatively — because they cannot be ignored in either instance. In this case, is the legacy a source of strength or a source of weakness?

Continue reading →

Mar 4 2013

Justice League Dark 17

justice league dark 17

Today, Patrick and Shelby are discussing Justice League Dark 17, originally released February 27th, 2013.

Patrick: Have you ever been introduced to a group of new people with a specific adjective? Someone says “this is my funny friend Patrick” or “you’ll be working with Patrick, he’s really smart.” Suddenly, it doesn’t matter how you view yourself, it becomes your singular goal to live up to that defining adjective. It’s stressful, but having your friends state their expectations of you right upfront increases that likelihood that you will be the thing they say you are. So what do you say about someone to turn them into your hero?

Continue reading →

Mar 1 2013

Aquaman 17

aquaman 17

Today, Patrick and Shelby are discussing Aquaman 17, originally released February 27th, 2013.

Patrick: When I originally got my friend Taylor into comic books, I suggested Scott Snyder’s Swamp Thing series. Taylor was intrigued, saying that the idea of a Captain Planet made of Plants seemed like a really fun book to read. Of course, Snyder’s Swamp Thing has more to do with elaborate mythologies and alternate futures and cool stuff like that, but that idea stuck with me. We read so few comic books about superheroes that stand for anything. Our heroes are driven by revenge or obligation or circumstance to fight crime, but none of them end up championing any causes – they just keep fighting whatever supervillains pop up to challenge them. After the events of Throne of Atlantis, Aquaman finds himself wedged uncomfortably between the roles of superhero and supervillain. What other choice does he have than to enact his own values and forge his own path?

Continue reading →